PHOTOGRAPHY AS A CONSTRUCTION OF ARCHITECTURAL SENSE

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.