TO THE SOUTH OF THE SOUTH - BIENALSUR EXHIBITION IN MÁLAGA
In its third edition, BIENALSUR, icon of the resistance and resilience of art in times of pandemic, travels to La Térmica as the first venue in Spain in 2021. The project shows invisibilized realities through the work of Latin American artists Voluspa Jarpa, Agustina Woodgate, Graciela Sacco, and Paola Monzillo

The exhibition project ‘Al sur del sur’ (To the South of the South) contains two chapters with which it occupies three rooms of La Térmica; Zoo, which features the work of the Chilean artist Voluspa Jarpa on the history of human zoos in the 19th century, and the Dissenting Cartographies room with works by Voluspa Jarpa, the Argentine Agustina Woodgate and Graciela Sacco, and the Uruguayan Paola Monzillo, in which female artists redesign cartographies that shed light on invisible realities.
“Thinking from a present that demands a radical revision and registering of that critical tradition, the selected artists choose maps, libraries and archives to present before the spectator the challenge of looking and seeing again, of wondering about those data, facts, images and Imaginaries that are taken for granted”, says Diana Wechsler, curator of the exhibition.
“Against other strategies of supremacy, unmasking the idea of cultural hegemony, becoming multiple, relocating, de-locating, BIENALSUR is capable of seeking the heteroglossia of artistic experience; that is to say, it is capable of affirming the coexistence of different “ways of speaking” in an identical vehicle of collective communication”, explains the historian Eugenio Carmona.
Zoo
Through installations, maps, videos, paintings and other multidisciplinary pieces, the research essay carried out by Voluspa Jarpa is exhibited, which chooses to place in the planisphere the cities in which exhibitions of a unique type were carried out: human zoos. A practice of colonial affirmation and delineation of racism used in Europe between 1815 and 1958, evidencing the ways in which the colonial gaze exoticized and dehumanized sociocultural distances.
Appealing to an active spectator, Jarpa's proposal invites us to investigate the information offered, arrange the sequence of images and place them in cohesion, thus deactivating the learned knowledge, the instituted logics, and dismantling the colonial perspective to open way to new critical perspectives that, in a way, explain the present.
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VOLUSPA JARPA (Chile) Serie Cartografía de la colonización – 1634, 2021. Impresión digital, tinta sintética, pegamento y lápices de color sobre papel poliéster. 80 x 104 cm. Foto: Rodrigo Merino
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VOLUSPA JARPA (Chile) Serie Cartografía de la colonización – 1634, 2021. Impresión digital, tinta sintética, pegamento y lápices de color sobre papel poliéster. 80 x 104 cm. Foto: Rodrigo Merino
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VOLUSPA JARPA (Chile) Catrillanca, 2019. Óleo sobre tela. 207 x 190 cm. Foto: Rodrigo Merino
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VOLUSPA JARPA (Chile) Serie Cartografía de la colonización – 1670, 2021. Impresión digital, tinta sintética, pegamento y lápices de color sobre papel poliéster. 80 x 98 cm. Foto: Rodrigo Merino
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Voluspa Jarpa. Políptico atlas zoos humanos, 2021. Lápiz, tinta y acuarela sobre papel.. Tinta e impresión sobre papel poliéster. 400 x 210 cm
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Vista de instalación. Cortesía La Térmica
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Vista de instalación. Cortesía La Térmica
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Detalle de obra
Dissenting cartographies
Among other instruments of control, maps have historically occupied a key place in representing spaces and territories and pointing out positions that were imprinted on the Western imagination as undisputed, “objective” truths. They made it possible to identify aspects of the world from naturalized conventions that, therefore, are not usually recognized as such.
Today, from radical conceptual positions, this exhibition brings together works that are an indication of the alternative routes that can give rise to what are called dissident cartographies, crossed by different conflicts.
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Paola Monzillo (Uruguay) Colecciones del Imaginario II , 2014. Esfera de superficie espejo, soporte para globo terráqueo, tinta y fibra sobre papel de algodón. Dimensiones variables . Fotografía: Juan Pablo Murrugarra
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Paola Monzillo (Uruguay) Este es el territorio que habito , 2013. Almohada, funda blanca, hilo negro. 100 x 100 x 100 cm . Fotografía: Juan Pablo Landarín
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Graciela Sacco (Argentina) Bocanada, 1993-2014. Instalación. Mesa con incrustación fotográfica, estampillas en el piso y tenedor
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Paola Monzillo (Uruguay) Colecciones del Imaginario II , 2014. Esfera de superficie espejo, soporte para globo terráqueo, tinta y fibra sobre papel de algodón. Dimensiones variables . Fotografía: Juan Pablo Murrugarra
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Vista de instalación. Cortesía La Térmica
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Vista de instalación. Cortesía La Térmica
Al sur del sur
Km 9692, La Térmica
Avenida de los Guindos, 48.
29004, Málaga, España
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Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

