Notes related to Pintura

The experience of visiting the exhibition of Martín Reyna (Buenos Aires, Argentina) at the galerie Bessiere called Fluides is truly captivating. To achieve this, the artist took full advantage of the topographical qualities of the exhibition space. Fluides is an installation that maps the artist's work including a selection of paintings, many of them in large format on paper as the main support.

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

Chilean gallery NAC exhibits at Pinta PArC the work of artists Diego Santa María, David Scognamiglio and Colomba Fontaine.

In March 1985, a breakthrough in filmmaking was released in United States’ theaters. Signed by Woody Allen and titled "The Purple Rose of Cairo", the search for the purple rose is nothing more than a way of approaching the impossible.

Emilio Martinez’s first solo museum exhibition Van Gogh, Lautrec, and me in NSU Art Museum. Curated by Bonnie Clearwater, Director and Chief Curator of the Museum.

El sueño sudamericano es la primera exposición individual de la artista en el PAMM, en Estados Unidos. Marcela Cantuária invita al espectador a considerar la naturaleza de estos sueños.

The exhibition presents more than thirty works by the Spanish artist preserved in the institutional collection, commemorating the 50th anniversary of his death.

The exhibition at Casa América presents the work of Cuban painter Rafael Soriano (1920-1915), a recognized master of geometric abstraction and a figure of global transcendence in the art world of the twentieth century.

The Boca Raton Museum of Art exhibits Paintings between Latin America, Africa and Europe by artist Oswaldo Vigas (1923-2014).

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Co-organized with IPEAFRO, Inhotim features Third act: Sortilege (Black Mystery) an exhibition with more than 180 works, including documents, books, and artworks by Abdias Nascimento.

The Museo Nacional Thyssen-Bornemisza, in collaboration with the National Gallery of London, presents a retrospective dedicated to the British painter Lucian Freud (1922-2011), on the occasion of the centenary of his birth.

"Giacoya" is the first solo exhibition of Floridian artist Mario Giacoya (1951) at the National Museum of Visual Arts (MNAV).

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

Raquel Forner. Spatial Revelations. 1957-1987 at Museo de Bellas Artes de Buenos Aires exhibits the series of paintings, drawings and engravings of the Argentine artist, dedicated to exploring the conquest of the cosmos.

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

ARKEN Museum of Modern Art opens the first major Leonora Carrington exhibition in Scandinavia. The artist was one of Surrealism’s key figures, rebelling against power hierarchies and conventions with a magical universe filled with humor, witchcraft and spirit.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

The new catalog raisonné of Oswaldo Vigas is now available online, thanks to the artist's foundation. This is the first Venezuelan artist to have a complete catalog of this kind.

This solo exhibition devoted to the work of acclaimed artist Tacita Dean, which is presented across the two galleries on the upper floor of the museum, is formed around two recent projects: a trilogy of works designed for The Dante Project (2021), a ballet inspired by The Divine Comedy, and One Hundred and Fifty Years of Painting (2021), a 16mm filmed conversation between the artists Luchita Hurtado and Julie Mehretu.

Sicardi | Ayers | Bacino is pleased to announce Antológica, a retrospective exhibition for gallery artist Graciela Hasper (b. 1966, Argentina) at the Museo Provincial de Bellas Artes Franklin Rawson in San Juan, Argentina. 

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

The Thyssen-Bornemisza National Museum (Madrid, Spain) contains the world view of the American people. Almost four centuries of American painting are on display in rooms 46 to 55 on the first floor of the museum. To name but a few names: Peale, Cole, Heade, Church, Hopper, Burchfield, Shahn, Rothko, de Kooning, Pollock, Estes... Probably the most complete collection of American art in Europe, and a must-see exhibition for anyone who wants to understand the history and thougt of the Western country.

On the occasion of the centenary anniversary of the 1922 Modern Art Week, a key event for the artistic avant-gardes in Brazil and which consolidated what would become known as modernism in the country, several exhibitions throughout the year (and also in 2021) revolved around, discussed, explained, replaced and 'cancelled' such an initiative. Considered a milestone in the cultural renewal of Brazilian art, the week was about to turn around in its already canonical grave.

Miami Dade College’s (MDC) Cuban Legacy Gallery, in collaboration with the American Museum of the Cuban Diaspora, presents Baruj Salinas: 1972–2022, a thematic survey of the acclaimed Miami-based Cuban American painter’s abstract work. Curated by Adriana Herrera, the show spans a half century of Salinas’ artistic career and features 40 works and includes paintings, works on paper, glazed ceramics, and an artist’s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition will be on view until August 14, 2022.

Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.