BARBARA BRÄNDLI, FROM THE OTHER SIDE

The title of the 60th International Art Exhibition of the Biennale di Venezia, "Stranieri Ovunque", refers, in part, to foreignness as the inherent nature of the subject. Understood in this way, the national pavilions of Spain, the Netherlands and the United Kingdom exhibit artistic proposals that develop the theme of colonialism and reconstruct histories, remedy ties between identity and territory, and explore the dramatic plurality of this potent historical axis. That said, this review does not intend to unveil or unpack the most unjust transcendental truths, but merely to reflect on the musings of others.

Tras la piel del mapa (Behind the skin of the map) is the first solo exhibition of Marina Camargo (1980, Maceió, Brazil) at the Zielinsky Gallery in Barcelona.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

The powerful painting of Starsky Brines (Caracas, Venezuela, 1977) has in his most recent production the consolidation of one of the most intense expressions of the Latin American panorama. Collected under the accurate epigraph of Paisajes imposibles (Impossible Landscapes), the exhibition invites the spectator to let himself be impacted and submerged in a world as unreal and dreamlike as it is sometimes grotesque. These adjectives, more typical of the symptomatology of the society that underlies each of the Venezuelan's pictorial interpretations, seem to originate in the different angles that converge in Brines' universe.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

The title of the 60th International Art Exhibition of the Biennale di Venezia, "Stranieri Ovunque", refers, in part, to foreignness as the inherent nature of the subject. Understood in this way, the national pavilions of Spain, the Netherlands and the United Kingdom exhibit artistic proposals that develop the theme of colonialism and reconstruct histories, remedy ties between identity and territory, and explore the dramatic plurality of this potent historical axis. That said, this review does not intend to unveil or unpack the most unjust transcendental truths, but merely to reflect on the musings of others.

Tras la piel del mapa (Behind the skin of the map) is the first solo exhibition of Marina Camargo (1980, Maceió, Brazil) at the Zielinsky Gallery in Barcelona.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

The powerful painting of Starsky Brines (Caracas, Venezuela, 1977) has in his most recent production the consolidation of one of the most intense expressions of the Latin American panorama. Collected under the accurate epigraph of Paisajes imposibles (Impossible Landscapes), the exhibition invites the spectator to let himself be impacted and submerged in a world as unreal and dreamlike as it is sometimes grotesque. These adjectives, more typical of the symptomatology of the society that underlies each of the Venezuelan's pictorial interpretations, seem to originate in the different angles that converge in Brines' universe.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

Tras la piel del mapa (Behind the skin of the map) is the first solo exhibition of Marina Camargo (1980, Maceió, Brazil) at the Zielinsky Gallery in Barcelona.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

The powerful painting of Starsky Brines (Caracas, Venezuela, 1977) has in his most recent production the consolidation of one of the most intense expressions of the Latin American panorama. Collected under the accurate epigraph of Paisajes imposibles (Impossible Landscapes), the exhibition invites the spectator to let himself be impacted and submerged in a world as unreal and dreamlike as it is sometimes grotesque. These adjectives, more typical of the symptomatology of the society that underlies each of the Venezuelan's pictorial interpretations, seem to originate in the different angles that converge in Brines' universe.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

The title of the 60th International Art Exhibition of the Biennale di Venezia, "Stranieri Ovunque", refers, in part, to foreignness as the inherent nature of the subject. Understood in this way, the national pavilions of Spain, the Netherlands and the United Kingdom exhibit artistic proposals that develop the theme of colonialism and reconstruct histories, remedy ties between identity and territory, and explore the dramatic plurality of this potent historical axis. That said, this review does not intend to unveil or unpack the most unjust transcendental truths, but merely to reflect on the musings of others.

Tras la piel del mapa (Behind the skin of the map) is the first solo exhibition of Marina Camargo (1980, Maceió, Brazil) at the Zielinsky Gallery in Barcelona.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

The powerful painting of Starsky Brines (Caracas, Venezuela, 1977) has in his most recent production the consolidation of one of the most intense expressions of the Latin American panorama. Collected under the accurate epigraph of Paisajes imposibles (Impossible Landscapes), the exhibition invites the spectator to let himself be impacted and submerged in a world as unreal and dreamlike as it is sometimes grotesque. These adjectives, more typical of the symptomatology of the society that underlies each of the Venezuelan's pictorial interpretations, seem to originate in the different angles that converge in Brines' universe.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

The title of the 60th International Art Exhibition of the Biennale di Venezia, "Stranieri Ovunque", refers, in part, to foreignness as the inherent nature of the subject. Understood in this way, the national pavilions of Spain, the Netherlands and the United Kingdom exhibit artistic proposals that develop the theme of colonialism and reconstruct histories, remedy ties between identity and territory, and explore the dramatic plurality of this potent historical axis. That said, this review does not intend to unveil or unpack the most unjust transcendental truths, but merely to reflect on the musings of others.

Tras la piel del mapa (Behind the skin of the map) is the first solo exhibition of Marina Camargo (1980, Maceió, Brazil) at the Zielinsky Gallery in Barcelona.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

The powerful painting of Starsky Brines (Caracas, Venezuela, 1977) has in his most recent production the consolidation of one of the most intense expressions of the Latin American panorama. Collected under the accurate epigraph of Paisajes imposibles (Impossible Landscapes), the exhibition invites the spectator to let himself be impacted and submerged in a world as unreal and dreamlike as it is sometimes grotesque. These adjectives, more typical of the symptomatology of the society that underlies each of the Venezuelan's pictorial interpretations, seem to originate in the different angles that converge in Brines' universe.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.