THE COLOMBIAN CARIBBEAN THROUGH RUBY RUMIE´S PERSPECTIVE
Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.

Ruby Rumié: “Colombia is considered a country of many regions each with its own identity and characteristics. The Colombian Caribbean is no stranger to this. I started this project from the perspective of a Colombian woman, with a desire to question, as we are now living through a very tangible social fragmentation of our identity. During this questioning process of our history. I found and researched the collection of images of The Chorographic Commission and a series of academic texts from the 19th century. This allowed me to transfer this inquisitiveness to the nearest context that I am also familiar with, which is the Caribbean”.
Rumié invites us to reflect through these photographic portraitures on the lack of visual representations of the historical discourses that have defined the identity of the Colombian Caribbean from the New Granada to the present. The project puts together one hundred people from the Caribbean region whose unique characteristics share the passion and commitment for their trade, and express in a special way their taste and the value they place on the food from this region, as food is one of the most relevant cultural elements.
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Ruby Rumié. NOSOTROS, 2022. C-print, mounted on Aluminum, with Matt PVC lamination. 162 ½ X 116 in. (413 x 295 cm).
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Ruby Rumié. NOSOTROS, 2022. C-print, mounted on Aluminum, with Matt PVC lamination. 162 ½ X 116 in. (413 x 295 cm).
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Ruby Rumié. JOSÉ CARABALLO, 2022. C-print fase mounted on Aluminum with Matt PVC lamination, 58 ¾ x 58 ¾ in. (148 x 148 cm). Edition of 5.
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Ruby Rumié, AYELE AGYARE, 2022. C-print face mounted on Aluminum with Matt PVC lamination. (148 x 148 cm). Edition of 5.
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Ruby Rumié. JULIO CESAR MÁRQUEZ, 2022, C-Print fase mounted on Aluminum with Matt PVC lamination. 23 1/8 x 23 1/8 in. (59 x 59 cm). Edition of 5.
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RUBY RUMIÉ, Jair Buelvas, 2022, C-Print, mounted on Aluminum, with PVC Matt lamination. 17 3/4 x 11 7/8 in. (45 x 30 cm). Edition of 5.
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RUBY RUMIÉ. Jaquelín Alzamora 2 (Diabolines), 2022. C-print, mounted on Aluminum, with Matt PVC lamination. 23 1/8 x 23 1/8 in. (59 x 59 cm). Edition of 5.
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RUBY RUMIÉ. Mónica Gontovnik, 2022. C-print, mounted on Aluminum, with Matt PVC lamination. 23 1/8 x 23 1/8 in. (59 x 59 cm). Edition of 5.
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RUBY RUMIÉ, Hermanas Carvajalino, 2022, C-Print, mounted on Aluminum, with PVC Matt lamination. 17 3/4 x 11 7/8 in. (45 x 30 cm). Edition of 5.
Born in Cartagena de Indias, Ruby Rumié studied painting, drawing and sculpture at the Cartagena School of Fine Arts (1980-1982). From 1989 to 1996 she worked on hyperrealist painting. She then broke away from academia and pursued her work with a clear focus on social issues, both territorial and on patrimony, questioning her commitment as an artist to society. She has held important exhibitions in Colombia, Chile, the United States and France. She exhibited Hálito Divino (Divine Breath) and Tejiendo calles (Weaving Streets) at the Nohra Haime Gallery in New York and at NH Galería in Cartagena, Colombia. She participated in Art Paris and in the first Biennial of Contemporary Art of Cartagena de Indias with her work Lugar común (Common Place). She was awarded the Rockefeller Foundation Bellagio Center fellowship and Women Together from the United Nations (UN) for her anthropological, social and artistic Works.
Nosotros 172 años después. Solo exhibition by Ruby Rumié.
Until July 16th, 2023.
Nohra Haime Gallery. 500A West 21st Street. New York, United States.
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La Maison de l'Amérique latine presents two Venezuelan artists, Milton Ceberra and Pancho Quilici in the exhibition L'outreligne (The other line). It is curated by Christin Frérot.
TWO VENEZUELAN ARTISTS AT THE MAISON DE L'AMÉRIQUE LATINE
La Maison de l'Amérique latine presents two Venezuelan artists, Milton Ceberra and Pancho Quilici in the exhibition L'outreligne (The other line). It is curated by Christin Frérot.

Queer Threads is a traveling group exhibition and coffee-table book exploring contemporary lesbian, gay, bisexual, transgender, and queer experiences through fiber and textile traditions. It arrived at San José Museum Quilts & Textiles from may 12th to August 20th, 2023.
QUEER THREADS. THE TRAVELLING EXHIBITION THAT ARRIVED TO CALIFORNIA
Queer Threads is a traveling group exhibition and coffee-table book exploring contemporary lesbian, gay, bisexual, transgender, and queer experiences through fiber and textile traditions. It arrived at San José Museum Quilts & Textiles from may 12th to August 20th, 2023.

Everlasting Plastics is the United States Pavilion’s proposal at the Venice Architecture Biennale.
EVERLASTING PLASTICS. UNITED STATES PAVILION AT THE VENICE ARCHITECTURE BIENNALE
Everlasting Plastics is the United States Pavilion’s proposal at the Venice Architecture Biennale.

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.
SONORAN QUIPU. CECILIA VICUÑA’S SCULPTURE AT MOCA TUCSON
Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

The exhibition showcases over 50 years of work of Chilean artist Silvia Palacios Whitman. Americas Society gathered from historic performances to recent drawings.
AMERICAS SOCIETY PRESENTS SYLVIA PALACIOS WHITMAN’S FIRST SOLO EXHITION IN THE UNITED STATES
The exhibition showcases over 50 years of work of Chilean artist Silvia Palacios Whitman. Americas Society gathered from historic performances to recent drawings.

The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.
BROOKLYN MUSEUM ANNOUNCES DARIENNE TURNER AS CURATOR OF INDIGENOUS ART
The Brooklyn Museum expands curatorial team with the appointment of Darienne Turner as the Curator of Indigenous Art.

The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).
JESÚS RAFAEL SOTO'S INTERACTIVE SCULPTURE IN NEW YORK CITY
The Colección Patricia Phelps de Cisneros announced the long-term loan of Jesús Rafael Soto's interactive sculpture Penetrable (1990) to The Hispanic Society Museum & Library (HSM&L).

(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24th Street.
GABRIEL CHAILE AT HIGH LINE
The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24th Street.

The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.
ARTISTS NOMINATED FOR THE 13TH LUIS CABALLERO AWARD
The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.