Notes related to Colombia

Carlos Motta's Stigmata exhibition offers a comprehensive overview of the Colombian artist's career, highlighting his concern for documenting the social conditions and political disputes of sexual, ethnic and gender minorities, with the intention of challenging dominant and normative discourses.

The Fall is the new body of work by artist Ruby Rumié conceived twelve months before the Covid-19 pandemic started. At the time the artist was reckoning the symptoms of a distressed society dedicated to a super production, consumerism and endless competition.

Entre lapsos de historias (Between lapses of stories) is Gala Porras-Kim's exhibition at MUAC that investigates cultural artifacts and the relationship they maintain with their original functions.

Caliban. Roberto Ochoa at the Medellín Modern Art Museum. 

The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

The EFG Latin America Art Award, together with ArtNexus, announced Nohemí Pérez, from mor Charpentier (Paris and Bogotá), as the selected artist for the company’s annual acquisition award. The winner will be announced at Pinta Miami during Art Week in the city.

The exhibition at the Museo de Arte Moderno de Bogotá (MAMBO) in conjunction with the Cinemateca de Bogotá presents works that highlight and manifest sociopolitical questions, identity politics, the representation and fragmentation of the body, performativity and performance, globalization and diaspora.

In a large-scale installation, the Foundation Beyeler presents Palimpsest by internationally acclaimed Colombian artist Doris Salcedo. The exhibition is dedicated to the refugees and migrants who over the past twenty years have died attempting dangerous journeys across the Mediterranean or the Atlantic in search of a better life in Europe.

Locust Projects presents Herramientas (Levels & Bosses), a transmedia gaming prototype by multimedia artist Leo Castañeda with Otro Inventario. The immersive installation invites visitors to play the videogame and enjoy the artist’s oil paintings, virtual reality experiences, sculptural gaming furniture, immersive video and more.

The Miami-based artist Alex Trimino presents Stitching The Gap, the inaugural exhibition for the Project Room at the Lowe Art Museum curated by Lance M. Fung.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

Fundación Canaria para el Desarrollo de la Pintura (FCDP) presents for the first time, an exhibition by the Colombian artist Álvaro Barros in the Canary Islands. Barros' work is a fusion of different expressions and traditional modern art techniques placed at the service of conceptual art.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.

Sculpture Dublin announced Iván Argote as the winner of the St. Anne's Park land art commission.

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

The thread is the element that stars in this exhibition, increasingly relevant in contemporary art. It is silent because of its "designation" as a material for women, reflected in techniques such as weaving, embroidery and sewing. The exhibition highlights these traditional activities and shows how artists from Nigeria, Argentina, Cuba, the United States and Colombia coincide in the use of thread and collage in their works. The exhibition is curated by Los Angeles-based design specialist Liliana Becerra and the MAP team (Ana Lucía Arbeláez, art historian, and Sandra Montenegro, director).

The Museum of Modern Art of Bogota- MAMBO presents Vibrational States by artist Alba Triana. An exhibition that uses technology through multisensory experiences. The public will find pieces exploring energy and vibration; a line of inquiry that stems from a deep urge to listen to an invisible world.

The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.

The EFG Latin America Art Award, now in its eleventh edition, was created to support the Latin American artists. The award aims to promote the continent's visual arts production and regional fairs among collectors around the world. From the Colombian ARTBO fair, the nominated artist is Federico Ovalles, and from the Brazilian fair SP-Arte, Gustavo Nazareno was nominated for his work “Guiné”.

Voluspa Jarpa’s Syndemic is the winner of the inaugural edition of the Julius Baer Art Prize for Latin American Female Artists, a new biennial award initiated by Julius Baer and The Museum of Modern Art of Bogotá – MAMBO. It is the first of its kind to be held in Latin America, and its mission is to honor the research of outstanding Latin American female artists. Syndemic is a site-specific multimedia project that involves photos, archival documents, videos, maps, sculptures, objects, installation, wallpapers, and lasers that project beyond the Museum’s physical space into the surrounding environment. The term “Syndemic”, from the medical field, is Voluspa Jarpa’s metaphor to analyze the violent social riots that occurred from October 2019 to March 2020 in Chile.

ARTIFACTS is a project curated by researchers Barbara Krulik (US/NL) and Mildred Durán (CO/FR) that revolves around the ubiquity of information and data, and our relationship with them in the contemporary world. It was the winner of the Santa Fe Gallery Network Grant 2021 - Continuous Programming.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

Olga de Amaral has pioneered her own visual language within the fiber arts movement. Her radical experimentation with color, form, material, composition, and space transforms weaving from a flat design element into an architectural component that defies the confines of any genre or medium.

Carried out by Casas Riegner in collaboration with the 1Mira Madrid gallery, and curated by Paula Bossa, Respuestas a una época: María Teresa Hincapié 1987- 2006 (Answers to a time) is the first posthumous exhibition held in Colombia that is dedicated to the artistic practice of one of the pioneers of performance in Latin America.

The INCISO (Incision) exhibition brings together a group of artists who propose a journey via the collage technique and through the plurality of micro stories inherent to their own life or their interest as visual artists. Open until August 27, 2021, the exhibition is curated by Juan David Quintero Arbeláez.

Until September 15, the call is open to Colombian or foreign artists with more than 15 years of experience to present an artistic intervention in the Fragmentos space, created by Doris Salcedo. The award consists of one hundred and sixty million Colombian pesos ($160,000,000 m/cte).