BOSCO SODI AND THE VOLUME OF DARKNESS

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

By Álvaro de Benito
Reviews

BOSCO SODI AND THE VOLUME OF DARKNESS

By Álvaro de Benito

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

April 19, 2024
ALL THE FOREIGNERS REUNITED AT THE VENICE BIENNALE

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

News

ALL THE FOREIGNERS REUNITED AT THE VENICE BIENNALE

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

MAC LIMA COLLECTION: RESEARCH, CONSERVATION AND EXHIBITION

The Collection of the Museo de Arte Contemporáneo de Lima brings together works by Peruvian and international artists created since 1940 in media ranging from painting, sculpture and installation to photography and video. The exhibition is curated by Patricia Pajuelo, Giuliana Vidarte, Iosu Aramburu and Nicolás Gómez Echeverri.

News

MAC LIMA COLLECTION: RESEARCH, CONSERVATION AND EXHIBITION

The Collection of the Museo de Arte Contemporáneo de Lima brings together works by Peruvian and international artists created since 1940 in media ranging from painting, sculpture and installation to photography and video. The exhibition is curated by Patricia Pajuelo, Giuliana Vidarte, Iosu Aramburu and Nicolás Gómez Echeverri.

ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

News

ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

SANDRA VÁSQUEZ DE LA HORRA AT DENVER ART MUSEUM

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

News

SANDRA VÁSQUEZ DE LA HORRA AT DENVER ART MUSEUM

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

TURNING THE MEANINGS OF OUR CONTINENT UPSIDE DOWN: HERLITZKA & CO. + HENRIQUE FARIA AT PINTA PArC

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

By María Galarza
Reviews

TURNING THE MEANINGS OF OUR CONTINENT UPSIDE DOWN: HERLITZKA & CO. + HENRIQUE FARIA AT PINTA PArC

By María Galarza

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

April 17, 2024
HELICONIA PROJECTS PRESENTS GROUP EXHIBITION AT CASA VELAZQUES

HELICONIA PROJECTS presents The Fragility of Ancestral Time, a group exhibition of four international artists: Francisca Sosa López, Clara de Tezanos, Cecilia Fiona, and Olamide Ogunade.

News

HELICONIA PROJECTS PRESENTS GROUP EXHIBITION AT CASA VELAZQUES

HELICONIA PROJECTS presents The Fragility of Ancestral Time, a group exhibition of four international artists: Francisca Sosa López, Clara de Tezanos, Cecilia Fiona, and Olamide Ogunade.

CLAUDIA JOSKOWIZC, SOLO EXHBITION AT VALENCIA

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

By Álvaro de Benito
News

CLAUDIA JOSKOWIZC, SOLO EXHBITION AT VALENCIA

By Álvaro de Benito

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

JORGE EIELSON, THE LAST QUIPUCAMAYOC

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

By Álvaro de Benito
Reviews

JORGE EIELSON, THE LAST QUIPUCAMAYOC

By Álvaro de Benito

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

April 16, 2024

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