AMERICAS SOCIETY PRESENTS SYLVIA PALACIOS WHITMAN’S FIRST SOLO EXHITION IN THE UNITED STATES

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.