AIMÉ IGLESIAS LUKIN IS THE WINNER OF THE VILCEK AWARD
The Vilcek Foundation has named Argentine Director and Chief Curator of Art Aimé Iglesias Lukin as one of the three recipients of the Vilcek Prize for Creative Promise in Curatorial Work. The award recognizes immigrant contributions to the arts and sciences in the United States.

Iglesias Lukin is being recognized "for her leadership promoting the art of the Americas, and her focused initiatives to achieve recognition for historically underrepresented migrant and women artists", said the foundation.
Born and raised in Buenos Aires, she moved to New York in 2011. Her Ph.D. in art history from Rutgers University, titled This Must Be the Place: Latin American Artists in New York 1965–1975, became an exhibition at Americas Society in 2021. Iglesias Lukin completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art, the Institute for Studies on Latin American Art, and Fundación Proa in Buenos Aires.
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Photo courtesy of the Vilcek Foundation
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Photo courtesy of the Vilcek Foundation
"I am thankful to the Vilcek Foundation for this prize", said Iglesias Lukin. "I am very proud to be an immigrant and to work for an organization that values immigrants' contributions and thinks about art and culture beyond borders".
Iglesias Lukin has served as Director and Chief Curator of Art at Americas Society since 2019. Her exceptional curatorial work has been key in advancing Americas Society's mission by curating both historical and contemporary art exhibitions that foster cultural understanding and dialogue about the region.
Americas Society is the premier organization dedicated to education, debate, and dialogue in the Americas. Established by David Rockefeller in 1965, our mission is to foster an understanding of the contemporary political, social and economic issues confronting Latin America, the Caribbean, and Canada, and to increase public awareness and appreciation of the diverse cultural heritage of the Americas and the importance of the inter-American relationship.
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

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Art at Americas Society will present Beatriz Cortez x rafa esparza: Earth and Cosmos on January 29, 2025, an exhibition showcasing the collaboration of two artists exploring ancient cultures of the Americas; this approach highlights the dialogues and exchanges between artists and their peers, which deeply shape and enrich their creative processes.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES
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Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.
AMERICAS SOCIETY PRESENTS PART II OF EXHIBITION EL DORADO
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The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.
QUESTIONING TRADITIONS AT CARA
The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

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The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
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Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
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Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.

The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
PINTA Sud ASU 2023 – A DIALOGUE WITH AIMÉ IGLESIAS LUKIN
Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Art at Americas Society will present Beatriz Cortez x rafa esparza: Earth and Cosmos on January 29, 2025, an exhibition showcasing the collaboration of two artists exploring ancient cultures of the Americas; this approach highlights the dialogues and exchanges between artists and their peers, which deeply shape and enrich their creative processes.
BEATRIZ CORTEZ X RAFA ESPARZA: EARTH AND COSMOS, A JOURNEY THROUGH THE ANCIENT CULTURES
Art at Americas Society will present Beatriz Cortez x rafa esparza: Earth and Cosmos on January 29, 2025, an exhibition showcasing the collaboration of two artists exploring ancient cultures of the Americas; this approach highlights the dialogues and exchanges between artists and their peers, which deeply shape and enrich their creative processes.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.
AMERICAS SOCIETY PRESENTS PART II OF EXHIBITION EL DORADO
Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.
QUESTIONING TRADITIONS AT CARA
The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

The Eiteljorg Museum of American Indians and Western Art will host one of the largest exhibitions of contemporary Native bead art ever presented in North America: Radical Stitch features approximately 100 works of bead art highlighting Native techniques and designs that tell stories and address current issues.
RADICAL STITCH: THE EVOLVING ART OF BEADWORK
The Eiteljorg Museum of American Indians and Western Art will host one of the largest exhibitions of contemporary Native bead art ever presented in North America: Radical Stitch features approximately 100 works of bead art highlighting Native techniques and designs that tell stories and address current issues.

The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
THE GUGGENHEIM ACQUIRED LORIEL BELTRAN´S WORK
The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.
THE ARGENTINE INTERNATIONAL AT THE SLIP GALLERY
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The World Around has announced the winners of its Young Climate Prize, a biennial mentoring and award program aimed at young people under the age of 25. Among them is young Bolivian Dayana Blanco Quiroga.
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Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.

The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
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Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.
PINTA Sud ASU 2023 – A DIALOGUE WITH AIMÉ IGLESIAS LUKIN
Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Art at Americas Society will present Beatriz Cortez x rafa esparza: Earth and Cosmos on January 29, 2025, an exhibition showcasing the collaboration of two artists exploring ancient cultures of the Americas; this approach highlights the dialogues and exchanges between artists and their peers, which deeply shape and enrich their creative processes.
BEATRIZ CORTEZ X RAFA ESPARZA: EARTH AND COSMOS, A JOURNEY THROUGH THE ANCIENT CULTURES
Art at Americas Society will present Beatriz Cortez x rafa esparza: Earth and Cosmos on January 29, 2025, an exhibition showcasing the collaboration of two artists exploring ancient cultures of the Americas; this approach highlights the dialogues and exchanges between artists and their peers, which deeply shape and enrich their creative processes.

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.
ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES
Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.
AMERICAS SOCIETY PRESENTS PART II OF EXHIBITION EL DORADO
Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.
QUESTIONING TRADITIONS AT CARA
The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

The Eiteljorg Museum of American Indians and Western Art will host one of the largest exhibitions of contemporary Native bead art ever presented in North America: Radical Stitch features approximately 100 works of bead art highlighting Native techniques and designs that tell stories and address current issues.
RADICAL STITCH: THE EVOLVING ART OF BEADWORK
The Eiteljorg Museum of American Indians and Western Art will host one of the largest exhibitions of contemporary Native bead art ever presented in North America: Radical Stitch features approximately 100 works of bead art highlighting Native techniques and designs that tell stories and address current issues.

The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
THE GUGGENHEIM ACQUIRED LORIEL BELTRAN´S WORK
The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.
THE ARGENTINE INTERNATIONAL AT THE SLIP GALLERY
A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.

The World Around has announced the winners of its Young Climate Prize, a biennial mentoring and award program aimed at young people under the age of 25. Among them is young Bolivian Dayana Blanco Quiroga.
YOUNG CLIMATE PRIZE 2025 WINNERS
The World Around has announced the winners of its Young Climate Prize, a biennial mentoring and award program aimed at young people under the age of 25. Among them is young Bolivian Dayana Blanco Quiroga.

Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
AN ICE CREAM THAT DEFIES MEMORY: THE REINVENTION OF THE SHIFTING STONE
Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.

The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.