SONORAN QUIPU. CECILIA VICUÑA’S SCULPTURE AT MOCA TUCSON
Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.
The elements are gathered from kitchens, gutters, artists’ studios, gardens, and streets. Transforming the museum into a studio, artist and poet Cecilia Vicuña alchemized these fragments—things deemed no longer useful, having been shed by a plant, broken by a child, or left in an alley—into a living installation. The exhibition also includes elements that offer a small window into the breadth of Vicuña’s practice: three videos, a sound piece, a little library, and the vapors of performances, rituals, and relationships Vicuña created while in Tucson. Sonoran Quipu senses the fragility of our world as climate change tilts us towards mass extinction. Weaving together plant and industrial materials, the artist invites viewers to consider the beauty and precarity of our world, and our interconnected relationship to the environment and each other.
The Sonoran Quipu combines the artist’s signature sculpture forms—the monumental quipu and the precario. A quipu (‘knot’ in Quechua) is an ancient Andean communication technology that uses knotted strings to record information, and was banned by the Spanish during the colonization of South America. Vicuña reimagines the ancient quipu system, incorporating contemporary materials to highlight its capacity to connect worlds and people. The artist’s sculptural precarios are described by the artist as simultaneously “about to happen” and in a constant state of dissolution. The ephemeral precario and the delicate universe of the quipu are composed of materials perceived as disposable, reclaiming meaning from waste.
This quipu is part of a new arc in the artist’s work that she defines as “a quipu of encounters” to map and hold networks of relationships. The first ones occurred last year at Organizmo, in Cundinamarca, Colombia, the Guggenheim Museum in New York and at the Tate Modern in London, and now here in Tucson.
Sonoran Quipu is a poem in space that gently sways in the wind and changes with the passing of time. This new commission expands on the ecological and cosmic themes at the center of Vicuña’s life practice. It is enlivened by collaborations and public programs that situate the installation as a living site for contemplation, knowledge sharing, and gathering.
Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) received her M.F.A. from the National School of Fine Arts, University of Chile in 1971 and continued with postgraduate studies at Slade School of Fine Art, University College London from 1972-1973. This year alone, solo exhibitions of her work have been organized at a number of major institutions, including the Tate Modern, London, United Kingdom (2022); Solomon R. Guggenheim Museum, New York, NY (2022), and Museo de Arte Miguel Urrutia (MAMU), Bogotá, Colombia (2022). Vicuña is also included in The Milk of Dreams, 59th International Art Exhibition, Venice Biennale, Venice, Italy (2022), and was awarded a Golden Lion for Lifetime Achievement (2022). Her work is in numerous public collections, including the Museo de Arte Latinoamericano de Buenos Aires (MALBA); Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Museum of Fine Arts, Boston, MA; The Museum of Modern Art, New York, NY; Museo Nacional de Bellas Artes, Santiago, Chile; National Portrait Gallery, Smithsonian Institution, Washington, D.C.; Solomon R. Guggenheim Museum, New York, NY; and Tate, London, United Kingdom. Vicuña is the author of 30 volumes of art and poetry.
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Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.
GEGO’S EXHIBITION AT GUGGENHEIM, NEW YORK
Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.
The Conceptualists: Vol. II is an exhibition of work by Hernan Bas in Lehmann Maupin Gallery. Marking the artist’s sixth solo presentation with the gallery, the exhibition is a continuation of Bas’ Conceptualists series that started in 2021.
HERNAN BAS IN LEHMANN MAUPIN: TENSIONS, REFERENCES AND GAMES
As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.
PABLO ATCHUGARRY'S ANTHOLOGICAL EXHIBITION AT LECCO
As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.
The exhibition showcases over 50 years of work of Chilean artist Silvia Palacios Whitman. Americas Society gathered from historic performances to recent drawings.
AMERICAS SOCIETY PRESENTS SYLVIA PALACIOS WHITMAN’S FIRST SOLO EXHITION IN THE UNITED STATES
The exhibition showcases over 50 years of work of Chilean artist Silvia Palacios Whitman. Americas Society gathered from historic performances to recent drawings.
The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.
THE THYSSEN MUSEUM AND CASA DE AMERICA JOIN FORCES TO MAKE WOMEN VISIBLE
The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.
The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).
JESÚS RAFAEL SOTO'S INTERACTIVE SCULPTURE IN NEW YORK CITY
The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.
NAOMI RINCÓN GALLARDO PRESENTS THE TZITZIMIME TRILOGY AT LA CASA ENCENDIDA
The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.
The Minneapolis Institute of Art presented a new exhibition, in partnership with the Denver Art Museum. ReVisión: Art in the Americas provides a poignant look into the history of Latin America.
REVISION OF LATIN AMERICAN HISTORY IN MINNEAPOLIS INSTITUTE OF ART
The Minneapolis Institute of Art presented a new exhibition, in partnership with the Denver Art Museum. ReVisión: Art in the Americas provides a poignant look into the history of Latin America.
The Chilean artist Alfredo Jaar is the winner of the 11th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.
ALFREDO JAAR RECIEVED THE 11TH HIROSHIMA ART PRIZE
The Chilean artist Alfredo Jaar is the winner of the 11th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.
The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.
ARTISTS NOMINATED FOR THE 13TH LUIS CABALLERO AWARD
The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.
Thanks to a private donation, the video Cebame (2019) and the installation Panoplia de mates culeros (2022) by artist Valentín Demarco entered the museum’s collection.
VALENTIN DEMARCO GETS INTO MALBA COLLECTION
Thanks to a private donation, the video Cebame (2019) and the installation Panoplia de mates culeros (2022) by artist Valentín Demarco entered the museum’s collection.
