LINETT, ZEVALLOS VILLEGAS AND SARAVIA: LATIN AMERICAN PRESENCE IN VISIÓN Y PRESENCIA 2026

The three artists will bring their unique Latin American perspectives to reflect on the global themes addressed by the cycle: feminism, historical memory and power relations.

By De Benito, Álvaro
News

LINETT, ZEVALLOS VILLEGAS AND SARAVIA: LATIN AMERICAN PRESENCE IN VISIÓN Y PRESENCIA 2026

By De Benito, Álvaro

The three artists will bring their unique Latin American perspectives to reflect on the global themes addressed by the cycle: feminism, historical memory and power relations.

ÁUREA. Castro Prieto. El viejo saber, 2018

By Álvaro de Benito

The group exhibition features the participation of Cecilia Paredes and Luis González Palma, offering a necessary perspective from Latin America on the golden as a sign of wealth and temporal transcendence.

Galleries

VISIONS OF GOLD AS A SYMBOL OF POWER AT BLANCA BERLÍN

Until 03/07/2026
Madrid, Spain
WEAVING THE INVISIBLE: MORENO AND ENRÍQUEZ IN DIALOGUE AT LA TERCERA NAVE

La Tercera Nave brings together the practices of Linarejos Moreno and Vanessa Enríquez in a dialogue centered on the material and symbolic remnants of memory. Through the concepts of textiles and weaving, both artists address fragmentation from industrial and technological perspectives.

By De Benito, Álvaro
News

WEAVING THE INVISIBLE: MORENO AND ENRÍQUEZ IN DIALOGUE AT LA TERCERA NAVE

By De Benito, Álvaro

La Tercera Nave brings together the practices of Linarejos Moreno and Vanessa Enríquez in a dialogue centered on the material and symbolic remnants of memory. Through the concepts of textiles and weaving, both artists address fragmentation from industrial and technological perspectives.

WHEN A RENAISSANCE PAINTER OUTDRAWS CONTEMPORARY ART

The current exhibition devoted to Beato Angelico at Palazzo Strozzi is not only an art-historical event but also a revealing case study in how audiences engage with art today. It is the first major exhibition dedicated to the artist in more than seventy years (last time was in 1955) , and its success goes well beyond scholarly importance.

By Sancho-Arroyo, María
MARKET

WHEN A RENAISSANCE PAINTER OUTDRAWS CONTEMPORARY ART

By Sancho-Arroyo, María

The current exhibition devoted to Beato Angelico at Palazzo Strozzi is not only an art-historical event but also a revealing case study in how audiences engage with art today. It is the first major exhibition dedicated to the artist in more than seventy years (last time was in 1955) , and its success goes well beyond scholarly importance.

FROM MINUJÍN TO DE ANDRADE: A LUDIC INTERACTION WITH THE MNAD COLLECTION

By Álvaro de Benito

Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.

News

FROM MINUJÍN TO DE ANDRADE: A LUDIC INTERACTION WITH THE MNAD COLLECTION

By Álvaro de Benito

Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.

NETHERLANDS-MEXICO ARTISTIC AND CULTURAL COLLABORATION FUND: ENLACE CREATIVO 2026

The Enlace Creativo 2026 call for proposals is now open. This fund is intended to support collaborative projects that strengthen cultural and creative exchange between the two countries. Application deadline: January 30, 2026.

Open
Open Calls

NETHERLANDS-MEXICO ARTISTIC AND CULTURAL COLLABORATION FUND: ENLACE CREATIVO 2026

The Enlace Creativo 2026 call for proposals is now open. This fund is intended to support collaborative projects that strengthen cultural and creative exchange between the two countries. Application deadline: January 30, 2026.

Cortesía de Pinamar S.A.

This edition offers artists the opportunity to imagine, experiment with, and materialize a large-scale work with a strong territorial presence. Application deadline: March 31, 2026.

Open
Open Calls

PINAMAR CONTEMPORARY AWARD #2254 OPENS ITS CALL FOR SUBMISSIONS

This edition offers artists the opportunity to imagine, experiment with, and materialize a large-scale work with a strong territorial presence. Application deadline: March 31, 2026.

DONNA HUANCA INTERVENES IN THE CAAC WITH HER SENSORIAL LANGUAGE

By Álvaro de Benito

The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.

News

DONNA HUANCA INTERVENES IN THE CAAC WITH HER SENSORIAL LANGUAGE

By Álvaro de Benito

The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.

THE EARTH AS A FEMININE DIVINITY: DELCY MORELOS IN MEXICO

Within the framework of Mexico City Art Week 2026,  MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.

News

THE EARTH AS A FEMININE DIVINITY: DELCY MORELOS IN MEXICO

Within the framework of Mexico City Art Week 2026,  MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.

ANDREA CANEPA: THE PALACIO DE CRISTAL AS A SYMBOLIC BODY

By Álvaro de Benito

Andrea Canepa intervenes in the Palacio de Cristal at the Museo Reina Sofía with Fardo, an installation consisting of a large tarp inspired by pre-Columbian funerary bundles that transforms the building into a symbolic body, inviting reflection on what is visible and displayed, as well as on preservation and transformation.

News

ANDREA CANEPA: THE PALACIO DE CRISTAL AS A SYMBOLIC BODY

By Álvaro de Benito

Andrea Canepa intervenes in the Palacio de Cristal at the Museo Reina Sofía with Fardo, an installation consisting of a large tarp inspired by pre-Columbian funerary bundles that transforms the building into a symbolic body, inviting reflection on what is visible and displayed, as well as on preservation and transformation.

PINTA PANAMÁ ART WEEK 2026 OFFERS NEW DIALOGUE BETWEEN VISUAL ARTS AND CINEMA

This March, the event will once again take place in Panama City, opening new spaces for exchange to celebrate regional diversity.

News

PINTA PANAMÁ ART WEEK 2026 OFFERS NEW DIALOGUE BETWEEN VISUAL ARTS AND CINEMA

This March, the event will once again take place in Panama City, opening new spaces for exchange to celebrate regional diversity.

OPEN CALL: INDEX FREIRAUM RESIDENCIES 2026 FOR ARTISTS AND CURATORS

The platform offers residency and collaboration programs in Switzerland, with application deadlines of January 31 and February 15, 2026, providing stays with logistical and financial support and creative space for international artistic projects.

Open
Open Calls

OPEN CALL: INDEX FREIRAUM RESIDENCIES 2026 FOR ARTISTS AND CURATORS

The platform offers residency and collaboration programs in Switzerland, with application deadlines of January 31 and February 15, 2026, providing stays with logistical and financial support and creative space for international artistic projects.

THE WATER WELL: MATTER, TIME, AND ACCUMULATION IN THE WORK OF OSCAR MURILLO

The Colombian artist presents at kurimanzutto a body of works focused on the sedimentation of time and on painting understood as a process.

Galleries

THE WATER WELL: MATTER, TIME, AND ACCUMULATION IN THE WORK OF OSCAR MURILLO

Until 03/28/2026
Mexico City, Mexico

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