ALL THE FOREIGNERS REUNITED AT THE VENICE BIENNALE
The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.
THE CURATOR’S INTERNATIONAL EXHIBITION
«This 60th edition of the International Art Exhibition is all there in the title Foreigners Everywhere – Stranieri Ovunque. Strong words, explosive when paired that evoke both current scenarios and possible universes, on whose borderline the curator’s line of thought is constructed, sharp in its longer focus and vibrant with complex contrasts nearer to hand.
Adriano Pedrosa has curated a Biennale Arte that reflects his personal approach to study and research, which is free of any prejudice in favour of the already established – where the vertigo of the unknown is an integral part of the process of exploration and enjoyment, and disorientation becomes a potent instrument for identifying new compass points.
And the compass is important to understanding this paradigm shift. Pedrosa is the first South American curator of the Biennale Arte and he is well aware that the compass points themselves are anthropized symbolic forms, with the North at the head – complete with a tall hat – and the South at the foot, a bare foot needless to say», stated Pietrangelo Buttafuoco, President of La Biennale di Venezia at the Introduction speech.
As a guiding principle, the Biennale Arte 2024 has favored artists who have never participated in the International Exhibition—though a number of them may have been featured in a National Pavilion, a Collateral Event, or in a past edition of the International Exhibition.
«The expression Stranieri Ovunque –explains Adriano Pedrosa– has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner. »
-
Gabrielle Goliath. Ph by Matteo De Mayda. Courtesy: La Biennale di Venezia
-
Gabrielle Goliath. Ph by Matteo De Mayda. Courtesy: La Biennale di Venezia
-
MAHKU. Ph by Matteo De Mayda. Courtesy: La Biennale di Venezia
-
Claire Fontaine. Ph by Marco Zorzanello. Courtesy: La Biennale di Venezia
-
Brett Graham. Ph by Marco Zorzanello. Courtesy: La Biennale di Venezia
NUCLEO CONTEMPORANEO
«According to the American Heritage and the Oxford Dictionaries, the first meaning of the word “queer” is precisely “strange”, and thus the Exhibition unfolds and focuses on the production of other related subjects: the queer artist, who has moved within different sexualities and genders, often being persecuted or outlawed; the outsider artist, who is located at the margins of the art world, much like the self-taught artist, the folk artist and the artista popular; the indigenous artist, frequently treated as a foreigner in his or her own land. The productions of these four subjects are the interest of this Biennale, constituting the Nucleo Contemporaneo. »
«Indigenous artists have an emblematic presence and their work greets the public in the Central Pavilion, where the Mahku collective from Brazil will paint a monumental mural on the building’s façade, and in the Corderie, where the Maataho collective from Aotearoa/New Zealand will present a large-scale installation in the first room. Queer artists appear throughout the exhibition, and are also the subject of a large section in the Corderie, and one devoted to queer abstraction in the Central Pavilion. »
NUCLEO STORICO
In the Central Pavilion three rooms are planned for the Nucleo Storico: one room is titled Portraits, one Abstractions and the third one is devoted to the the worldwide Italian artistic diaspora in the 20th century.
«The Nucleo Storico gathering works from 20th century Latin America, Africa, the Middle East and Asia. Much has been written about global modernisms and modernisms in the Global South, and a number of rooms will feature works from these territories, much like an essay, a draft, a speculative curatorial exercise that seeks to question the boundaries and definitions of modernism. »
NATIONAL PARTICIPATIONS
The Exhibition will also include 88 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 4 countries will be participating for the first time at the Biennale Arte: Republic of Benin, Ethiopia, United Republic of Tanzania, Democratic Republic of Timor Leste. Nicaragua, Republic of Panama and Senegal participate for the first time with their own pavilion.
-
Pavilion of Argentina. Courtesy: La Biennale di Venezia. Photo: Andrea Avezzù.
-
Pavilion of Argentina. Courtesy: La Biennale di Venezia. Photo: Andrea Avezzù.
-
Pavilion of Uruguay. Courtesy: La Biennale di Venezia. Ph by Matteo De Mayda
-
Pavilion of Mexico. Courtesy: La Biennale di Venezia. Photo: Andrea Avezzù.
BRAZIL IN A SPECIAL PROJECT
Brazilian artist Beatriz Milhazes (b. 1960), known for her work that overlays the Brazilian cultural imagination with references to western modernist painting, will present seven paintings and seven collages, all large-scale works. The project for the Pavilion, curated this year by Adriano Pedrosa and now in its eighth edition, is a collaboration between La Biennale di Venezia and the Victoria and Albert Museum (V&A) in London.
Besides, 30 Collateral Events admitted by the Curator and promoted by non–profit national and international bodies and institutions, will take place in several locations around the city of Venice. They offer a wide range of contributions and participations that enrich the diversity of voices that characterizes the Exhibition.
May interest you
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
ANNA MARIA MAIOLINO AND NIL YALTER: GOLDEN LION AWARD FOR LIFETIME ACHIEVEMENT
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
CRAFTING MODERNITY AT MoMA: DESIGN IN LATIN AMERICA, 1940-1980
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
BONAVENTURE SOH BEJENG NDIKUNG WILL BE THE CHIEF CURATOR OF THE 36TH SÃO PAULO BIENNALE
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
ANNA MARIA MAIOLINO AND NIL YALTER: GOLDEN LION AWARD FOR LIFETIME ACHIEVEMENT
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
CRAFTING MODERNITY AT MoMA: DESIGN IN LATIN AMERICA, 1940-1980
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
BONAVENTURE SOH BEJENG NDIKUNG WILL BE THE CHIEF CURATOR OF THE 36TH SÃO PAULO BIENNALE
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
ANNA MARIA MAIOLINO AND NIL YALTER: GOLDEN LION AWARD FOR LIFETIME ACHIEVEMENT
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
CRAFTING MODERNITY AT MoMA: DESIGN IN LATIN AMERICA, 1940-1980
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
BONAVENTURE SOH BEJENG NDIKUNG WILL BE THE CHIEF CURATOR OF THE 36TH SÃO PAULO BIENNALE
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
ANNA MARIA MAIOLINO AND NIL YALTER: GOLDEN LION AWARD FOR LIFETIME ACHIEVEMENT
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
CRAFTING MODERNITY AT MoMA: DESIGN IN LATIN AMERICA, 1940-1980
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
BONAVENTURE SOH BEJENG NDIKUNG WILL BE THE CHIEF CURATOR OF THE 36TH SÃO PAULO BIENNALE
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
ENVIRONMENTAL SUSTAINABILITY AT THE BIENNALE DI VENEZIA
La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
ANNA MARIA MAIOLINO AND NIL YALTER: GOLDEN LION AWARD FOR LIFETIME ACHIEVEMENT
The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
CRAFTING MODERNITY AT MoMA: DESIGN IN LATIN AMERICA, 1940-1980
The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
BONAVENTURE SOH BEJENG NDIKUNG WILL BE THE CHIEF CURATOR OF THE 36TH SÃO PAULO BIENNALE
The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
