RUBÉN ORTIZ-TORREZ AND THE CULTURAL PARADOXES OF THE GLOBALIZED WORLD

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Museum of Modern and Contemporary Art in Bolzano-Bozen presented a pioneering exhibition on the relationship between graffiti and contemporary art. Curated by Leonie Radine and Ned Vena, the show will be the first in an Italian museum to explore the history of spray paint in art. 

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Museum of Modern and Contemporary Art in Bolzano-Bozen presented a pioneering exhibition on the relationship between graffiti and contemporary art. Curated by Leonie Radine and Ned Vena, the show will be the first in an Italian museum to explore the history of spray paint in art. 

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Museum of Modern and Contemporary Art in Bolzano-Bozen presented a pioneering exhibition on the relationship between graffiti and contemporary art. Curated by Leonie Radine and Ned Vena, the show will be the first in an Italian museum to explore the history of spray paint in art. 

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Museum of Modern and Contemporary Art in Bolzano-Bozen presented a pioneering exhibition on the relationship between graffiti and contemporary art. Curated by Leonie Radine and Ned Vena, the show will be the first in an Italian museum to explore the history of spray paint in art. 

A new group exhibition brings together 17 Argentine artists in New York. Curated by The Bureau of The Unknown Curator, the show features Cecilia Biagini, Ivana Brenner, Rafael Bueno, Bibi Calderaro, Beto De Volder, Dolores Furtado, Julio Grinblatt, Nicolás Guagnini, Claudia Kaatziza Cortínez, Syd Krochmalny, Fabián Marcaccio, Sabrina Merayo Núñez, Luciana Pinchiero, Liliana Porter, Sofía Quirno, Analia Segal, and Pedro Wainer.

The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

The Mexican art scene is going through an exceptional moment. There is a palpable energy, with new galleries opening, others already consolidated in the process of expansion and Mexican artists and curators gaining more and more international visibility. Their presence in museums, biennials and global fairs continues to grow, consolidating Mexico as a key player in the contemporary art scene.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Museum of Modern and Contemporary Art in Bolzano-Bozen presented a pioneering exhibition on the relationship between graffiti and contemporary art. Curated by Leonie Radine and Ned Vena, the show will be the first in an Italian museum to explore the history of spray paint in art.