AN INTIMATE CORPOREAL READING OF SCULPTURE AT META MIAMI
META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production.
Referring to the artist’s ouvre, art historian and independent curator Juan Carlos Ledezma wrote: "In the works of the last several years, Fernández proposes a reading of sculpture through spotless geometries and naked volumes that create a dialogue between the body and the works. The precise edges and outlines that define these sculptures and reliefs seem to blur their achromatic nature and sobriety, imparting an aura of calmness and timelessness, while giving them a light and ethereal quality - weightless and immaterial - in spite of the imposing dimensions of some of the works. Quiet but potent with energy, these shapes and forms penetrate, modulate, and mutate from one to the other, from negative to positive, from repose to motion in a sensuous inter-dialogue.”
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EROTILLO, 2010 - Fiberglass, carbon fiber, resin and polyurethane - 10.5 x 17 x 3.25 in (26.6 x 8.2 cm)
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EROTILLO, 2010 - Fiberglass, carbon fiber, resin and polyurethane - 10.5 x 17 x 3.25 in (26.6 x 8.2 cm)
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EROTILLO, 2010 - Fiberglass, carbon fiber, resin and polyurethane - 10.5 x 17 x 3.25 in (26.6 x 8.2 cm)
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UNTITLED, 2003/14 - Acrylic Gesso on Gypsum Cement and Resin (AquaResin) - 7 x 16 x 12 in (17.7 x 40.6 x 30.5 cm)
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UNTITLED, 2015 - Acrylic Gesso on MDF - 78.75 x 27.5 x 1.75 in (199 x 70 x 4.4 cm)
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UNTITLED, 2015 - Gesso on White Gypsum Cement - 20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
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CARIATIDE, 2019 - Gesso on MDF - 62 x 10 x 10 in (157 x 25.4 x 25.4 cm)
Fernández’s practice has traditionally been influenced and informed by the history and development of Modernism not only in Venezuela, his native country, but also in the rest of Latin America including Mexico, Brazil, Argentina, Puerto Rico and Perú. His works closely deal and relate to concepts and organic ideas of geometry, line and form, space, dance and music. In his series Lingam and Erotes, the artist explores theories and concepts of gender, offering a very personal take in the human body, eroticism and sex. Ledezma concludes: “In this most recent series of sculptures - from which a suite of photographs, present in the exhibition, reveal singular moments of the same works with subtlety and sensuality - Fernández remits, be it by their titles or by their forms, to archetypical erotic expressions of desire that reinterpret languages of 20th century Avant-Gardes.”
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UNTITLED (LOOP), 2013 - Acrylic Gesso on MDF - 40 x 70 x 1.5 in. (101.6 x 177.8 x 3.8 cm)
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UNTITLED (LOOP), 2013 - Acrylic Gesso on MDF - 40 x 70 x 1.5 in. (101.6 x 177.8 x 3.8 cm)
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UNTITLED (AFTER LINGAM), 2010 - Black and white print on fiber paper - 10 x 6 ½ in (25.4 x 16.5 cm)
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UNTITLED (AFTER LINGAM), 2010 - Black and white print on fiber paper - 6 ½ x 10 in (16.5 x 25.4 cm)
Born in Caracas, Venezuela, José Gabriel Fernández studied Fine Arts at Middlesex Polytechnic, London, 1979-82; Slade School of Fine Arts, University College London, 1986-88; and Whitney Independent Study Program, New York, 1988-89. Fernández lives and works in New York City.
His recent solo exhibitions include: Huxley-Parlour, London, UK, 2019; Henrique Faria Fine Art, New York, NY, 2011; Sala Mendoza, Caracas, 2010; Galeria Emma Molina, Monterrey, Mexico, 2007; Sicardi Gallery, Houston, TX, 2003. He also exhibited recently in groups exhibitions in London, Cuenca, Caracas, New York, Miami, Houston, Norton (Massachusetts), Santiago de los Caballeros (Domican Republic), Porto Alegre, Mexico City, Paris, San Sebastian, Sao Paulo and Rio de Janeiro.
Jose Gabriel Fernández | Selected Works (2003-2019)
Until September 10th
2751 North Miami Ave. Suite #1
Miami, FL. 33127
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This is the third solo show devoted to Luis Tomasello, and it highlights a selection of some thirty seminal Atmosphères chromoplastiques, Objets plastiques and Lumières noires spanning nearly forty years of creative activity, from 1976 to 2012.
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“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.
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The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).
The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.
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This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
This is the third solo show devoted to Luis Tomasello, and it highlights a selection of some thirty seminal Atmosphères chromoplastiques, Objets plastiques and Lumières noires spanning nearly forty years of creative activity, from 1976 to 2012.
ASCASO GALLERY IN MIAMI EXHIBITS GLOWING REVELATIONS: THE RELIEFS OF LUIS TOMASELLO
This is the third solo show devoted to Luis Tomasello, and it highlights a selection of some thirty seminal Atmosphères chromoplastiques, Objets plastiques and Lumières noires spanning nearly forty years of creative activity, from 1976 to 2012.
“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.
SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY
“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.
The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).
COSMOCOSA EXHIBITS CONCEPTUAL ART BY EMILIANO MILIYO AND EDUARDO COSTA
The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).
The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.
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The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.
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ERIKA VERZUTTI: THE INDISCIPLINE OF SCULTURE AT THE MUSEU DE ARTE DE SÃO PAULO
This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
This is the third solo show devoted to Luis Tomasello, and it highlights a selection of some thirty seminal Atmosphères chromoplastiques, Objets plastiques and Lumières noires spanning nearly forty years of creative activity, from 1976 to 2012.
ASCASO GALLERY IN MIAMI EXHIBITS GLOWING REVELATIONS: THE RELIEFS OF LUIS TOMASELLO
This is the third solo show devoted to Luis Tomasello, and it highlights a selection of some thirty seminal Atmosphères chromoplastiques, Objets plastiques and Lumières noires spanning nearly forty years of creative activity, from 1976 to 2012.
“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.
SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY
“It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.
The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).
COSMOCOSA EXHIBITS CONCEPTUAL ART BY EMILIANO MILIYO AND EDUARDO COSTA
The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).
The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.
JULIANA CERQUEIRA LEITE EXHIBITS IN HER KIND AT SARGENT’S DAUGHTERS GALLERY NEW YORK
The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.
This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.
ERIKA VERZUTTI: THE INDISCIPLINE OF SCULTURE AT THE MUSEU DE ARTE DE SÃO PAULO
This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.
