MARCELO BRODSKY: MARTIRIO AT ROLF ART
Rolf Art presented Marcelo Brodsky's exhibition MARTIRIO, in collaboration with artists Fernando Bryce, Martín Kovensky and Fredi Casco; supported by a research and conceptual approach by José Emilio Burucúa and Carles Guerra.

Marcelo Brodsky’s visual narrative is rooted in the investigation and intervention of archival images, re-inscribing and illuminating historical events, while uncovering layers of meaning that have been obscured over time.
Driven by a deep commitment to preserving memory and an awareness of the looming environmental crisis, Brodsky, in collaboration with Fernando Bryce, conceived TERRITORIOS (2022) during their joint artist residency at Espacio 23, part of the Jorge Pérez Collection in Miami, USA. This work pays tribute to ten Latin American leaders who were assassinated for defending nature, their local communities, and human rights. At the center of the piece, the dismembered figure of Túpac Amaru is depicted, symbolizing the fragmentation of both the martyr’s body and the Latin American territory. This imagery reflects the collective sense of physical disintegration caused by the degradation of ecosystems and the inadequacy of any ideology or political perspective to address it.
The depiction of Túpac Amaru as a martyr sparked an inquiry into the epistemological colonization of Latin America, laying the groundwork for the MARTIRIO series. The works in this exhibition explore the origins of the images of Túpac Amaru’s dismemberment and their enduring impact on the collective consciousness of rebellion, resonating with Michel Foucault’s analysis of surveillance and control.
MARTIRIO reveals how each image, through its historical context, accumulates successive layers of meaning. It underscores how dominant visual representations and narratives have perpetuated a fictionalized portrayal of our culture and history. Some of these narratives are steeped in spontaneous popular myth-making, while others subtly reflect the pervasive effects of colonization. By signing these pieces, Brodsky emphasizes a single, powerful geography: a diagonal “America,” a continent indelibly marked by the martyrdom of its courageous defenders.
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Territories | Territorios, 2022 Black and white archive photographs by Rodrigo Abd, hand-intervened and colored by MB, drawn with ink on paper by FB. Archival pigment print, paint, crayon, gouache & Ink on cotton paper Dimensions 115 x 63.7 in Unique piece
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Territories | Territorios, 2022 Black and white archive photographs by Rodrigo Abd, hand-intervened and colored by MB, drawn with ink on paper by FB. Archival pigment print, paint, crayon, gouache & Ink on cotton paper Dimensions 115 x 63.7 in Unique piece
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Tupacamaru Damiens | Tupacamaru Damiens, 2024 Copy of XVIII/XIX century French engraving hand-intervened by Marcelo Brodsky Mixed media on cotton paper Dimensions 17.7 x 23.6 in Edition AP 1
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El martirio de San Hipolito | El martirio de San Hipolito, 2024 Copy of XVIII/XIX century French engraving hand-intervened by Marcelo Brodsky Mixed media on cotton paper Dimensions 23.6 x 35.4 in Edition AP 1
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Torture | Tortura, 2024 Copy of XVIII/XIX century French engraving hand-intervened by Marcelo Brodsky Mixed media on cotton paper Dimensions 15.7 x 21.6 in Edition AP 1
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Rojo | Rojo, 2024 Copy of XVIII/XIX century French engraving hand-intervened by Marcelo Brodsky Mixed media on cotton paper Dimensions 21.6x15.7 in Edition AP 1
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Michel and Jean Paul | Michel y Jean Paul, 2024 Black and white archival photograph by Gerard-Aime hand-intervined by Marcelo Brodsky Inkjet print with hard pigment ink on cotton paper. Dimensions 15.7 x 21.6 in Edition AP 1
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Suntor Paukar | Suntor Paukar, 2024 Rebellion flag hand-intervened by Marcelo Brodsky Mixed media on cotton paper Dimensions 11.8 x 15.7 in Edition AP 1
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The fallen in Peru | Los caídos en Perú, 2024 Black and white archival photograph by Fotoholica Press Agency hand-intervened by Marcelo Brodsky & Martín Kovensky Inkjet print with hard pigment ink on cotton paper. Dimensions 66.1 x 9.4 in Edition 5 + 2 A /P
The project is completed with works created in collaboration with Martín Kovensky and Fredi Casco, which resonate in the present.
MARTIRIO by Marcelo Brodsky (b. 1959, Argentina)
In collaboration with Fernando Bryce (b.1965, Peru), Martin Kovensky (b.1958, Argentina) and Fredi Casco (b.1967, Paraguay). With text by José Emilio Burucúa (b.1946, Argentina).
Until September 30, 2024.
Rolf Art. Esmeralda 1353. Buenos Aires, Argentina
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Liliana Porter (Buenos Aires, Argentina, 1941) has a long history shared with Espacio Minimo. The Madrid gallery pampers every move and celebrates the extensive relationship with the Argentinean artist, always offering her the possibility of receiving her work and witnessing its evolution. For the opening of the space's season, the landing is called Otros cuentos inconclusos, a new proposal that deals with representation and two dimensional axes —space and time— that bear witness to many of the questions raised about human relations.

