LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

If the history of art is, to a certain extent, "the history of the complex infrastructure generated by the development of relations between artists and economic power" (López Zumelzu, 2020), when we are faced with works that subvert the canons established by tradition -and still belong to it- we may ask ourselves, how can we operate from within this framework to question the policies that constitute and decide what is made visible, and what is consequently made invisible?

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

If the history of art is, to a certain extent, "the history of the complex infrastructure generated by the development of relations between artists and economic power" (López Zumelzu, 2020), when we are faced with works that subvert the canons established by tradition -and still belong to it- we may ask ourselves, how can we operate from within this framework to question the policies that constitute and decide what is made visible, and what is consequently made invisible?

The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

If the history of art is, to a certain extent, "the history of the complex infrastructure generated by the development of relations between artists and economic power" (López Zumelzu, 2020), when we are faced with works that subvert the canons established by tradition -and still belong to it- we may ask ourselves, how can we operate from within this framework to question the policies that constitute and decide what is made visible, and what is consequently made invisible?

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

If the history of art is, to a certain extent, "the history of the complex infrastructure generated by the development of relations between artists and economic power" (López Zumelzu, 2020), when we are faced with works that subvert the canons established by tradition -and still belong to it- we may ask ourselves, how can we operate from within this framework to question the policies that constitute and decide what is made visible, and what is consequently made invisible?

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

If the history of art is, to a certain extent, "the history of the complex infrastructure generated by the development of relations between artists and economic power" (López Zumelzu, 2020), when we are faced with works that subvert the canons established by tradition -and still belong to it- we may ask ourselves, how can we operate from within this framework to question the policies that constitute and decide what is made visible, and what is consequently made invisible?