Notes related to Museos

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

Standing before the expressive forcefulness of Mexican-American Robert Nava (East Chicago, USA, 1985) can be risky. At first glance, the primitivism in the technique used in his canvases is shocking in the conversion of the strength of the stroke and the basics of the gesture into a language that agglutinates a brute force. Perhaps for that reason, the usual tendency of those who face his work is to quickly pigeonhole it out of the academic, out of that refinement that is presupposed -although less and less- to those who fill the room of a museum, to let themselves be carried away by the urgency of expression in front of that pretended good taste.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

Rosana Paulino. Amefricana is the most complete exhibition outside Brazil of this artist born in Sao Paulo in 1967. The exhibition at Malba brings together a group of works made during 30 years, between 1994 and 2024, from the perspective that the Atlantic inscribes in the Afro-descendant America.

El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.

It could have been an ordinary retrospective, but the decision to participate in some way in the creative process is a differential and even declarative point in Tembló acá un delirio, the exhibition that Museo CA2M in Móstoles delves into the figure, and at first hand, of Ana Gallardo (Rosario, Argentina, 1958).

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

NEW INC, New Museum's Cultural Incubator, Announces DEMO2024 Art and Technology Festival. Hosted by WSA and Water Street Projects the festival will take place from June 5 to 7, 2024. Keynote Speakers Include Andrew Thomas Huang, Gabriel Massan, Precious Okoyomon, New York City Council Member Chi Ossé, and Mahfuz and Chloe Sultan.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

ICA Boston presents Firelei Báez’s exhibition, the first North American show dedicated to the artist’s work.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

To Live Forever (For a While) is the exhibition at JUMEX featuring the work of iconic British artist Damien Hirst. The exhibition will offer a complete overview of the artist's work between 1986 and 2019, with 57 works including installations, sculptures and paintings.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

MAAT presents Plug-in, a solo exhibition by Joana Vasconcelos, bringing together new works, some of the iconic pieces produced by the artist since 2000, and works from the EDP Foundation Art Collection, while establishing a dialogue between electricity heritage, technology, and visual arts.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

Spirit in the Land at Pérez Art Museum Miami (PAMM) is a contemporary art exhibition that examines today’s urgent ecological concerns from a cultural perspective, demonstrating how intricately our identities and natural environments are intertwined.

Fuego Amigo, Pía Camil's exhibition at the Museo de Arte Carrillo Gil (MACG), proposes a story without beginning, in a circular form. It is curated by Mauricio Marcin.

The exhibition Danza Actual (Current Dance) at the Museum of Modern Art of Buenos Aires explores the importance of modern dance in Argentina. It is curated by Francisco Lemus.

The Modern Art Museum of Fort Worth presented Surrealism and Us: Caribbean and African Diasporic Artists since 1940.

White Shoes is Nona Faustine exhibition at Brooklyn Museum, where the artist, using her own body, interrogates the question “What does a Black person look like today in those places where Africans were once sold, a century and a half ago?” using her body.

War and Peace: A Poetics of Gesture is the exhibition of Beatriz Gonzalez at MUAC (Museo Universitario Arte Contemporáneo), which reviews the artist's work. It is curated by Cuahtémoc Medina and Natalia Gutiérrez.