OPEN CALL FOR GRANTS IN FUNDACIÓN AMA AMOEDO
Fundación Ama Amoedo announces the call for the Grants Fundación Ama Amoedo 2024. With the aim of providing resources and opportunities for the strengthening of the art ecosystem and its institutions, a total of USD 100,000 will be divided into 10 grants of USD 10,000. Deadline to apply: July 30th, 2024.
Fundación Ama Amoedo’s grants will be awarded in four categories: Artists (four grants), Art and Social Engagement (two grants), Organizations (two grants), and Publications (two grants). Grants are intended for artists, artistic collectives, non-profit organizations, institutions and foundations that have a significant connection with Latin America, either by nationality, cultural heritage and/or the site where the project will be carried out. Terms and conditions, as well as the application form, could be downloaded from Fundación Ama Amoedo’s website, in Spanish, Portuguese and English. Deadline to apply: July 30th, 2024.
Artists Grants are intended for artists and/or artistic collectives whose practices are focused on the visual arts. Specific proposals for research or artistic creation will be accepted, such as: production of work or exhibitions, development of a project, archive or preservation of their own work, among other examples.
Art and Social Engagement Grants are intended to support specific initiatives that, through visual arts, contribute to generate a positive impact on society. Projects that use artistic practice to promote education, social inclusion and the enhancement of the community will be accepted with the aim of accompanying social and collaborative practices. They are aimed at artists, foundations, non-profits, collectives, among others.
Organizations Grants are intended to support specific projects of institutions or non-profit organizations aimed at promoting, preserving and disseminating the work of Latin American artists. Initiatives that contribute directly to the art ecosystem, such as archives, public programs, cultural exchanges, among others, will be accepted.
Publications Grants are intended to contribute to art publications and/or publications by Latin American artists. Non-profit artistic entities, individuals, and small and medium-sized publishing houses may apply.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
Casa Triângulo presented Algaravia, the first solo exhibition by Andy Villela at the gallery, featuring critical texts by Carolina Lauriano, Clarissa Diniz, Lucas Albuquerque, Lorraine Mendes and Victor Gorgulho.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
Casa Triângulo presented Algaravia, the first solo exhibition by Andy Villela at the gallery, featuring critical texts by Carolina Lauriano, Clarissa Diniz, Lucas Albuquerque, Lorraine Mendes and Victor Gorgulho.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
Casa Triângulo presented Algaravia, the first solo exhibition by Andy Villela at the gallery, featuring critical texts by Carolina Lauriano, Clarissa Diniz, Lucas Albuquerque, Lorraine Mendes and Victor Gorgulho.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
Casa Triângulo presented Algaravia, the first solo exhibition by Andy Villela at the gallery, featuring critical texts by Carolina Lauriano, Clarissa Diniz, Lucas Albuquerque, Lorraine Mendes and Victor Gorgulho.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD
The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS
Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.
