RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

For the 60^th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.

Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

For the 60^th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.

Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

For the 60^th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.

Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

For the 60^th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.

Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia - Stranieri Ovunque - Foreigners Everywhere.

The 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere –curated by Adriano Pedrosa–, opens to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale.

La Biennale di Venezia is working concretely towards the crucial goal of fighting climate change, by promoting a more sustainable model for the design, installation and operation of all its events.

For the 60^th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.

Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.

Malta’s pavilion at the 60^th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.

A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island is representing the Luxembourg Pavilion at the 60th Venice Biennale.