ANNOUNCEMENT OF THE WINNERS OF THE AMA AMOEDO FOUNDATION SCHOLARSHIPS 2024
Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The Fundación Ama Amoedo Grants aim to provide support that boosts the visual arts ecosystem in Latin America. With a special focus on South America, the Grants are committed to empower both artists and institutions, enabling them to engage with new audiences and expand the reach of their work, as well as encouraging a deeper understanding of the region’s artistic narratives.
The jury was composed of Roxana Fabius (Independent Curator), Pablo Lafuente (Artistic Director, MAM Rio Museu de Arte Moderna do Rio de Janeiro), Nancy Rojas (Curator, MALBA Museo de Arte Latinoamericano de Buenos Aires), and Laura Hakel (Curator of Collection and Artistic Projects, Fundación Ama Amoedo).
‘I would like to extend my gratitude to all the organizations, artists, and collectives who submitted their projects,’ says Amalia Amoedo, Founding Director. ‘The 2024 Grants focus on building stronger ties with local communities through art, while highlighting the diversity of voices and perspectives across the region. The Foundation is proud to support the work of the awarded recipients by providing visibility and resources to amplify their reach on a larger scale. I am excited to see how their journeys unfold and the lasting impact they will make.’
Winners
Artists
Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil)
Art and Social Engagement
Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina)
Organizations
Instituto Tele Arte (Chile), Museo MARC (Argentina)
Publications
El Flasherito (Argentina), Claudia Martínez Garay (Peru)
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Aldeia-Escola-Floresta. Art and Social Engagement Grant _ Beca Arte y Compromiso Social. VIVA VIVA ESCOLA VIVA, Casa França-Brasil, in Rio de Janeiro, 2023-2024.
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Aldeia-Escola-Floresta. Art and Social Engagement Grant _ Beca Arte y Compromiso Social. VIVA VIVA ESCOLA VIVA, Casa França-Brasil, in Rio de Janeiro, 2023-2024.
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Instituto Tele Arte. Organizations Grant _ Beca Organizaciones. Instituto Tele Arte. Exhibition view La Picá del Artepleto by Colectivo Las Honorarias. Ph. Paulina Mellado.
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Archivo de la Memoria Trans. Art and Social Engagement Grant _ Beca Arte y Compromiso Social. Exhibition view of Archivo de la Memoria Trans (AMT) during the 35ª biennial of São Paulo, Choreographies of the Impossible.
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Museo Marc. Organizations Grants _ Beca Organizaciones. Exhibition view of La cultura, el arte y el estado, 2024
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Claudia Martinez Garay. Publications Grant _ Beca Publicaciones. El Creador [The Creator], 2019. Soil, ceramic objects, sublimation prints on aluminum. Variable dimensions.
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El Flasherito. Publications Grant _ Beca Publicaciones.
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Alejandro Cruz. Artists Grant _ Beca Artistas. Colección Carimba, 2023. Gold plated silver rings. Special mention in 51° Montevideo Visual Arts Award, Subte. Ph. Fiorella Santostefano.
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Ana María Montenegro. Artists Grants _ Beca Artistas. La Claridad, 2024. Still de video
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Clara Esborraz. Artist Grant _ Beca Artistas. Selected project sketch, 2024.
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Davi Pontes. Artists Grant _ Beca Artistas. Davi Pontes and Wallace Ferreira, Repertorio N.3, 2023. 35th São Paulo Biennial - Choreographies of the Impossible. Choreography.
Description of winning projects
In the Artists category, Alejandro Cruz (Uruguay) will compile and restore a set of 12 works created since 2007 that address the Afro universe through a symbolic lens, while also developing a new body of work; Ana María Montenegro (Colombia) will produce an immersive video installation that explores the unparalleled story of a Colombian soldier who has been struck by lightning four times which will be presented as an exhibition at Fragmentos Espacio de Arte y Memoria, in Bogotá; Clara Esborraz (Argentina) will continue a work in progress reflecting on the body, entwining a series of sculptures, photographs, performances, and installations; Davi Pontes (Brazil) will complete the third film of a trilogy, exploring choreography, Black queer culture, speculative imagination, and re-examining how stories are told.
In the Art and Social Engagement category, Aldeia-Escola-Floresta (Brazil), a community project of the Maxakali indigenous people in Minas Gerais, will continue their art program with special activities, workshops, and encounters bringing together different generations through art; the Archivo de la Memoria Trans (Argentina) will expand its archive of the history of Trans people in Latin America by digitizing, preserving, researching, and disseminating their work with educational programs that cultivate inclusion.
In the Organizations category, Museo MARC, Museo Histórico Provincial de Rosario "Dr. Julio Marc” (Argentina) will produce a series of exhibitions titled “La Guerra es una gran porquería” (‘The War is a Filthy Thing’) that delve around the Chaco War (1932-1935) promoting restitution of the museum’s holdings and activating processes of memory, historical revision, and identity; Instituto Tele Arte (Chile) will promote an annual program of five exhibitions presenting emerging artists from Chile, Argentina, and Puerto Rico, three of which will include residencies.
In the Publications category, El Flasherito (Argentina) will release its first book-format publication, gathering 10 years as a collective and independent art journal that has already published 21 print editions and nearly 500 online articles; artist Claudia Martínez Garay (Peru) will produce the first compilation of her work, which will feature images and texts about her production as well as essays, conversations and collaborations with renowned curators.
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Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
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Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.

Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.
TWO EXHIBITIONS, TWO WOMEN PHOTOGRAPHERS AT THE LARIVÈRE FOUNDATION
Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.
CELINA ECEIZA: BODIES IN TRANSFORMATION
The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.
MABEL RUBLI'S SPATIAL ENGRAVINGS
The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.
MALI 2024 AUCTION: THE TEXTILE ART EDITION
The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.
WEIGHTLESS: LEANDRO ERLICH’S DEBUT IN GERMANY
The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.
THE 38TH BRAZILIAN ART PANORAMA: ECOLOGY AND FUTURE
The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.