ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ALFREDO JAAR WINS 2024 MEDITERRANEAN ALBERT CAMUS PRIZE
The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.
THE PAVILION OF URUGUAY AT THE 60TH VENICE BIENNALE
Commissioned by Facundo de Almeida and curated by Elisa Valerio, the national pavilion of Uruguay presents the work of Eduardo Cardozo with the project Latent.
TORONTO BIENNIAL OF ART: PRECARIOUS JOYS
The curatorial team of the Toronto Biennial of Art (the Biennial/TBA) and its curatorial team of Dominique Fontaine and Miguel A. López announced the title, full artist list and venues for its third edition.
PATRICIO REIG AND THE ANATOMY OF THE GAZE
Patricio Reig (San Juan, Argentina, 1952) exhibits at the Centre Cultural La Mercè in Girona Anatomía de la mirada, a proposal that deals with the dissection of the act of looking and its individual and subjective approach.
LATIN AMERICAN ART TRIUMPHS AT AUCTION
The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.
MOVING GRAVES, REVOLVED TERRITORIES, RESISTANCE IN A NET - GRADA KILOMBA, LUANA VITRA AND ABDIAS NASCIMENTO
In Brazil's largest open-air contemporary art center, with an enviable connection between nature and visuality, nautical elements have curiously been the driving force behind important commissioned works. Now at Inhotim, they are central to the metaphors that evoke previous unwanted flows of circulation and, at the same time, act as a reference so that they are not repeated - in this case, the slave trade originating in Africa, whose survivors worked, among other activities, in the exploitation of minerals that sustained the economy of this part of Brazil, today, Minas Gerais.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
ERNESTO NETO AND HIS CROSSROADS OF CULTURES AT MAAT
Ernesto Neto (Rio de Janeiro, Brazil, 1964) presents Nosso Barco Tambor Terra at Lisbon's Museum of Art, Architecture and Technology (MAAT), an impressive large-scale installation with which he evokes and stages the crossing of different cultures and the relationships between individuals from different continents.
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