ANDREA MANCINI & EVERY ISLAND: LUXEMBOURG PAVILION AT THE VENICE BIENNALE
A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.
The project of the Luxembourg pavilion challenges the entrenched notion of individual artistic authorship by presenting a collection of works where artists relinquish ego in favor of a profound exploration of collective creativity through the medium of sound.
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Andrea Mancini & Every Island, A Comparative Dialogue Act, 2024. © Andrea Mancini & Every Island.
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Andrea Mancini & Every Island, A Comparative Dialogue Act, 2024. © Andrea Mancini & Every Island.
A Comparative Dialogue Act uses sound as a tool to explore different perspectives on identity and artistic research. An unprecedented collaboration by four emerging artists from diverse backgrounds, it brings together Spanish musician and performer Bella Báguena, French transdisciplinary artist Célin Jiang, Ankara-born performance Artist Selin Davasse and Swedish artist Stina Fors to offer four intersecting approaches to the multiple ways identity, performance and sound can meet. Navigating the realms of gender identity, Báguena weaves sounds inspired by intuition, motivation and a tableau of influences from pop culture to personal experiences. Jiang adopts a decolonial cyberfeminist approach, intertwining arts, technologies and digital humanities to provoke contemplation of identity within the context of transcultural aesthetics. Repurposing literary and performative techniques, Davasse embodies various feminine beasts with distinct syntactical, vocal and gestural characteristics to intimately traverse a speculative ethics of hospitality. And finally, Fors uses choreography, performance, drumming and vocals to explore the depths of a ‘sounding body’, unleashing a powerful voice that alternates between lethal force and seductive allure and showcasing the complexities of the self. A Comparative Dialogue Act offers a rich composition of singular voices brought together in a blurred sound artwork that pushes the boundaries of contemporary art production.
This exhibition investigates the transformative potential of sound as a medium for cultivating connection and understanding. It aims to transcend the limits set by singular perspectives of what sound can lend to the acts of interpreting, distorting and appropriating.
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Pavilion of GRAND DUCHY OF LUXEMBOURG. A Comparative Dialogue Act. 60th International Art Exhibition - La Biennale di Venezia. Photo: Andrea Avezzù
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Pavilion of GRAND DUCHY OF LUXEMBOURG. A Comparative Dialogue Act. 60th International Art Exhibition - La Biennale di Venezia. Photo: Andrea Avezzù
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Pavilion of GRAND DUCHY OF LUXEMBOURG. A Comparative Dialogue Act. 60th International Art Exhibition - La Biennale di Venezia. Photo: Andrea Avezzù
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Pavilion of GRAND DUCHY OF LUXEMBOURG. A Comparative Dialogue Act. 60th International Art Exhibition - La Biennale di Venezia. Photo: Andrea Avezzù
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Pavilion of GRAND DUCHY OF LUXEMBOURG. A Comparative Dialogue Act. 60th International Art Exhibition - La Biennale di Venezia. Photo: Andrea Avezzù
Guest artists
Selin Davasse | Residency: April 15–21
Selin Davasse (b. 1992, Ankara) lives and works in Berlin. Her performances repurpose disparate literary and performative techniques to enact and enforce a speculative ethics of hospitality between a bestial feminine stranger and a heterogeneous public. Embodying various narrative selves with distinct syntactical, vocal and gestural characteristics, she transmutes systems of thought into intimate and playful utterances oscillating between speech and song, in a permeable and unpredictable relationship to the viewer.
Célin Jiang | Residency: June 24–30
Célin Jiang is a French artist-researcher. Her work is transdisciplinary, political, and infiltrated: it aims to explore the relationship between art, technology, and digital humanities. The decolonial approach of her work is rooted in cyberfeminism. By questioning our perception of identities in a globalised context of transcultural aesthetics, Célin Jiang advocates interoperability and considers hybridisation as a sensitive vector of metamorphosis: how does the dissident potential of artistic expressions operate in the phygital era of social networks?
Stina Fors | Residency: July 18–28
With a taste for the absurd and strange, Stina Fors (b. 1989, SE), a choreographer and performance artist, crafts unpredictable, once-in-a-lifetime performances. As a self-taught drummer and shocking vocalist, Fors tours with her one-woman-punk-band, Stina Force, claiming no two performances are ever the same. Extended ventriloquism and screams can be witnessed in her recent work, “A Mouthful of Tongues” - a magic show where the voice seems detached from the performer’s body. Fors’s work is filled with tension, wit, and raw power. She also teaches how to access extreme voices. Stina studied choreography at SNDO in Amsterdam, currently in Vienna, Austria.
Bella Báguena | Residency: September 9–15
Bella Báguena (b. 1994, Valencia) is a Spanish trans non-binary woman who works with different disciplines such as music, performance, jewelry and other media. Bella centers her artistic production in a gender self-examination and an intuitive, emotional process, using her voice, body movement and identity, as well as objects, spaces and technologies, to create sound, video, sculptural or performative pieces in which the emotional charge and thought load of the trans woman’s identity becomes the key.
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The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
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Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
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Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
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A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
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The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
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Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
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Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
COMPOSE: JAPAN PAVILION AT THE VENICE BIENNALE
The Japan Foundation, the commissioner of the Japan Pavilion presents Compose, a solo exhibition created by Yuko Mohri and curated by Sook-Kyung Lee at the 60th International Venice Biennale.
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
THE VENICE BIENNALE: CZECH AND SLOVAK REPUBLIC PAVILION
The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia’s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, Eva Kotátková’s project of the Czech and Slovak Republic Pavilion at the Venice Biennale builds a space for imagining a different way of relating to nature.
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
