NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO
Celebrating the occasion of her 90th birthday, the exhibition will be on display until February 13, 2022. The aim is to celebrate the life and work of Cuban-born, Miami-based artist Margarita Cano.
This exhibition is a testament to Cano’s remarkable life, a record of her transition from Cuba to America, and from scientist, to art services librarian, and finally, to a painter of dreams. This exhibition will encapsulate Cano’s multi-disciplinary practice as a self-taught artist, whose creativity has manifested through wondrous miniature books, votive portraits, landscapes paintings, prints and photographs.
Cano’s art is a portal into a celestial world, in which memories are transformed into sacred visions of life and loss. This exhibition is curated by NSU Art Museum Director and Chief Curator Bonnie Clearwater with Ariella Wolens, Bryant-Taylor Curator
During a 30-year career at the Miami Dade Public Library, Margarita Cano (b. 1932, Havana) helped shape a major art collection for the library system, instrumental in the presentation of the first exhibition of Cintas Fellows in 1977 and of the exhibition on Colonial Cuba, “The Romance of an Era.” She also served on the board of directors of the Cuban Museum of Arts and Culture, for which she organized the exhibition “Nine Cuban-American Artists, The Miami Generation,” which traveled to Washington D.C. and Philadelphia. After her retirement in 1993, Cano developed her own creative skills, painting portraits of her family and friends, Cuban landscapes and miniature books in the style of Medieval Books of Hours. She has also written and illustrated several books for children. Cano is a longtime member of the Cintas Foundation Board of Directors.
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Margarita Cano, The Tumbler, 1997. NSU Art Museum Fort Lauderdale; gift of Isabel Hernandez in memory of Benjamin Holloway
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Margarita Cano, The Tumbler, 1997. NSU Art Museum Fort Lauderdale; gift of Isabel Hernandez in memory of Benjamin Holloway
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Photography by Pedro Wazzan. Courtesy of NSU.
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Photography by Pedro Wazzan. Courtesy of NSU.
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Margarita Cano
Founded in 1958, NSU Art Museum Fort Lauderdale is a premier destination for exhibitions and programs encompassing many facets of civilization’s visual history. Located midway between Miami and Palm Beach in downtown Fort Lauderdale’s arts and entertainment district, NSU Art Museum is known for its significant collection of Latin American art, contemporary art with an emphasis on art by Black, Latinx and women artists, African art that spans the 19th to the 21st-century, as well as works by American artist William Glackens, and the European Cobra group of artists.
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The exhibition with selected works from the Cisneros Fontanals Art Foundation Collection (CIFO) reflects on both the multidisciplinary practices of Latin American contemporary art and on its diversity as a conceptual frame that is inclusive of a carried universe of voices. It comprises 31 established, mid-career, and emerging artists from Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico, Peru, Uruguay, and Venezuela, and features works of art in multiple media, including painting, sculpture, drawing, photography, video, as well as large-scale multimedia installations. Having debuted at the Cuenca Biennial in 2018, this is the first time this exhibition is presented at an arts institution in the United States.
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
MoMA’S COLLECTION GALLERY EXHIBITS MARTA MINUJÍN’S “MINUCODE”
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.
THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI
At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.
The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.
DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ
The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.
With the curatorship of Félix Suazo, Pinta Miami 2021 becomes a scenario for immersive and thought provoking installations. The aim of Pinta’s section Special Projects is to accentuate the individuality and artistry of contemporary artists who, through their works and installations, bring to life the concerns and possibilities of the near future.
THE BEAUTY OF DANGER AS STIMULUS – NAN GONZÁLEZ IN PINTA CONCEPT
With the curatorship of Félix Suazo, Pinta Miami 2021 becomes a scenario for immersive and thought provoking installations. The aim of Pinta’s section Special Projects is to accentuate the individuality and artistry of contemporary artists who, through their works and installations, bring to life the concerns and possibilities of the near future.
The exhibition with selected works from the Cisneros Fontanals Art Foundation Collection (CIFO) reflects on both the multidisciplinary practices of Latin American contemporary art and on its diversity as a conceptual frame that is inclusive of a carried universe of voices. It comprises 31 established, mid-career, and emerging artists from Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico, Peru, Uruguay, and Venezuela, and features works of art in multiple media, including painting, sculpture, drawing, photography, video, as well as large-scale multimedia installations. Having debuted at the Cuenca Biennial in 2018, this is the first time this exhibition is presented at an arts institution in the United States.
CIFO COLLECTION EXHIBITS “PLURAL DOMAINS” IN FLORIDA, US.
The exhibition with selected works from the Cisneros Fontanals Art Foundation Collection (CIFO) reflects on both the multidisciplinary practices of Latin American contemporary art and on its diversity as a conceptual frame that is inclusive of a carried universe of voices. It comprises 31 established, mid-career, and emerging artists from Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico, Peru, Uruguay, and Venezuela, and features works of art in multiple media, including painting, sculpture, drawing, photography, video, as well as large-scale multimedia installations. Having debuted at the Cuenca Biennial in 2018, this is the first time this exhibition is presented at an arts institution in the United States.
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
MoMA’S COLLECTION GALLERY EXHIBITS MARTA MINUJÍN’S “MINUCODE”
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.
THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI
At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.
The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.
DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ
The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.
With the curatorship of Félix Suazo, Pinta Miami 2021 becomes a scenario for immersive and thought provoking installations. The aim of Pinta’s section Special Projects is to accentuate the individuality and artistry of contemporary artists who, through their works and installations, bring to life the concerns and possibilities of the near future.
THE BEAUTY OF DANGER AS STIMULUS – NAN GONZÁLEZ IN PINTA CONCEPT
With the curatorship of Félix Suazo, Pinta Miami 2021 becomes a scenario for immersive and thought provoking installations. The aim of Pinta’s section Special Projects is to accentuate the individuality and artistry of contemporary artists who, through their works and installations, bring to life the concerns and possibilities of the near future.
The exhibition with selected works from the Cisneros Fontanals Art Foundation Collection (CIFO) reflects on both the multidisciplinary practices of Latin American contemporary art and on its diversity as a conceptual frame that is inclusive of a carried universe of voices. It comprises 31 established, mid-career, and emerging artists from Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico, Peru, Uruguay, and Venezuela, and features works of art in multiple media, including painting, sculpture, drawing, photography, video, as well as large-scale multimedia installations. Having debuted at the Cuenca Biennial in 2018, this is the first time this exhibition is presented at an arts institution in the United States.
CIFO COLLECTION EXHIBITS “PLURAL DOMAINS” IN FLORIDA, US.
The exhibition with selected works from the Cisneros Fontanals Art Foundation Collection (CIFO) reflects on both the multidisciplinary practices of Latin American contemporary art and on its diversity as a conceptual frame that is inclusive of a carried universe of voices. It comprises 31 established, mid-career, and emerging artists from Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico, Peru, Uruguay, and Venezuela, and features works of art in multiple media, including painting, sculpture, drawing, photography, video, as well as large-scale multimedia installations. Having debuted at the Cuenca Biennial in 2018, this is the first time this exhibition is presented at an arts institution in the United States.
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
MoMA’S COLLECTION GALLERY EXHIBITS MARTA MINUJÍN’S “MINUCODE”
The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.
