DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE
Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.
THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
THE OTHER FORMS OF ABSTRACTION IN LATIN AMERICA
The section dedicated to abstraction in the Strangers Everywhere / Stranieri Ouvunque exhibition at the Venice Biennale 2024 explores how artists from the Global South -particularly those from Latin America- pursued less rigorous forms, undulating lines and a vibrant color palette stemming from references of their own.
VIVIAN SUTER AND THE RELEVANCE OF SURROUNDINGS AT MAAT IN LISBON
Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.
ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
TOMÁS SARACENO'S INSTALLATION AT THE COPENAGHEN PLANETARIUM
The Copenhagen Planetarium opens a permanent installation by Tomás Saraceno, Cosmic Threads, where the public is invited to reflect on the enigmas of the universe and human responsibility for the future of the planet.
OLGA DE AMARAL IN PARIS: AN EXHIBITION AT THE FONDATION CARTIER
The Fondation Cartier pour l’art contemporain is presenting the first major retrospective in Europe of Olga de Amaral, a key figure of the Colombian art scene and of Fiber Art. The exhibition brings together nearly eighty works made between the 1960s and now, many of which have never been shown before outside of Colombia.
XIMENA GARRIDO-LECCA AT VERMELHO - A NEW VISION OF THE SYSTEM
AN EXHIBITION AT THE WHITNEY MUSEUM ADDRESSING POLITICAL, ECOLOGICAL, AND SOCIAL CHANGE
Shifting Landscapes is a group exhibition at the Whitney Museum that explores how constantly evolving political, ecological, and social landscapes inspire artists and their interpretations of the world around them.
SCIENCE & ART: STUDIOTOPIA INTERNATIONAL OPEN CALL
The Studiotopia international program is open for the submission of proposals to the residency program for young scientists or emerging artists. LABoral Centro de Arte y Creación Industrial -in collaboration with other institutions- announces an international call for non-Spanish artists. Deadline to apply: November 7, 2024.
ACCRETION: WORKS BY LATIN AMERICAN WOMEN
Santa Barbara Museum of Art presents the exhibition Accretion: Works by Latin American Women, with works from artists from the United States but with roots in Argentina, Colombia, Costa Rica, Cuba, Guatemala, Mexico and Peru.
FERNANDO LEMOS AND JAPAN REVIEWED AT GULBENKIAN
The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
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