ALFREDO CASTAÑEDA, PAINTER OF POETRY
The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.

Castañeda's painting is poetic in the broadest sense of the word: its beauty provokes in the viewer, like all true poetry, an ineffable response that illuminates with pristine clarity the dark areas of the soul. No one would think that painting is a verbal or discursive art, although many painters, in their paintings, "tell" stories, "allude" to legends, "write" allegories, "discourse" on historical or mythological passages.... Certainly, the paintings "speak". (...) Alfredo Castañeda's paintings could be characterized by the mysterious silence they emanate and by the consequent opening of their intimate and profound meaning.
Gonzalo Celorio, Mexican essayist.
The works on display are part of his family's private collection. A legacy that has been shown to the public before, except for six exclusive works brought especially for the exhibition at Casa de América: Mensaje, Con los signos escapados, Consejo oriental, Instante preciso, El buen camino and El pequeño Rey. The exhibition is curated by Marina Castañeda, the artist's granddaughter.
Also unpublished is the installation in which viewers can find Castañeda's handwritten poems accompanied by two glasses, a bottle of wine and some sketches, referring to an anecdote from the artist's life that his granddaughter, Ibiza Castañeda, relates:
Leonora Carrington and my grandparents Alfredo and Hortensia used to meet for lunch on the terrace in the garden of their house, whether to eat, chat, draw, drink wine or enjoy art. My grandfather, like some people in Mexico, used to spit a splash of wine on the ground for those who are no longer there. On one of these occasions, playing, painting with pencils on dirty papers and even napkins this poem was born. As my memory was vague, I wanted to know the details of the story and this is how my grandmother Hortensia shared it with me, not long ago. And this is how I tell it to you, as a beautiful, even funny memory of all those afternoons after dinner and the art that came out of them even without looking for it.
Ibiza Castañeda, granddaughter of the artist.
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Alfredo Castañeda. Mensaje, 2005 óleo sobre tela 100 x 81 cm. (39.37 x 31.89 inches)
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Alfredo Castañeda. Mensaje, 2005 óleo sobre tela 100 x 81 cm. (39.37 x 31.89 inches)
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Alfredo Castañeda. FUGA AL AMANECER, 2003 OLEOS SOBRE LIENZO, 90X90 CM COLECCIÓN PRIVADA
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Alfredo Castañeda. Con los signos escapados, 2004 óleo sobre lámina de poliester 38 x 40 cm. (14.96 x 15.75 inches)
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Alfredo Castañeda. Música callada. Óleo sobre lienzo. 120 x 120 cm. 2003.
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Alfredo Castañeda. REGALO DE CUMPLEAÑOS 2007. DIBUJO SOBRE CARTULINA 12 X 15 CM
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Alfredo Castañeda. El guardián de lo pequeño Óleo sobre madera. 36 x 23 cm. 1993.
Alfredo Castañeda (Mexico City; 1930 - Madrid; 2010) was a painter, thinker and poet known for his surrealist style and his ability to explore metaphysical and mystical themes through his art.
His work is characterized by a masterful use of color and form and by frequently incorporating dreamlike and fantastic elements. His characters represent universal archetypes such as: the solitary observer, mystical characters, the dual figure, the traveler or the dreamer.
Castañeda, in addition to his artistic career, was recognized for his work as a writer and illustrator. He shared his style with several artists who also explored surrealism and symbolism in their works. Among the most prominent are: Remedios Varo, Leonora Carrington, Rufino Tamayo and even Giorgio de Chirico. These artists, like Castañeda, used their works to explore dimensions beyond immediate reality, creating a bridge between the visible and the invisible, the real and the imagined.
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Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.
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As part of its participation in PhotoEspaña, the Fernando Pradilla Gallery presents the work of Marcos Lopez (Santa Fe, Argentina, 1958), one of the most outstanding Latin American photographers on the scene and a regular on the circuits with his peculiar and characteristic conception of life in South America, where everyday life is combined with exaggeration and color that give him an unmistakable trademark.

Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.
LESLIE SARDINIAS. NATURE AND SEXUALITY AT CASA DE AMERICA
Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.

The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.
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The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.
THE DREAMLIKE SYMBOLISM OF ALFREDO CASTAÑEDA
The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.

The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.
CARLOS GARAICOA: ARCHITECTURE AND PLACE AT THE CAAM
The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.

The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.
THE OTHERNESS OF THE BODY, ACCORDING TO NELA OCHOA, IN TEA
The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.

The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.
CAC MALAGA HOSTS MARIO AYALA'S FIRST SOLO EXHIBITION IN A MUSEUM
The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.

Arte Laguna Prize is a contemporary art competition for artists of all ages, nationalities and artistic backgrounds, regardless of gender and with free subject matter. The competition offers numerous opportunities for participating artists to expand their network, gain international visibility and access valuable resources for the development of their careers. Deadline to apply: July 31, 2024.
ARTE LAGUNA PRIZE: CALL FOR ARTISTS AND DESIGNERS
Arte Laguna Prize is a contemporary art competition for artists of all ages, nationalities and artistic backgrounds, regardless of gender and with free subject matter. The competition offers numerous opportunities for participating artists to expand their network, gain international visibility and access valuable resources for the development of their careers. Deadline to apply: July 31, 2024.

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.
THE STORIES OF PABLO LINSAMBARTH AT ICPNA
Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.
EVA LOOTZ ASSAULTS MADRID
Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

As part of its participation in PhotoEspaña, the Fernando Pradilla Gallery presents the work of Marcos Lopez (Santa Fe, Argentina, 1958), one of the most outstanding Latin American photographers on the scene and a regular on the circuits with his peculiar and characteristic conception of life in South America, where everyday life is combined with exaggeration and color that give him an unmistakable trademark.

Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.
LESLIE SARDINIAS. NATURE AND SEXUALITY AT CASA DE AMERICA
Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.

The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.
COMMUNITY AND COLLECTION AT THE CULTURAL INSTITUTE OF MEXICO
The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.

The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.
THE DREAMLIKE SYMBOLISM OF ALFREDO CASTAÑEDA
The world of Alfredo Castañeda (Mexico City, Mexico, 1930 - Madrid, Spain, 2010) is also the ours one. It can be said that, from his narrative poetry and his visual poetry, the Mexican artist accessed a universe that, although its protagonist might seem alien to us, is, in truth, the description through archetypes of a reality that surrounds us. The exhibition that Casa de America in Madrid dedicates to him can boast of compiling all those themes that give shape to those themes of mystical and surrealist character, of that fantastic touch that all life has and that passes through the filter of the experiences of each one and, in this case, of the language with which Castañeda captures it.