CARLOS GARAICOA: ARCHITECTURE AND PLACE AT THE CAAM
The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system. Within that line of argument in which the artist has been working, the recent pandemic we are suffering and the consequent confinement maintain a position of strength that led the Cuban to rethink part of his technique and to recover, through introspection, basic elements of his work that have been surfacing again.
Here, drawing and the use of organic elements from nature play a relevant role, which have helped him to move from the aforementioned architecture and artificial volumes to vegetation and its natural development. The urban element, understood as space, encompasses for Garaicoa the conceptual denunciation of harmful practices in our environment, the same one that combines both worlds and from which he wonders how much we have been hurting our own ecosystem.
From there, the Spanish-Cuban artist also opens the question to the public and to his commitment to improve in those aspects with correct actions aimed at exploiting that natural part that, as the animals we are, we still keep, despite finding it increasingly hidden, and that can help us to better understand the environment, our constructions and the organic that underlies them.
Toda utopía pasa por la barriga can be seen until September 1 at CAAM, Los Balcones, 11-13, Las Palmas de Gran Canaria, Spain.
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Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.
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The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.
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Arte Laguna Prize is a contemporary art competition for artists of all ages, nationalities and artistic backgrounds, regardless of gender and with free subject matter. The competition offers numerous opportunities for participating artists to expand their network, gain international visibility and access valuable resources for the development of their careers. Deadline to apply: July 31, 2024.
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Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.
As part of its participation in PhotoEspaña, the Fernando Pradilla Gallery presents the work of Marcos Lopez (Santa Fe, Argentina, 1958), one of the most outstanding Latin American photographers on the scene and a regular on the circuits with his peculiar and characteristic conception of life in South America, where everyday life is combined with exaggeration and color that give him an unmistakable trademark.
The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.
ALFREDO CASTAÑEDA, PAINTER OF POETRY
The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.
Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.
LESLIE SARDINIAS. NATURE AND SEXUALITY AT CASA DE AMERICA
Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.
The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.
REINOSO'S BIOMORPHISM, AT THE MEIAC
The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.
The Museum of Photography of the Antonio Perez Foundation, at its headquarters in the town of Huete, Cuenca, exhibits part of the results of the artistic residence held at Kárstica Espacio de Creación, in which, during last June, a total of six artists have developed their projects.
LATIONAMERICAN ART IN KÁRSTICA'24
The Museum of Photography of the Antonio Perez Foundation, at its headquarters in the town of Huete, Cuenca, exhibits part of the results of the artistic residence held at Kárstica Espacio de Creación, in which, during last June, a total of six artists have developed their projects.
Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.
ES BALUARD HOSTS ANA LAURA ALÁEZ'S DIALOGUE WITH EMPTINESS
Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.
