EXPLORING MOTION AT KUNSTHALLE MAINZ

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Venice Biennale 2024 offers an exceptional platform for examining the challenges and opportunities facing the future. The pavilions of Japan, Germany, Switzerland and Hungary trace different forms of looking at and thinking about the world to come, projecting visions of the environment, equilibrium, adaptation, world order and, of course, collective memory.

About to turn 92, Anna Bella Geiger, from Rio de Janeiro, never ceases to attest to her robust experimental side with each new exhibition featuring snippets of her shifting production. Both in Brazil and abroad, in solo and group shows, her body of work remains indomitable, uncompromising and full of meaning.

La Virreina presents the exhibition Destructuras de poder, featuring the work of Regina Silveira (Porto Alegre, 1939), a multimedia artist and a key figure in Latin American and international conceptual art. This exhibition encompasses a significant part of the Brazilian artist’s research and artistic production.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Venice Biennale 2024 offers an exceptional platform for examining the challenges and opportunities facing the future. The pavilions of Japan, Germany, Switzerland and Hungary trace different forms of looking at and thinking about the world to come, projecting visions of the environment, equilibrium, adaptation, world order and, of course, collective memory.

About to turn 92, Anna Bella Geiger, from Rio de Janeiro, never ceases to attest to her robust experimental side with each new exhibition featuring snippets of her shifting production. Both in Brazil and abroad, in solo and group shows, her body of work remains indomitable, uncompromising and full of meaning.

La Virreina presents the exhibition Destructuras de poder, featuring the work of Regina Silveira (Porto Alegre, 1939), a multimedia artist and a key figure in Latin American and international conceptual art. This exhibition encompasses a significant part of the Brazilian artist’s research and artistic production.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Venice Biennale 2024 offers an exceptional platform for examining the challenges and opportunities facing the future. The pavilions of Japan, Germany, Switzerland and Hungary trace different forms of looking at and thinking about the world to come, projecting visions of the environment, equilibrium, adaptation, world order and, of course, collective memory.

About to turn 92, Anna Bella Geiger, from Rio de Janeiro, never ceases to attest to her robust experimental side with each new exhibition featuring snippets of her shifting production. Both in Brazil and abroad, in solo and group shows, her body of work remains indomitable, uncompromising and full of meaning.

La Virreina presents the exhibition Destructuras de poder, featuring the work of Regina Silveira (Porto Alegre, 1939), a multimedia artist and a key figure in Latin American and international conceptual art. This exhibition encompasses a significant part of the Brazilian artist’s research and artistic production.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Venice Biennale 2024 offers an exceptional platform for examining the challenges and opportunities facing the future. The pavilions of Japan, Germany, Switzerland and Hungary trace different forms of looking at and thinking about the world to come, projecting visions of the environment, equilibrium, adaptation, world order and, of course, collective memory.

About to turn 92, Anna Bella Geiger, from Rio de Janeiro, never ceases to attest to her robust experimental side with each new exhibition featuring snippets of her shifting production. Both in Brazil and abroad, in solo and group shows, her body of work remains indomitable, uncompromising and full of meaning.

La Virreina presents the exhibition Destructuras de poder, featuring the work of Regina Silveira (Porto Alegre, 1939), a multimedia artist and a key figure in Latin American and international conceptual art. This exhibition encompasses a significant part of the Brazilian artist’s research and artistic production.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Venice Biennale 2024 offers an exceptional platform for examining the challenges and opportunities facing the future. The pavilions of Japan, Germany, Switzerland and Hungary trace different forms of looking at and thinking about the world to come, projecting visions of the environment, equilibrium, adaptation, world order and, of course, collective memory.

About to turn 92, Anna Bella Geiger, from Rio de Janeiro, never ceases to attest to her robust experimental side with each new exhibition featuring snippets of her shifting production. Both in Brazil and abroad, in solo and group shows, her body of work remains indomitable, uncompromising and full of meaning.

La Virreina presents the exhibition Destructuras de poder, featuring the work of Regina Silveira (Porto Alegre, 1939), a multimedia artist and a key figure in Latin American and international conceptual art. This exhibition encompasses a significant part of the Brazilian artist’s research and artistic production.