THE ARGENTINE INTERNATIONAL AT THE SLIP GALLERY
A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.
Since the 19th century, Argentine artists have continuously moved—both physically and symbolically—toward new territories. While Europe was once the dominant destination for artistic development, New York became the center of the modern art world by the mid-20th century. In this city, Argentine artists found a space to experiment, challenge conventions, and respond to the social and political upheavals of their homeland. Their works engage with themes such as labor, capitalism, and cultural identity, creating a language that connects history with contemporary realities.
Inspired by the work of Copi, The Argentine International encapsulates the network of Argentine artists who have made New York their creative hub. People like Liliana Porter, Nicolás Guagnini, Fabián Marcaccio, and Julio Grinblatt are part of this ongoing exchange, bridging their Argentine roots with global artistic movements. Instead of reinforcing rigid national identities, the exhibition presents a hybrid, evolving artistic community. Migration is not just a theme but a framework that shapes new aesthetics, challenging geographic and conceptual borders.
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Pictured: Actualidades / Breaking News (2016). Digital video, Duration: 22 minutes. Conceived & directed by Liliana Porter. Music: Sylvia Meyer. Co-direction: Ana Tiscornia. Videography & Editing: Federico Lo Bianco. © Liliana Porter, 2016
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Pictured: Actualidades / Breaking News (2016). Digital video, Duration: 22 minutes. Conceived & directed by Liliana Porter. Music: Sylvia Meyer. Co-direction: Ana Tiscornia. Videography & Editing: Federico Lo Bianco. © Liliana Porter, 2016
In this context, friendship becomes both a political and cultural act. The exhibition emphasizes artistic collaboration as a strategy against displacement and precarity. Art is not just an individual endeavor but a collective experience that fosters new forms of belonging and solidarity.
Rather than seeking consensus or fixed meanings, the show embraces contradiction and fluidity. It highlights how displacement fuels creativity, where movement is not just geographical but also conceptual and emotional. The works in this show navigate themes of labor, identity, and performativity while exploring photography, sculpture, video, and painting. Some artists address capitalism and value production, while others experiment with photography’s materiality, reviving obsolete technologies or examining personal transitions. Argentine painting in this context engages with geometric abstraction, memory, and urban landscapes, while other works explore ecology, politics, and power.
Is there an “Argentine gaze” in contemporary art? Rather than a fixed essence, this exhibition suggests a perspective in motion—one that absorbs and transforms its surroundings while retaining a distinct cultural imprint. The artists in The Argentine International challenge hierarchies, dismantle dominant narratives, and open new ways of imagining art and identity.
More than a nostalgic reflection, the show reactivates historical dialogues and projects them into the future. These works do not merely document displacement but reinterpret history and propose alternative futures. By connecting different times, places, and experiences, The Argentine International affirms the power of artistic communities to create a more expansive and pluralistic world.
The Argentine International Will be on display until March 8, 2025, at The Slip, 25 Peck Slip, New York, (United States).
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The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
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The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
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The Miriam and Ira D. Wallach Art Gallery at Columbia University presents Rubén Ortiz-Torres: Zonas de Colaboración, the artist’s first major solo exhibition in New York, curated by Betti-Sue Hertz.
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The Miriam and Ira D. Wallach Art Gallery at Columbia University presents Rubén Ortiz-Torres: Zonas de Colaboración, the artist’s first major solo exhibition in New York, curated by Betti-Sue Hertz.
Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
AN ICE CREAM THAT DEFIES MEMORY: THE REINVENTION OF THE SHIFTING STONE
Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
THE MARVELLOUS WORLD OF CELINA ECEIZA
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
THE GUGGENHEIM ACQUIRED LORIEL BELTRAN´S WORK
The Venezuelan's work has been added to the permanent collection of the Guggenheim Museum in New York, marking a significant milestone in the artist’s career. Additive Spectrum was first shown in Beltrán’s UNDER THE SUN, OVER THE EARTH exhibition at CENTRAL FINE, showcasing a vibrant exploration of color and emotional resonance.
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The Vilcek Foundation has named Argentine Director and Chief Curator of Art Aimé Iglesias Lukin as one of the three recipients of the Vilcek Prize for Creative Promise in Curatorial Work. The award recognizes immigrant contributions to the arts and sciences in the United States.
AIMÉ IGLESIAS LUKIN IS THE WINNER OF THE VILCEK AWARD
The Vilcek Foundation has named Argentine Director and Chief Curator of Art Aimé Iglesias Lukin as one of the three recipients of the Vilcek Prize for Creative Promise in Curatorial Work. The award recognizes immigrant contributions to the arts and sciences in the United States.
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The Miriam and Ira D. Wallach Art Gallery at Columbia University presents Rubén Ortiz-Torres: Zonas de Colaboración, the artist’s first major solo exhibition in New York, curated by Betti-Sue Hertz.
RUBÉN ORTIZ-TORREZ AND THE CULTURAL PARADOXES OF THE GLOBALIZED WORLD
The Miriam and Ira D. Wallach Art Gallery at Columbia University presents Rubén Ortiz-Torres: Zonas de Colaboración, the artist’s first major solo exhibition in New York, curated by Betti-Sue Hertz.
Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
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Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
THE MARVELLOUS WORLD OF CELINA ECEIZA
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
