THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
The exhibition offers a reading of Vicuña's work from a South American perspective and reviews sixty years of her production, highlighting her links with Chile, Argentina, the Andes Mountains, pre-Columbian textile memory, feminist struggles and eroticism, as well as the demands for self-determination of indigenous communities.
The exhibition brings together nearly 200 works, including paintings, drawings, texts, silkscreen prints, collages, textiles, videos, photographs, installations, book-objects, documents and sound performances made in different parts of the Americas and Europe. Soñar el agua updates Vicuña's commitment to popular struggles, respect for human rights and the importance of opposing devastation in a broad sense.
In addition, the site-specific installation Quipu menstrual (The blood of the glaciers), originally conceived by Vicuña in 2006 as a way of expressing his support for Michelle Bachelet, the first woman president of Chile, will be presented.
Cecilia Vicuña (Santiago, Chile, 1948) is a poet, artist, activist and filmmaker whose work addresses pressing concerns of the modern world, including ecological destruction, human rights and cultural homogenization. Born and raised in Santiago, Chile, she lived in exile since the early 1970s, following the military coup against President Salvador Allende. In London, she co-founded Artists for Democracy in 1974.
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Argentine artist Trinidad Metz Brea is part of the 2023 edition of Pinta Miami, within the NEXT section that presents emerging artists from Latin America. In an interview with Arte al Día, she explores the contradictions and challenges of our present and how this is the seedbed for her sculptures, murals and post-human figures.
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Pinta Miami 2023 closed its 17th edition celebrating Latin American art with artists, curators, collectors and a large number of visitors and art lovers.
Curated by Giuliana Vidarte and Irene Gelfman, the NEXT and RADAR sections of Pinta Miami 2023 provide a space for dialogue, encounter, expansion and dissemination of artists.
ARTISTS TO DOUBLE-CLICK AT PINTA MIAMI 2023
Curated by Giuliana Vidarte and Irene Gelfman, the NEXT and RADAR sections of Pinta Miami 2023 provide a space for dialogue, encounter, expansion and dissemination of artists.
Argentine artist Trinidad Metz Brea is part of the 2023 edition of Pinta Miami, within the NEXT section that presents emerging artists from Latin America. In an interview with Arte al Día, she explores the contradictions and challenges of our present and how this is the seedbed for her sculptures, murals and post-human figures.
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Kunstinstituut Melly presented My Oma, a project that involves a group exhibition, concerts, performance, public programs and education activities. Conceptually interlaced throughout these formats are the figure of the grandmother, queries on ancestral knowledge, and ideas of cultural heritage.
CELEBRATING THE GRANDMOTHER AS A FIGURE OF KNOWLEDGE
Kunstinstituut Melly presented My Oma, a project that involves a group exhibition, concerts, performance, public programs and education activities. Conceptually interlaced throughout these formats are the figure of the grandmother, queries on ancestral knowledge, and ideas of cultural heritage.
Graphic Scores at PROA 21 presents, for the first time in Argentina, a selection of works by the Swiss-American artist Christian Marclay (1955), an unavoidable reference in the field of visual-sound experimentation.
THE MULTIFACETED COMPOSITIONS OF CHRISTIAN MARCLAY
Graphic Scores at PROA 21 presents, for the first time in Argentina, a selection of works by the Swiss-American artist Christian Marclay (1955), an unavoidable reference in the field of visual-sound experimentation.
Otumpa is the first exhibition of the artists Guillermo Faivovich and Nicolás Goldberg at the Museo Moderno in Buenos Aires, Argentina. Curated by Javier Villa.
THE FIAVOVICH-GOLDBERG DUO AT THE MUSEO MODERNO
Otumpa is the first exhibition of the artists Guillermo Faivovich and Nicolás Goldberg at the Museo Moderno in Buenos Aires, Argentina. Curated by Javier Villa.
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
CHRONOMORPHOSIS: ELIAS CRESPIN’S WORK AT SWEDEN
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
