THE DREAMLIKE SYMBOLISM OF ALFREDO CASTAÑEDA
The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.
The journey becomes a narrative that bets on the dialogue of these languages. As a poet, his ability to capture his expressions in texts is of great help to move between this literary production and the more plastic one, which he portrays masterfully through paintings and illustrations with clear satirical influences in this sort of alter ego and that keep in their background the description of these common, archetypal characters, the same ones that represent with their actions the fate of lives marked by the symbolism of our thoughts and actions.
Castañeda's work was part of an era greatly influenced by symbolism and a certain literary surrealism, elements widely recognizable in his production, but which in this exhibition are enhanced through this conversation between his languages and even with the confrontation and arrangement of his works, building an instrument of approach and deep inquiry to those dual territories that are debated between the real and the imaginary and the spiritual and the earthly.
The exhibition, which is mainly based on works from his family's private collection (nevertheless, this show is curated by Marina Castañeda, Alfredo Castañeda's granddaughter, in collaboration with Cayetana Blanco), incorporates six pieces that have never been exhibited before and that are exclusively included in this tour: Mensaje, Con los signos escapados, Consejo oriental, Instante preciso, El buen camino and El pequeño Rey. This fact, together with the installation that presides over the main room and that gathers Castañeda's manuscripts accompanied by two glasses, a bottle of wine and sketches arranged on a table, introduce, perhaps in a deeper way, the spectator into that world from which, trapped by the singularity of the language and the concepts portrayed, will not want to escape.
Alfredo Castañeda, pintor de poesías can be visited until September 7 at Casa de América, Plaza de Cibeles, Madrid, Spain.
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