GUILLERMO KUITCA’S NEW WORK ON LANDSCAPES
The internationally celebrated Argentina-based artist Guillermo Kuitca will present at Hauser & Wirth in New York a group of new paintings that reveal his diverse interests and aesthetic approaches.
Pintura sin muros (Painting without walls) showcases the evolution of Kuitca’s use of floorplans, maps, and bedrooms, as well as cubistic structures to visually fragment the surfaces of his paintings. Here, for the first time in his five-decade career, Kuitca will also present landscapes. The exhibition is curated by Tobias Ostrander, independent curator working in Mexico City and London, and former chief curator of the Pérez Art Museum Miami.
Landscape is a subject the artist's practice has not previously addressed. In Pintura sin muros it plays a prominent role with paintings that reference an array of geographies, from snow-covered mountains to fields of brown and green. Several of these works depict waves dashing a rocky coast, with the ocean's distant horizon bisecting each composition. Kuitca's landscapes recall areas of his native Argentina, specifically the Andes Mountains, the fertile fields of the Pampas and the coast of nearby Uruguay. Such direct references to his homeland are unprecedented within the artist's output; but consistent with previous subjects in his oeuvre, Kuitca's landscapes incorporate provocative superimpositions—house plans layered onto or disintegrating into natural vistas—to represent the dissolving of interior and exterior spaces into a unified, existential whole.
Some of these latest paintings on view in the exhibition eschew the device of house plans altogether, and instead evoke the roads and mountain ranges that one would typically find on a map. Like house plans, maps represent a codified visual language—a standardized form of visual communication—that the artist can manipulate into a lyrical abstraction.
Born in 1961 in Buenos Aires, where he continues to live and work, Argentine artist Guillermo Kuitca draws on a range of iconography, including architectural plans, maps, theaters, musical scores and domestic spaces to produce an oeuvre that explores themes of history, memory, structured absence, sound and silence and the tension between the empirical and abstract. Shifting from gestural mark-making to linear precision, Kuitca's work mines varied aesthetic styles and histories, and in the latter half of his career, he has achieved significant acclaim for his deployment of a unique cubistoid style that masterfully reconciles abstraction with an illusionist form of figuration.
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Guillermo Kuitca, Untitled (detail), 2023.
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Guillermo Kuitca, Untitled (detail), 2023.
Exhibiting his first paintings at the age of thirteen at Lirolay Gallery in Buenos Aires, Kuitca quickly expanded his artistic practice by also studying drawing and theater direction. Early paintings from the 1980s incorporated theater imagery, informed by his experience in theater production and often explored themes of history, memory, migration, and domestic and communal spaces, before Kuitca later began to integrate architectural and cartographic subjects into his oeuvre. Having established himself as a leading figure in Buenos Aires's art scene, in 1991—the same year that he founded his studio program in the city for residencies and young artists called Beca Kuitca—he staged his first solo museum exhibition in the United States, at the Museum of Modern Art in New York. A year later, he achieved further renown with his participation in documenta IX in Kassel, Germany—the first Argentine artist invited to documenta—where he displayed an installation of twenty mattresses.
Pintura sin muros. Exhibition by Guillermo Kuitca.
Through January 13, 2024.
Hauser & Wirth, 542 West 22nd Street, New York, USA.
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FEMINISM, PROVOCATION AND INTROSPECTION. JUDY CHICAGO AT THE NEW MUSEUM
Judy Chicago: Herstory brings together six decades of the artist’s work. Hosted by The New Museum in New York, the show includes an exhibition-whithin-the-exhibition spotlighting women essential to the history of art and Chicago’s own practice.
NSU ART Museum Fort Lauderdale presented Glory of the World: Color Field Painting, an exhibition exploring Color Field, a tendency in mid-twentieth century American abstract painting in which vast areas of color appear as the dominating force.
THE DOMINATING FORCE OF COLORS AT NSU ART MUSEUM
NSU ART Museum Fort Lauderdale presented Glory of the World: Color Field Painting, an exhibition exploring Color Field, a tendency in mid-twentieth century American abstract painting in which vast areas of color appear as the dominating force.
The New Museum announced Camilo Godoy as its 2023–24 Artist-in-Residence. The annual Artist Residency supports an artist or collective working at the intersections of performance, pedagogy, and participatory art to develop and present new work.
NEW MUSEUM ANNOUNCES CAMILO GODOY AS 2023-2024 ARTTIST-IN-RESIDENCE
The New Museum announced Camilo Godoy as its 2023–24 Artist-in-Residence. The annual Artist Residency supports an artist or collective working at the intersections of performance, pedagogy, and participatory art to develop and present new work.
Laundromat Art Space presented Worlds Behind You, the debut solo exhibition by Miami-based artist Melissa Wallen. Curated by Ray-Anthony Eddie, the presentation comprises several new and recent works from the artist’s ongoing series of dream-like “portal” paintings.
MELISSA WALLEN’S PORTAL PAINTINGS
Laundromat Art Space presented Worlds Behind You, the debut solo exhibition by Miami-based artist Melissa Wallen. Curated by Ray-Anthony Eddie, the presentation comprises several new and recent works from the artist’s ongoing series of dream-like “portal” paintings.
Since the D+C Foundation’s Residency Program started –in 2022–, mid-career artists such as Sandra Monterroso, Jeronimo Villa, Guillermo García Cruz, Youdhisthir Maharjan and Loris Cecchini participated. The 2024 selected residents will be announced soon.
D+C FOUNDATION ARTISTS-IN-RESIDENCE PROGRAM
Since the D+C Foundation’s Residency Program started –in 2022–, mid-career artists such as Sandra Monterroso, Jeronimo Villa, Guillermo García Cruz, Youdhisthir Maharjan and Loris Cecchini participated. The 2024 selected residents will be announced soon.
ICA Miami presents the first solo museum presentation for New York–based artist Sasha Gordon, Surrogate Self. The surreal paintings and drawings that Gordon creates explore the complexities of bodily experience in gorgeous and hyper-realistic detail.
SASHA GORDON’S SURREAL SCENES AT ICA MIAMI
ICA Miami presents the first solo museum presentation for New York–based artist Sasha Gordon, Surrogate Self. The surreal paintings and drawings that Gordon creates explore the complexities of bodily experience in gorgeous and hyper-realistic detail.
The exhibition Argentina. The night tells the day at Padiglione d’Arte Contemporantea (PAC) presents a selection of works created by more than twenty Argentinean artists of different generations over the last fifty years.
IRONY, LITERALITY AND CITATION. ARGENTINA’S DNA AT PAC MILAN
The exhibition Argentina. The night tells the day at Padiglione d’Arte Contemporantea (PAC) presents a selection of works created by more than twenty Argentinean artists of different generations over the last fifty years.
MACBA presents the exhibition Obsceno (Obscene) by artist Pablo Siquier, curated by Rodrigo Alonso. It is a collection of works never seen before in Argentina, which are part of the museum's collection.
POWER AND FRACTURE IN THE WORKS OF PABLO SIQUIER
MACBA presents the exhibition Obsceno (Obscene) by artist Pablo Siquier, curated by Rodrigo Alonso. It is a collection of works never seen before in Argentina, which are part of the museum's collection.
El Museo del Barrio announced the second rotation of its permanent collection exhibition Something Beautiful: Reframing La Colección.
THE SECOND ROTATION OF EL MUSEO DEL BARRIO’S COLLECTION
El Museo del Barrio announced the second rotation of its permanent collection exhibition Something Beautiful: Reframing La Colección.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
