TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY
Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

From Koolhaas to Hadid, the Transmodernismo project series by the Argentine photographer and performer proposes a game of eroticism and structure, a biplanic paradigm where these two elements form a single habitat. Between history and contemporaneity, the visual codes in the works do not challenge each other, nor do they challenge the public, they challenge the very idea of the morphological process as a generator of imaginaries. Barreda presents us, one inside the other, and on the other, and in the other, built spaces, both the architectural work and the role of women. In this way, she uses known forms to bring up the subject of the body as an imaginary, social and political element. Also alluding to the play on words "architecture / archetype", the artist concisely illustrates that what can be constructed is also, and for that very reason, deconstructable.
“Recreating the great architects of history, Le Corbusier, Niemayer, Amancio Williams, Rem Koolhaas and Zaha Hadid and Lina Bo Bardi, among many authors, I design and build utopian projects, reflecting on the new political forms of place and the body. In the work process, I also develop virtual forms of architectures for a habitat in the near future where technology redefines the notion of nature and the body." In this sense, Barreda builds from photography a dialogue between the natural and the constructed to precisely put them into question and open the possibility of examining the space not in the macro or in the micro, but through a biopolitization that intervenes in subjectivities.
Extrapolating the collective imaginarium that builds the idea of home, and fostering a estrangement from the spatial and bodily habitat, the artist achieves in Transmodernismos a vertex of physical occupation that is not materially imposed and that works on the thesis of morphological and constructive developments as the steel bars of patriarchy and its emotional and psychological habitability.
Fabiana Barreda was born in Buenos Aires in 1967. She is a photographer and performer, curator and art critic. She graduated from the Faculty of Psychology of the UBA, worked as Professor in Art Psychology at UNTREF and Contemporary Art at IUNA; she also gives seminars in the Architecture and Psychology majors at the UBA.
Since 1992, Barreda has participated in numerous exhibitions in Argentina and abroad, including Rotterdam (Holland), Havana (Cuba), Salzburg (Austria), among others. In 1996, she had her first solo show and since 1998 she works in the Habitat Project. In that same year, she edited the book The Underground City, a photographic essay with texts by Marc Augé, Clorindo Testa, Marcelo Pacheco and Jorge López Anayay, and in 2001 she published an alternative publication entitled Habitat Project Manifesto.
Her work can be found in the collections of the Museum of Modern Art in Buenos Aires, the ArteBA Foundation, the New York University and the Castagnino Museum in Rosario.
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Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.

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In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.
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In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.

Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.
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Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.

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Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.
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Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.

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Pinta BAphoto presents its 18th edition at Casa Basavilbaso, Buenos Aires. The Latin American photography fair with the longest history can be visited from September 21 to 25. The artistic meeting, dedicated to the promotion, dissemination and marketing of photographs, as of this year is presented as part of the Pinta Art universe accompanied by EFG Wealth Management as Main Sponsor. Tickets available for Friday 23, Saturday 24 and Sunday 25 September can be purchased at Ticketek
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Arte al Día is pleased to present a new editorial section. With a more holistic view of art, the new Architecture section is proposed as a platform for expansion. It will be carried out under the curatorship of the Argentine architect Alejandro Vaca Bononato.
NEW HORIZONS - ARCHITECTURE SECTION IN ARTE AL DÍA
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BAphoto premiered the in-person season in Buenos Aires with its seventeenth edition and celebrated with a fantastic meeting. Artists, gallery owners, curators, collectors and photography lovers came together to exhibit and enjoy the best of photography. The fair featured the outstanding work of curators Francisco Medail, Bárbara Golubicki, Irene Gelfman, Florencia Battiti, Rodrigo Alonso, Verónica Santalla and Celina Marco.
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"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.
CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC
"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.
THE MEANING OF TRIBUTE IN LIFE: LUCRECIA PLAT AT BAphoto 2021
In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.

Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.
EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY
Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.

The arteba Foundation turned 30 years old and celebrated it with a face-to-face fair at Arenas Studios, La Boca neighborhood. arteba 2021 created a space where artists, gallery owners, collectors, curators, cultural references and a massive public converged on the southern part of the City of Buenos Aires.
arteba 2021 - ACQUISITIONS, AWARDS AND CONCLUSIONS
The arteba Foundation turned 30 years old and celebrated it with a face-to-face fair at Arenas Studios, La Boca neighborhood. arteba 2021 created a space where artists, gallery owners, collectors, curators, cultural references and a massive public converged on the southern part of the City of Buenos Aires.

Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.
PHOTOGRAPHY AS A CONSTRUCTION OF ARCHITECTURAL SENSE
Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.

El sábado 13 de noviembre a las 18hs en el Patio Bullrich, se inaugura este Pop up curado por Irene Gelfman y que se titula Aprendí que en un milímetro del cielo está todo el cielo. El evento es con entrada libre y gratuita, y musicalizado por la artista multidisciplinar Ely DD.
INAUGURA EL CAPÍTULO II DEL POP UP DE BAphoto EN PATIO BULLRICH
El sábado 13 de noviembre a las 18hs en el Patio Bullrich, se inaugura este Pop up curado por Irene Gelfman y que se titula Aprendí que en un milímetro del cielo está todo el cielo. El evento es con entrada libre y gratuita, y musicalizado por la artista multidisciplinar Ely DD.

Pinta BAphoto presents its 18th edition at Casa Basavilbaso, Buenos Aires. The Latin American photography fair with the longest history can be visited from September 21 to 25. The artistic meeting, dedicated to the promotion, dissemination and marketing of photographs, as of this year is presented as part of the Pinta Art universe accompanied by EFG Wealth Management as Main Sponsor. Tickets available for Friday 23, Saturday 24 and Sunday 25 September can be purchased at Ticketek
PINTA BAphoto INAUGURATES SPRING WITH A WONDERFUL GATHERING
Pinta BAphoto presents its 18th edition at Casa Basavilbaso, Buenos Aires. The Latin American photography fair with the longest history can be visited from September 21 to 25. The artistic meeting, dedicated to the promotion, dissemination and marketing of photographs, as of this year is presented as part of the Pinta Art universe accompanied by EFG Wealth Management as Main Sponsor. Tickets available for Friday 23, Saturday 24 and Sunday 25 September can be purchased at Ticketek