CELEBRATING THE GRANDMOTHER AS A FIGURE OF KNOWLEDGE
Kunstinstituut Melly presented My Oma, a project that involves a group exhibition, concerts, performance, public programs and education activities. Conceptually interlaced throughout these formats are the figure of the grandmother, queries on ancestral knowledge, and ideas of cultural heritage.
The exhibition includes artworks and projects created from 2000 to date, with several specially commissioned for the occasion. As it pertains to existing artworks, most of these will be experienced for the first time in the Netherlands. The exhibition and its special initiatives aim to promote historical learning, as well as to strengthen intergenerational bonds through artistic and cultural exchange.
The figure of the grandmother is the protagonist of My Oma. This female elder is approached as a real figure in some instances. At times, the grandmother is an imaginary character; a latent and already sentient figure; a specific position in time. The figure of the grandmother allows for various approaches to traditions, ancestry, and diaspora. It also welcomes the reconsideration of gendered and ageist determinations surrounding cultural and material legacy.
-
Hana Miletić. Felt workshops XII-XXI, 2022-2024 (ongoing). Hand-made felts (raw wool in different colors) on metal backdrop stands, dimensions variable. Photo: Lola Pertsowsky.
-
Harriët Freezer, grandmother of Charlie Koolhaas, also a participant in My Oma. Credit: Dirk de Herder / Nederlands Fotomuseum.
-
Berette Macaulay. Tante Trude, in Beskyden, CZ, 2009. Courtesy of the artist.
-
Sawangwongse Yawnhwe. My Grandmother, 2022. 157x97cm. Oil on linen. Courtesy of the artist.
-
Hana Miletić. Felt workshops XII-XXI, 2022-2024 (ongoing). Hand-made felts (raw wool in different colors) on metal backdrop stands, dimensions variable. Photo: Lola Pertsowsky.
-
Meriem Bennani, Sihan & Hafida. Photo: Jason Mandella.
The exhibition features drawing, painting, textiles, video, and installation art. My Oma also includes a series of performances and event-based activities specially commissioned for the project.
My Oma includes works by: A Maior (Portugal), Funda Baysal (Turkey), Yto Barrada (France), Meriem Bennani (Morocco), Nurul Ain Binti Nor Halim (Malaysia), Lia Dostlieva and Andrii Dostliev (Ukraine), Shardenia Felicia (Curaçao), Susanne Khalil Yusef (Germany), Charlie Koolhaas (The Netherlands), Liedeke Kruk (The Netherlands), Marcos Kueh (Malaysia), Berette S Macaulay (Sierra Leone), Silvia Martes (Curaçao), Hana Miletić (Croatia), Jota Mombaça (Brazil), Sheelasha Rajbhandari (Nepal), Anri Sala (Albania), Stacii Samidin (Netherlands), Kateřina Šedá (Czech Republic), Buhlebezwe Siwani (South Africa), Judy Watson (Australia), and Sawangwongse Yawnghwe (Shan State of Burma).
Related Topics
May interest you
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.
HAMLET LAVASTIDA AND JUAN MIGUEL POZO CRUZ IN COLLABORATION
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
ANTONIO BRICEÑO REFLECTS ON THE VULNERABILITY AND SPLENDOR OF INDIGENOUS CULTURES
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
COLLABORATIVE PROJECT IN HOMAGE TO GEGO
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
MELISSA CODY’S NAVAJO TAPESTRY SYMBOLS AND PATTERNS
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
JONATHAS DE ANDRADE’S EXPLORATION ON HUMANS AND PIGEONS
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
OPEN CALL FOR DIRECTOR OF THE BERLIN BIENNALE
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.
HAMLET LAVASTIDA AND JUAN MIGUEL POZO CRUZ IN COLLABORATION
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
ANTONIO BRICEÑO REFLECTS ON THE VULNERABILITY AND SPLENDOR OF INDIGENOUS CULTURES
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
COLLABORATIVE PROJECT IN HOMAGE TO GEGO
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
MELISSA CODY’S NAVAJO TAPESTRY SYMBOLS AND PATTERNS
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
JONATHAS DE ANDRADE’S EXPLORATION ON HUMANS AND PIGEONS
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
OPEN CALL FOR DIRECTOR OF THE BERLIN BIENNALE
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.
HAMLET LAVASTIDA AND JUAN MIGUEL POZO CRUZ IN COLLABORATION
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
ANTONIO BRICEÑO REFLECTS ON THE VULNERABILITY AND SPLENDOR OF INDIGENOUS CULTURES
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
COLLABORATIVE PROJECT IN HOMAGE TO GEGO
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
MELISSA CODY’S NAVAJO TAPESTRY SYMBOLS AND PATTERNS
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
JONATHAS DE ANDRADE’S EXPLORATION ON HUMANS AND PIGEONS
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
OPEN CALL FOR DIRECTOR OF THE BERLIN BIENNALE
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.
HAMLET LAVASTIDA AND JUAN MIGUEL POZO CRUZ IN COLLABORATION
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
ANTONIO BRICEÑO REFLECTS ON THE VULNERABILITY AND SPLENDOR OF INDIGENOUS CULTURES
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
COLLABORATIVE PROJECT IN HOMAGE TO GEGO
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
MELISSA CODY’S NAVAJO TAPESTRY SYMBOLS AND PATTERNS
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
JONATHAS DE ANDRADE’S EXPLORATION ON HUMANS AND PIGEONS
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
OPEN CALL FOR DIRECTOR OF THE BERLIN BIENNALE
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
LYGIA CLARK AND FRANZ ERHARD WALTHER’S ARTISTIC EXPLORATION
The VILLA in Fulda, Germany presents Action as Sculpture, an encounter between Lygia Clark and Franz Erhard Walther.
Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.
HAMLET LAVASTIDA AND JUAN MIGUEL POZO CRUZ IN COLLABORATION
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
ANTONIO BRICEÑO REFLECTS ON THE VULNERABILITY AND SPLENDOR OF INDIGENOUS CULTURES
Born in Venezuela, Antonio Briceño is a photographer and biologist. His series Dioses de América. Panteón natural (Gods of America. Natural Pantheon) participates in the Special Project Amazonia of Pinta Miami 2023. He has been working for more than 20 years on this series, whose purpose is to make visible the indigenous mythologies that have survived Christianity and colonialism, but are still in danger of extinction.
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
THE POETICS OF CECILIA VICUÑA AT MALBA
Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
COLLABORATIVE PROJECT IN HOMAGE TO GEGO
With the intention of rethinking the legacy of the Venezuelan-German artist Gego and its historical significance from the contemporary context, LA ESCUELA___ created a project of dialogue, learning and exchange Collective Reticulárea: Communal Cartographies.
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
MELISSA CODY’S NAVAJO TAPESTRY SYMBOLS AND PATTERNS
North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
JONATHAS DE ANDRADE’S EXPLORATION ON HUMANS AND PIGEONS
Batalha Centro de Cinema, in Porto, presents the exhibition Sobrevoo by Jonathas de Andrade.
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
OPEN CALL FOR DIRECTOR OF THE BERLIN BIENNALE
The Berlin Biennale opens applications for the Director’s position. Deadline to apply: February 24, 2024.