The Institut Valencià d'Art Modern (IVAM) exhibits works by the British artist of Palestinian origin after she was awarded the Julio González Prize 2020 by the Generalitat Valenciana. The show gathers together a selection of sculptures, large-scale installations and works on paper created mostly in the last two decades. It is intended to serve as a tribute to an artistic oeuvre of great diversity and significance, presenting key works that have become iconic pieces of the contemporary art world.
ORIGINS, VIOLENCE AND LIMITS AT THE MONA HATOUM EXHIBITION IN VALENCIA
The Institut Valencià d'Art Modern (IVAM) exhibits works by the British artist of Palestinian origin after she was awarded the Julio González Prize 2020 by the Generalitat Valenciana. The show gathers together a selection of sculptures, large-scale installations and works on paper created mostly in the last two decades. It is intended to serve as a tribute to an artistic oeuvre of great diversity and significance, presenting key works that have become iconic pieces of the contemporary art world.

The third edition of the Bienal Internacional de Arte Contemporáneo del Sur (BIENALSUR) organized by the National University of Tres de Febrero (UNTREF), an Argentine public university, will take place until December 2021 in more than 120 venues in 50 cities in 23 countries and the Vatican, with the participation of around 400 artists of various nationalities and different backgrounds.
BIENALSUR INAUGURATES ITS CARTOGRAPHY OF EXPANDED ACTIVITIES
The third edition of the Bienal Internacional de Arte Contemporáneo del Sur (BIENALSUR) organized by the National University of Tres de Febrero (UNTREF), an Argentine public university, will take place until December 2021 in more than 120 venues in 50 cities in 23 countries and the Vatican, with the participation of around 400 artists of various nationalities and different backgrounds.

The European Kunsthalle has invited the artist Dora García to bring the durational performance The Messenger to Vienna. A performer (The Messenger) receives an audio message that she/he has to memorize. The only information the messenger is given is that the message is composed in a language spoken by one of the many linguistic communities calling Vienna their home. She/he is neither able to understand the message nor capable of identifying the language. The messenger’s task is to find a person who speaks the language and deciphers the message’s meaning.
FOUND IN TRANSLATION – ART PERFORMANCE BY DORA GARCÍA
The European Kunsthalle has invited the artist Dora García to bring the durational performance The Messenger to Vienna. A performer (The Messenger) receives an audio message that she/he has to memorize. The only information the messenger is given is that the message is composed in a language spoken by one of the many linguistic communities calling Vienna their home. She/he is neither able to understand the message nor capable of identifying the language. The messenger’s task is to find a person who speaks the language and deciphers the message’s meaning.

The Museum will be the first institution in the Argentine capital to inaugurate an exhibition within BIENALSUR 2021 on August 27. The artists Luciana Lamothe (Argentina), Gabriel Baggio (Argentina), Emil Finnerud (Norway) and Mehryl Levisse (France) exhibit under the curatorship of Leandro Martínez Depietri. The exhibition, on the curatorial axis Politics of art, will be open until October 24.
COMMONER FANTASIES - BIENALSUR IN THE MUSEUM OF DECORATIVE ART OF BUENOS AIRES
The Museum will be the first institution in the Argentine capital to inaugurate an exhibition within BIENALSUR 2021 on August 27. The artists Luciana Lamothe (Argentina), Gabriel Baggio (Argentina), Emil Finnerud (Norway) and Mehryl Levisse (France) exhibit under the curatorship of Leandro Martínez Depietri. The exhibition, on the curatorial axis Politics of art, will be open until October 24.

BIENALSUR 2021 arrives at the Francis Naranjo Foundation, in the Canary Islands, Spain with A New Order. Breaking Down Borders, an exhibition curated by Diana Wechsler, artistic director of the contemporary art biennial that celebrates its third edition in more than 23 countries, 50 cities and 124 venues in five continents. The exhibition, which can be seen until the end of September, is part of the curatorial axes Política del arte / Constelaciones fluididas (Art Politics / Fluid Constellations), in line with the exhibition Al Sur del Sur, which is on display in Malaga and Juntos Aparte, at the National Museum of Colombia in Bogota.
BIENALSUR CONTINUES TO BREAK DOWN BORDERS AND ACTIVATE A NEW ORDER
BIENALSUR 2021 arrives at the Francis Naranjo Foundation, in the Canary Islands, Spain with A New Order. Breaking Down Borders, an exhibition curated by Diana Wechsler, artistic director of the contemporary art biennial that celebrates its third edition in more than 23 countries, 50 cities and 124 venues in five continents. The exhibition, which can be seen until the end of September, is part of the curatorial axes Política del arte / Constelaciones fluididas (Art Politics / Fluid Constellations), in line with the exhibition Al Sur del Sur, which is on display in Malaga and Juntos Aparte, at the National Museum of Colombia in Bogota.

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.
INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA
Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.