CAC MALAGA HOSTS MARIO AYALA'S FIRST SOLO EXHIBITION IN A MUSEUM
The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.

His work gathers and assimilates his academic experience in the art of vehicle painting, studies that he developed in Los Angeles Trade Tech and that he never left aside when continuing with the investigation of the possibilities of industrial painting. Thus, Milagro revolves around the lowrider aesthetics of the West Coast beyond the traditional muralism, landing his proposal on paintings made in recent years, which combine this urban art with industrial application techniques. Part of his iconography also comes from there, an expression in which the identity elements of Chicano urban cultures and the development of the pop iconography of those communities acquire an enormously relevant role.
This relationship also reflects those autobiographical memories of his environment and that have turned the world of the automobile and its interpretation of urban culture into his figurative identity. Therefore, his paintings portray parts of automobiles in a realistic way with paintings more typical of development spaces, such as parking lots or garages, combining popular languages in a proposal of rich visual universe.
Mario Ayala: Milagro can be seen until August 25 at the CAC Málaga, calle Alemania, s/n, Málaga, Spain.
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Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.
EVA LOOTZ ASSAULTS MADRID
Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

As part of its participation in PhotoEspaña, the Fernando Pradilla Gallery presents the work of Marcos Lopez (Santa Fe, Argentina, 1958), one of the most outstanding Latin American photographers on the scene and a regular on the circuits with his peculiar and characteristic conception of life in South America, where everyday life is combined with exaggeration and color that give him an unmistakable trademark.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.
HAITIAN PHOTOGRAPHER WILDLINE CADET PRESENTS EXHIBITION AT CASA DE AMERICA
Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.
PROCESS AND CLIMATE IMPACT IN HERIBERTO NIEVES
There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.

The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.
THE OTHERNESS OF THE BODY, ACCORDING TO NELA OCHOA, IN TEA
The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.

The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.
CARLOS GARAICOA: ARCHITECTURE AND PLACE AT THE CAAM
The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.

The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.
ALFREDO CASTAÑEDA, PAINTER OF POETRY
The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.
REINOSO'S BIOMORPHISM, AT THE MEIAC
The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.

The Museum of Photography of the Antonio Perez Foundation, at its headquarters in the town of Huete, Cuenca, exhibits part of the results of the artistic residence held at Kárstica Espacio de Creación, in which, during last June, a total of six artists have developed their projects.
LATIONAMERICAN ART IN KÁRSTICA'24
The Museum of Photography of the Antonio Perez Foundation, at its headquarters in the town of Huete, Cuenca, exhibits part of the results of the artistic residence held at Kárstica Espacio de Creación, in which, during last June, a total of six artists have developed their projects.

The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.
COMMUNITY AND COLLECTION AT THE CULTURAL INSTITUTE OF MEXICO
The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.