FERNANDO BRYCE: FREEDOM AND POST-TRUTH AT 1 MIRA MADRID
Freedom First is the first solo exhibition that Fernando Bryce (Lima, Peru, 1965) presents at 1 Mira Madrid and is practically a declaration of intentions. It is nothing new in the Peruvian artist's production his incitement, almost instigation, to analyse the political, social and communication reality through his works, authentic instruments that make use of the urgency of language and a certain recognizable visual iconography. And when this happens from practically every piece he makes, we can imagine what happens when it consists of an accumulation of pieces, a construction of a denouncing imaginary that leads to questioning history from almost infinite possibilities.
If Bryce's usual rhetoric makes an impact, precisely because of that visual language and that dialogue that is formed with the viewer to encourage us to review reality with our own criteria, his proposal becomes even more necessary in a world in which the self-styled post-truth has been appearing as a trap concept, a period of recent history in which the banal, the superfluous and the political slogans and propaganda of one side or the other have turned our lives into a grey fantasy of speculation and weariness serves as a framework for this new exhibition.
Freedom First, in addition to that declaration of intentions, is also the name of the series Bryce presents at the Madrid gallery, the same one already exhibited years ago at Berlin's Haus del Kulturen Der Welt and which focused on the structural and language elements in the Cold War and on the contrast of the quasi-propagandistic elements of one side and the other. The exhibition also includes and is completed by the series he dedicated to illustrious historical figures or his most recent American Way (2024), in which he uses anti-American collages to reinforce the criticism of certain tendencies of political encumbrance.
Preserving history as something untouchable through instruments that encourage its distortion is as serious as assuming that the past is not part of a present doomed to the immediate sublimation of any hint of combat against the surrender of the material and the real in favour of the cheap mantra that builds an improbable postmodernity. Bryce's proposal stands as that documentary tool, almost a tool for the reconstruction of certain existing realities so that they do not remain in oblivion. For this, it is necessary that desired instrumentalization of his work, of his drawing, which leads to that individual questioning, even though the author's subjectivity, obviously, is evident in the selection and arrangement in that order that, almost like an editor who watches over the editorial line of a medium, leaves some room for reinterpretation and criticism.
Fernando Bryce: Freedom First can be seen until July 23 at 1 Mira Madrid, 16 Argumosa St., Madrid, Spain.
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There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.
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There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.
Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.
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The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.
OPEN CALL: THE ARTIST SERIES PERU BY AMERICAN EXPRESS
The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.
"If you hear a voice within you say, "you cannot paint," then by all means paint, and that voice will be silenced".Vincent Van Gogh
PATRICIA SICARDI, A BOOK, A LIFE
"If you hear a voice within you say, "you cannot paint," then by all means paint, and that voice will be silenced".Vincent Van Gogh
Soy mujer que habla con el viento is the proposal that, around the production of the famous photographer Maya Goded (Mexico City, Mexico, 1967), presents the Madrid gallery Memoria (at its Centro venue) within the PhotoEspaña program.
Zielinsky presented Vera Chaves Barcellos' second solo exhibition at the gallery, entitled Objects 1969-1970.
Madrid's Galería Freijo presents a photographic exhibition that materializes two singular views of Mexico in the mid-20th century: that of Armando Salas Portugal (Monterrey, Mexico, 1916 - Mexico City, Mexico, 1995) and his photographic work on the buildings of architect Félix Candela (Madrid, Spain, 1910 - Durham, USA, 1997), and that of architect Roberto Fernández Balbuena (Madrid, Spain, 1890 - Mexico City, Mexico, 1966), and his almost botanical devotion to documenting the ahuehuetes.
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The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.
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Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.
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Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.
There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.
PROCESS AND CLIMATE IMPACT IN HERIBERTO NIEVES
There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.
Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.
THE STORIES OF PABLO LINSAMBARTH AT ICPNA
Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.
The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.
OPEN CALL: THE ARTIST SERIES PERU BY AMERICAN EXPRESS
The Artist Series by American Express is an initiative that supports the development of local artists. Digital artists, illustrators and graphic designers from Peru, emerging or young career, are invited to participate. Deadline to apply: July 15, 2024.