The Malba museum in Buenos Aires, Argentina expands with the construction of Malba Puertos, a new exhibition space in Escobar, province of Buenos Aires. It opens on September 21 and seeks -through activities and exhibitions- to bring art closer to the community.
MALBA PUERTOS: THE NEW VENUE IN ESCOBAR TO OPEN IN SEPTEMBER
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PROA21 presented the exhibition of interdisciplinary artist Francis Alÿs, curated by Cuauhtémoc Medina, on the emblematic project When Faith Moves Mountains, created in April 2002 for the III Ibero-American Biennial of Lima.
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THE START OF THE SEASON
The first half of the year concluded on a low note, and as the art market gets ready to gear up for the last semester, a clearer picture of the challenges faced is emerging.

As part of Open House Festival, an event that celebrates architecture, history and culture, four Argentine artists - Martín Cordiano, Sara Sahores, Ignacio Unrrein and Mariela Vita - intervened the space of the Argentine Ambassador's Residence in London, addressing themes such as transition, domesticity and barriers. Curated by Federika Chaimowicz, Carolina Orlando, Mora Pranteda and Pilar Seivane.
TRANSITORY BOUNDARIES: THE LIMITS OF SPACE, OBJECTS AND IDENTITY.
As part of Open House Festival, an event that celebrates architecture, history and culture, four Argentine artists - Martín Cordiano, Sara Sahores, Ignacio Unrrein and Mariela Vita - intervened the space of the Argentine Ambassador's Residence in London, addressing themes such as transition, domesticity and barriers. Curated by Federika Chaimowicz, Carolina Orlando, Mora Pranteda and Pilar Seivane.

MUDEC in Milan presented the exhibition Guaymallén, by Argentinian artist La Chola Poblete, winner in 2023 of the prestigious international “Artist of the Year” award dedicated by the Deutsche Bank to contemporary art, and who was recently celebrated with a special mention for her contribution to the 60th International Art Exhibition of the Venice Biennale. The exhibition is curated by Britta Färber, Global Head of Art & Culture at the Bank.
LA CHOLA POBLETE IN MILÁN – THE EXHIBITION “GUAYMALLÉN” ARRIVES AT MUDEC
MUDEC in Milan presented the exhibition Guaymallén, by Argentinian artist La Chola Poblete, winner in 2023 of the prestigious international “Artist of the Year” award dedicated by the Deutsche Bank to contemporary art, and who was recently celebrated with a special mention for her contribution to the 60th International Art Exhibition of the Venice Biennale. The exhibition is curated by Britta Färber, Global Head of Art & Culture at the Bank.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.
QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM
Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.
CELINA ECEIZA: BODIES IN TRANSFORMATION
The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.