Notes related to España

Currently on view at La Casa Encendida, In the depth heat leaks is Prouvost's first solo show in Spain and traces the path of a 12-year period in which she has produced five audiovisual installations.

Within the framework of the XXIII Pan American Biennial of Architecture of Quito (BAQ), +ARTE gallery will participate with works from the exhibition Parajes escondidos: dentro de lo visible. 

In Alcobendas a new art gallery was inaugurated. This is Fleisch, a space dedicated to architecture, art and gastronomy. In an industrial warehouse renovated by Kurhaus Studio, the Spanish architect Nicolás Sfeir and the curators from Peru and Argentina Carlos García-Montero and Manuela Barreiro are carrying out an international project that proposes exhibitions with bold montages. This is Huacas: architectural synthesis by the Peruvian artist Yerko Zlatar, the exhibition that inaugurates its official program, which can be visited by appointment until the end of September.

On April 7, the Portuguese artist Carlos Bunga (Porto, 1976) presented his new installation Against the Extravagance of Desire at the Palacio de Cristal in the Retiro Park. Last Thursday, July 7, three months after its inauguration, Bunga returns to the Palace to undertake a performative intervention on his work.

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

The Thyssen-Bornemisza National Museum (Madrid, Spain) contains the world view of the American people. Almost four centuries of American painting are on display in rooms 46 to 55 on the first floor of the museum. To name but a few names: Peale, Cole, Heade, Church, Hopper, Burchfield, Shahn, Rothko, de Kooning, Pollock, Estes... Probably the most complete collection of American art in Europe, and a must-see exhibition for anyone who wants to understand the history and thougt of the Western country.

CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.

Located on the border between La Latina and Embajadores neighbourhoods, inside a 60’s trade complex, El Chico is one of the main spaces of the emerging scene that is occupying Madrid’s centre. Space is just a general and practical nomenclature. Founder and director Javier Aparicio (Mexico 1985) explains that the limits of this project are not that important, but if we insist on defining it: "El Chico is, for now, a Podcast with a space," he explains. "The podcast has become an approximation tool for visitors.”

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

While the Storm Arrives is a project for our tumultuous times in which mounir fatmi assesses the sheer weight of accounts and commentaries we increasingly have to bear—physically and intellectually violent narratives that have marked our past and are now shaping our future.

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

ARCOmadrid, organized by IFEMA MADRID, closed its 40+1 Anniversary on Sunday with a commercial balance described by the participating galleries as very positive. The attractive presentation of galleries and artistic programs that have made up the contents of this edition have attracted a global figure of 75,000 visitors, among which were 30,000 art professionals.

Lexus, official partner of ARCOmadrid 2022, awarded for the second year the Prize for the Best Stand and Artistic Content of the edition with a prize of 10,000 euros. The purpose of the award is to highlight not only the great work that all the artists do in their galleries, but also those who stand out for their great presentation.

From February 23 to 27 in pavilions 7 and 9 of IFEMA Madrid, the 40 (+1) edition of the most important international art fair on the Iberian Peninsula will take place.

In this position within The Museum of Contemporary Art of the Basque Country, Lozano will work closely with the Collection Department and the Museum's director.

On Friday, January 21, at 6:30 p.m., the individual exhibition TRAMA, by Nela Ochoa, a Venezuelan/Spanish artist who has resided in Tenerife since 2017, will open at the Saro León gallery.

ARCOmadrid returns to its usual date to celebrate its 40 (+1) Anniversary, from February 23rd to 27th. A unique project set to bring past and present together through the galleries and their essential relationship with artists and collectors. 

The project, curated by Imma Prieto, structures and defines the Collection from a line of research focused on the human body, understood as a reflection of socio-political situations in different contexts. In addition, it brings us closer to the construction of identity from the relationship between body, subject and image. The exhibition can be visited in Space C of the Museum until November 13, 2022.

Colografias, the first European retrospective in honor of the Cuban engraver Belkis Ayón (Havana, 1967-1999) was inaugurated on November 16th at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. The exhibition, which brings together around 80 works produced between 1986 and 1999, constitutes Km 10048 of the International Biennial of Contemporary Art of the South (BIENALSUR), since it is a part, as an associated exhibition, of the biennial held in 124 venues around the world.

Within the Panorama institutional program, this exhibition focuses on aesthetics and artistic practices in and around Barcelona. It comprises a wide range of disciplines, including painting, sculpture, works on paper, video installation, performance, photography and textiles, and is driven by a desire to defend and verify the making of on-site exhibitions as experiences that envelop us as whole sensing bodies in space. As the “notes” of the title suggests, this group exhibition attempts to jot down, to lay out and to connect without seeking to be in any way definitive.

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

BIENALSUR 2021 arrives at the Francis Naranjo Foundation, in the Canary Islands, Spain with A New Order. Breaking Down Borders, an exhibition curated by Diana Wechsler, artistic director of the contemporary art biennial that celebrates its third edition in more than 23 countries, 50 cities and 124 venues in five continents. The exhibition, which can be seen until the end of September, is part of the curatorial axes Política del arte / Constelaciones fluididas (Art Politics / Fluid Constellations), in line with the exhibition Al Sur del Sur, which is on display in Malaga and Juntos Aparte, at the National Museum of Colombia in Bogota.

OpenFile - video cycle where artists describe their works and elaborate on their artistic processes. In this edition, the Cuban artist describes her work with art, nature, and metaphors.

In its third edition, BIENALSUR, icon of the resistance and resilience of art in times of pandemic, travels to La Térmica as the first venue in Spain in 2021. The project shows invisibilized realities through the work of Latin American artists Voluspa Jarpa, Agustina Woodgate, Graciela Sacco, and Paola Monzillo

The Institut Valencià d'Art Modern (IVAM) exhibits works by the British artist of Palestinian origin after she was awarded the Julio González Prize 2020 by the Generalitat Valenciana. The show gathers together a selection of sculptures, large-scale installations and works on paper created mostly in the last two decades. It is intended to serve as a tribute to an artistic oeuvre of great diversity and significance, presenting key works that have become iconic pieces of the contemporary art world.

A conscious capture, which thinks of itself, and freezes in order to account for temporal movement.

The General Council of the MACBA Consortium has appointed her as the new director, valuing her contribution of “an innovative look at the role of the museum on the local and international scene, also incorporating a clear desire to connect with contemporary debates on the role of art in this beginning of the century, without avoiding a clear commitment to the social problems that surround cultural institutions”.