PARAGUAY AND THE ART SYSTEM
Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

Collection exercises – text by Adriana Almada, curator of the Mendonca Collection.
THE MENDONCA COLLECTION of contemporary art situates its field of interest in Paraguay, not only as a territory or physical space but also as a concept. In permanent interlocution with the country's history and socio-political current affairs, this corpus, built by jurist Daniel Mendonca over several decades, gathers some 700 pieces ranging from the 1960s to the present day, including earlier works that act as margins of reference.
Although its beginnings date back to 2000, the first public presentation of the collection occurred in 2019, with an exhibition curated by Ticio Escobar and Osvaldo Salerno at the CAV/ Museo del Barro entitled El exilio. This first exhibition was followed by three others. The second -Contrapuntos. Una intervención a dos tiempos- took place at the Museo Nacional de Bellas Artes in 2020, curated by Félix Toranzos. The third -La vida es breve- took place at the Citibank Cultural Center in 2022, and the fourth -El país de las mujeres, at the Juan de Salazar Cultural Center of Spain in 2023. The last two curatorial projects were of my authorship and were developed within the framework of the art week Pinta Sud Asu.
These four exercises, deployed in neuralgic points of the cultural movement, opened the collection to plural discourses and encouraged new research.
In Paraguay, where the deficit of documentation and archives is considerable, private collections act as imaginary reserves that enable access to works and processes not recorded in the art historiography.
Dos historias Arte contemporáneo del Paraguay -a publication that appeared in 2021- records the first two exhibitions. Paraguay y el sistema del arte does the same with the last two, and from them it rehearses a reading on the historical conditions of emergence and possibility of artistic production in the country.
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Portada del libro.
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Portada del libro.
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Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
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The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
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The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.
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The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

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Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
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Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
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Artística - Espacio de arte presents from August 5 the artist Osvaldo Salerno with the exhibition of photographs El retorno (The Return), within Pinta Sud | ASU art week. It is curated by Javier Medina Verdolini and has additional texts by Ticio Escobar.
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Within the context of Pinta Sud | ASU 2024, Viedma gallery presents from August 6 the installation El Bosque que vuela: ficciones en torno a Ogwa (The Forest that flies: fictions around Ogwa) by the artist Joaquín Sánchez. It is curated by Adriana Almada.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
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Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
NÉLIDA MENDOZA'S IDENTITY SYSTEMS
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
PINTA Sud | ASU CLOSED ITS THIRD EDITION AT JULIA ISÍDREZ'S WORKSHOP IN ITÁ
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The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
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BARBARA BRÄNDLI, FROM THE OTHER SIDE
The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.
ADRIANA ALMADA AND FÉLIX TORANZOS: AWARDED BY THE GOVERNMENT OF FRANCE
Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
PARAGUAY: AN EXPANDING ART MARKET
Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.
TEXO FOUNDATION AND THE ARCHITECTURE PROJECT #SELECCION5
Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.

Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
THE INSTALLATION OF MARCOS BENITEZ AT ICPA
Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.
PINTA Sud | ASU ART WEEK IN ASUNCION
The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
CLAUDIA CASARINO: "EVERYTHING IS BORN FROM PERSONAL AND FAMILY NARRATIVES"
Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.

Artística - Espacio de arte presents from August 5 the artist Osvaldo Salerno with the exhibition of photographs El retorno (The Return), within Pinta Sud | ASU art week. It is curated by Javier Medina Verdolini and has additional texts by Ticio Escobar.
IMAGES THAT REMAIN FOR WHAT WAS SAID – OSVALDO SALERNO IN ARTÍSTICA

Within the context of Pinta Sud | ASU 2024, Viedma gallery presents from August 6 the installation El Bosque que vuela: ficciones en torno a Ogwa (The Forest that flies: fictions around Ogwa) by the artist Joaquín Sánchez. It is curated by Adriana Almada.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
FELICIANO CENTURIÓN'S WARM HEART
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
NÉLIDA MENDOZA'S IDENTITY SYSTEMS
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
PINTA Sud | ASU CLOSED ITS THIRD EDITION AT JULIA ISÍDREZ'S WORKSHOP IN ITÁ
The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
YOUNG CURATORS PROGRAM IN PINTA Sud | ASU 2024
The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.
BARBARA BRÄNDLI, FROM THE OTHER SIDE
The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.
ADRIANA ALMADA AND FÉLIX TORANZOS: AWARDED BY THE GOVERNMENT OF FRANCE
Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.