CONTEMPORARY HYBRIDITY IN MEXICO CITY

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.