THE GOLD OF DREAMS: ANDRÉS PAREDES AT THE MACRO TOWER

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.