IVÁN CANDEO EXHIBITS “BEFORE, WHILE, LATER” IN CARMEN ARAUJO ARTE
The works presented make use of and reference to the image as a channel, as a concept, as a medium. Migrating from one ontological level to another, Candeo highlights the way in which the contemporary world is built from immediate registers, multiple narratives, and memory models.
“The construction of a world dominated by multimedia expansion has become increasingly evident, in which art, education, politics, history and feelings are being filtered and configured through the audiovisual experience, that cinematographically fragmented and simultaneous experience that we have through our technological devices” explains the artist.
Using photography and text (almost like scripts), the works reflect on the political sphere of Venezuela. Not to argue about it, but to highlight new spaces and materialities that promote speech, expression and the voices of anonymous agents and subversive gestures.
Regarding Candeo's use of the image, Sandra Pinardi describes in the exhibition text:
“The cinematic image —the moving image— is his scope of exploration, thanks to which he seems to form a supplementary reality, some kind of »reality order«. One of the elements that distinguishes, and can also define, the moving image is »montage«, that procedure that converts spatiality into temporality, and that operates by determining or promoting fantasy to construct, from static fragments, a dynamic becoming where interconnections and relationships constitute narratives and stories, realities that are transformed, memories and recognitions."
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Norteamérica, de la serie: "Movimiento cualquiera" - 2018-2020 - Fotografías instantáneas (polaroids sx-70) - Tríptico. 10,8 × 8,8 cm
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Norteamérica, de la serie: "Movimiento cualquiera" - 2018-2020 - Fotografías instantáneas (polaroids sx-70) - Tríptico. 10,8 × 8,8 cm
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Óscar Pérez, el insurrecto de Venezuela, de la serie: "Storyboards" (detalle) – 2019 - Tinta sobre papel - 29,7 × 21 cm
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¿Por qué libertad?, de la serie: "Movimiento cualquiera" - 2018-2020 - Fotografías instantáneas (polaroids sx-70) - Tríptico. 10,8 × 8,8 cm
On memory as a motif, the artist exhibits two pieces: "Pastor" and "Mierda de historiador" (Historian’s Shit). "The first is a work that investigates populism and show culture in its purely commercial construction of reality, of social and political ties, but also of behaviors and evaluations, thereby abandoning reflection." Pinardi comments, “‘21st century socialism’ has operated from this show culture in which reality is constructed as a simulacrum and discourses are intended to substitute for facts. This work is a video accompanied by an object in which the controversial figure of Pastor Maldonado and his failures are re-evaluated. In the chronicle of the Bolivarian revolution, Maldonado appears as an emblem —as a symptom, too— of that conception of the world thanks to which money is supposed to be able, by itself, to realize any dream and transform any reality. This work shows his impotence, his failure, his destiny: to destroy and fracture, deteriorate and turn possibilities into waste" she adds.
In "Historian's Shit", the artist alludes to Piero Manzoni and his "Merda d'artista" to denounce the ‘dehumanization’ of social and political living in pursuit of virtuality. With this, Candeo suggests the detriment of revolutionary and progressive actions and valuesthat now fade into noise-ridden abandonment; omissions; two-dimensionalities.
carmen araujo arte
Calle Rafael Rangel Sur. Urb. Sorokaima
Hacienda la Trinidad. Secadero N°2. La Trinidad.
Caracas, Venezuela. 1080.
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It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
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It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
OdA ART GALLERY PRESENTS ITS OdE TO BLACK
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.
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Carmen Araujo, director of the Carmen Araujo Arte gallery, tells us about her experience in Venezuela
CARACAS - CARMEN ARAUJO ARTE: TWO GALLERIES AND A CLEAR VISION
Carmen Araujo, director of the Carmen Araujo Arte gallery, tells us about her experience in Venezuela
The last exhibition by Juan Iribarren Scalamandre-Pfizer, which took place at the Carmen Araujo Arte Gallery in Caracas, was a "visual essay", a work that brought together different "means" and "ways" of image production, and took the form of an exercise (and also a game) of connections: coming and going, confluences and dispersions. A “visual essay” that, on the one hand, manages to synthesize in an “event” a large part of the artist's pictorial interests, and on the other, narrates a transit, a move.
JUAN IRIBARREN: SCALAMANDRE-PFIZER - PHOTOGRAPHS, PAINTINGS AND PRINTED IMAGES
The last exhibition by Juan Iribarren Scalamandre-Pfizer, which took place at the Carmen Araujo Arte Gallery in Caracas, was a "visual essay", a work that brought together different "means" and "ways" of image production, and took the form of an exercise (and also a game) of connections: coming and going, confluences and dispersions. A “visual essay” that, on the one hand, manages to synthesize in an “event” a large part of the artist's pictorial interests, and on the other, narrates a transit, a move.
It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
ABRA GALLERY EXHIBITS PAINTINGS BY JUAN CARLOS PORTILLO IN 'IT WILL BE BETTER THAN YESTERDAY'
It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
OdA ART GALLERY PRESENTS ITS OdE TO BLACK
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.
DISTENSIONES – PRESENT REVELATIONS OF A PAST OF ANTITHESIS
Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.
Carmen Araujo, director of the Carmen Araujo Arte gallery, tells us about her experience in Venezuela
CARACAS - CARMEN ARAUJO ARTE: TWO GALLERIES AND A CLEAR VISION
Carmen Araujo, director of the Carmen Araujo Arte gallery, tells us about her experience in Venezuela
The last exhibition by Juan Iribarren Scalamandre-Pfizer, which took place at the Carmen Araujo Arte Gallery in Caracas, was a "visual essay", a work that brought together different "means" and "ways" of image production, and took the form of an exercise (and also a game) of connections: coming and going, confluences and dispersions. A “visual essay” that, on the one hand, manages to synthesize in an “event” a large part of the artist's pictorial interests, and on the other, narrates a transit, a move.
JUAN IRIBARREN: SCALAMANDRE-PFIZER - PHOTOGRAPHS, PAINTINGS AND PRINTED IMAGES
The last exhibition by Juan Iribarren Scalamandre-Pfizer, which took place at the Carmen Araujo Arte Gallery in Caracas, was a "visual essay", a work that brought together different "means" and "ways" of image production, and took the form of an exercise (and also a game) of connections: coming and going, confluences and dispersions. A “visual essay” that, on the one hand, manages to synthesize in an “event” a large part of the artist's pictorial interests, and on the other, narrates a transit, a move.
It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
ABRA GALLERY EXHIBITS PAINTINGS BY JUAN CARLOS PORTILLO IN 'IT WILL BE BETTER THAN YESTERDAY'
It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
OdA ART GALLERY PRESENTS ITS OdE TO BLACK
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.
DISTENSIONES – PRESENT REVELATIONS OF A PAST OF ANTITHESIS
Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.
