ASCASO GALLERY IN MIAMI EXHIBITS GLOWING REVELATIONS: THE RELIEFS OF LUIS TOMASELLO

Arman. Conceptual Perception, the first solo exhibition in Miami by the legendary French-American artist co-founder of the “Nouveau Réalisme” (New Realism), is the result of an applause-worthy collusion between the Ascaso gallery and Corice Canton, widow and trustee of the Arman Marital Trust and its vast legacy.

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

Michael Scoggins, New York-based artist, exhibits metonymic imagery of hints and references of the American culture in large scale artworks. On view until July 31st at Diana Lowenstein Gallery in Miami.  

Galería RGR (Mexico City) presents the fourth individual exhibition in the country of the Guatemalan artist, curated by curator and art critic Daniel Garza-Usabiaga. Questioning the relationship between the object and the social masses, the exhibition will be open until June 5, 2021.

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

Arman. Conceptual Perception, the first solo exhibition in Miami by the legendary French-American artist co-founder of the “Nouveau Réalisme” (New Realism), is the result of an applause-worthy collusion between the Ascaso gallery and Corice Canton, widow and trustee of the Arman Marital Trust and its vast legacy.

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

Michael Scoggins, New York-based artist, exhibits metonymic imagery of hints and references of the American culture in large scale artworks. On view until July 31st at Diana Lowenstein Gallery in Miami.  

Galería RGR (Mexico City) presents the fourth individual exhibition in the country of the Guatemalan artist, curated by curator and art critic Daniel Garza-Usabiaga. Questioning the relationship between the object and the social masses, the exhibition will be open until June 5, 2021.

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

Michael Scoggins, New York-based artist, exhibits metonymic imagery of hints and references of the American culture in large scale artworks. On view until July 31st at Diana Lowenstein Gallery in Miami.  

Galería RGR (Mexico City) presents the fourth individual exhibition in the country of the Guatemalan artist, curated by curator and art critic Daniel Garza-Usabiaga. Questioning the relationship between the object and the social masses, the exhibition will be open until June 5, 2021.

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

Arman. Conceptual Perception, the first solo exhibition in Miami by the legendary French-American artist co-founder of the “Nouveau Réalisme” (New Realism), is the result of an applause-worthy collusion between the Ascaso gallery and Corice Canton, widow and trustee of the Arman Marital Trust and its vast legacy.

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

Michael Scoggins, New York-based artist, exhibits metonymic imagery of hints and references of the American culture in large scale artworks. On view until July 31st at Diana Lowenstein Gallery in Miami.  

Galería RGR (Mexico City) presents the fourth individual exhibition in the country of the Guatemalan artist, curated by curator and art critic Daniel Garza-Usabiaga. Questioning the relationship between the object and the social masses, the exhibition will be open until June 5, 2021.

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

Arman. Conceptual Perception, the first solo exhibition in Miami by the legendary French-American artist co-founder of the “Nouveau Réalisme” (New Realism), is the result of an applause-worthy collusion between the Ascaso gallery and Corice Canton, widow and trustee of the Arman Marital Trust and its vast legacy.

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

Michael Scoggins, New York-based artist, exhibits metonymic imagery of hints and references of the American culture in large scale artworks. On view until July 31st at Diana Lowenstein Gallery in Miami.  

Galería RGR (Mexico City) presents the fourth individual exhibition in the country of the Guatemalan artist, curated by curator and art critic Daniel Garza-Usabiaga. Questioning the relationship between the object and the social masses, the exhibition will be open until June 5, 2021.

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production.