Galleries

La imagen fotográfica y la fotografía (The photographic image and photography) and Figuraciones ›modernas‹ en recurrencia (>Modern<Figurations in Recurrence) are titled the exhibitions, which include works in various media by local and international artists. Both will open to the public this coming Saturday, November 7 at Hacienda La Trinidad Parque Cultural.

Vickie Pierre’s first solo exhibition with the Miami-based gallery presents an ongoing investigation into explorations of self-identity, ethnicity, and spirituality. With references to her Haitian heritage, as well as the larger Caribbean culture and cultural mythologies throughout the world, Pierre considers and challenges feminine and historic tropes relative to contemporary cultural politics.

From November 3 to December 31, three art galleries in Buenos Aires pay tribute to Luis Felipe “Yuyo” Noé and address different creative stages of his prolific visual production. His works will be exhibited simultaneously in the Rubbers, Gachi Prieto and Jacques Martínez galleries; in an unprecedented project and during a very particular year.

VISION ACUITY is titled after a term homonymous with 20/20 vision, indicating sharpness of vision at a certain distance. The concept is being summoned through curatorial inflection for the purpose of inviting the viewers to rethink topics such as identity, memory, and sense of time and space in a year that has become a reference for contemporary history.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

Hutchinson Modern & Contemporary, a new art gallery specializing in Latin American, Latinx and Caribbean art, holds its inaugural exhibition Freddy Rodríguez: Early Paintings 1970-1990. Spanning the first two decades of the sixty-year decade-long artistic career of the New York-based Dominican-born artist, the exhibition will be on view from October 22, 2020 to January 8, 2021.

New works by Paradela will be featured in their upcoming fair presentations and several large-scale paintings will be exhibited in a group-show at the gallery in November, titled New Beginnings.

Sicardi | Ayers | Bacino presents their new exhibition Nature, on view through December 19, 2020. This exhibition highlights artists Alberto Baraya, Claudio Bravo, Aldo Bonadei, Maria Fernanda Cardoso, Magdalena Fernández, Thomas Glassford, Gabriel de la Mora, Marie Orensanz, Alejandro Otero, Miguel Angel Ríos, Melanie Smith, and Ana Maria Tavares. All of these artists use close observation of nature as a starting point, whether conceptually or in terms of materials used, to create this diverse body of work dating from 1950 to today.

*Efectos secundarios* (Side Effects) consists of works in painting, drawing, collage, photography, ceramics, textiles, sculpture, objects, video performance, digital media and augmented reality. Opening to the public: Thursday, October 15.

The inauguration is scheduled for Thursday, October 15 at 2:00 p.m. at the Espacio Ftalo Gallery of Contemporary Art.

Miami-based Dot Fiftyone gallery presents Bernd Mechler and Hernán Cédola’s exhibition Düsseldorf/ Tolosa.The exhibition presents the work of two artists from different latitudes that have maintained an enriching exchange of dialogues for five years. The show focuses on the coexistence and interaction of their works in the same space.

Miami-based Dina Mitrani Gallery presents this exhibition as part of the Miami Design District's Art in the District Cultural Program.  It features the work of more than 20 artists.

Ecstasy, unfaithfulness and torment are some of the acts that permeate the exhibition “BONELESS” by Carlos Herrera, which can be visited by appointment and respecting hygiene and safety measures.

Curated by Thais Rivitti. No-Man's-Land, title of the solo exhibition by Frederico Filippi at Galeria Leme, enounces the territory it tries to capture. We could call it Brazil, but the use of a proper name gives an impression of accuracy and distinction, as if we were talking about a delimited, already established and agreed on unit.

After completing their participation in BAphoto Live – both at the GaleryShow and with an exhibition "Pictures within pictures" in the PlayRoom section - the auction house Hilario - Artes Letras Oficios programmed a new edition of its online sales, this time with a strong presence of Latin American vintage photography.

Until January 2021, LaCa Projects presents Beachcomber, the gallery’s third solo exhibition of internationally acclaimed contemporary artist Carlos Estévez. Beachcomber is a multimedia exhibition consisting of over fifty artworks in painting, found object assemblage, and ceramics. View the exhibition and unveil  a pivotal juncture in the continuous evolution of Carlos’ artistic process, with references to archetypal themes of metaphysics, transformation, and human spirituality.

Bergamin & Gomide and Fortes D’Aloia & Gabriel inaugurate AAA – Anthology of Art and Architecture. Curated by Sol Camacho – urbanist, architect, Principal at RADDAR Architecture and Cultural Director of Instituto Bardi / Casa de Vidro — the exhibition features more than 100 works by Brazilian artists, architects and designers. The exhibition is held at Galpão, in São Paulo, until October 17, 2020 and marks the reopening of the gallery.

From September 12 to October 24, 2020, this is Dalton Paula’s first solo exhibition in North America. Each portrait evokes a sense of visual discomfort which serves as a metaphor for what the artist experiences during his visits to quilombos: black communities enduring a daily struggle for better living conditions.

Alfredo Guzmán and Isaac Perelman review their history and analyze the challenges in times of pandemic in an interview conducted by Verónica Flom.

On view 10 September – 31 October 2020, and organized in close collaboration with Hurtado earlier this year, the intimate exhibition Luchita Hurtado. Together Forever presents over thirty works from the 1960s through the present day in which she explored the self and the surrounding world as her primary subject. Many of these highly personal artworks – recent paintings of birth along with early works on paper that have remained largely private up to this point – will be on view to the public for the first time.

This is the Brazilian artists’ second solo exhibition with the gallery. Twin brothers Gustavo and Otavio Pandolfo will present a new body of paintings that delve further into their fantasy/dream world by exploring themes related to mysticism and science fiction. Utilizing repeated geometric motifs reminiscent of temple architecture and abstract patterns similar to those in Op Art, this exhibition will offer a heightened, multi-sensory experience that embraces the power of human imagination and the vast possibilities inherent in visually interpreting the subconscious.

Visual artist and doctoral student in Culture and Society at Universidade Federal da Bahia, Tiago presents, in his Works, a dive into the tensions and representations of Afro-Brazilian identities, understanding the dynamics that involve the production of history and memory.

Until August 29^th, Los Angeles-based Steve Turner presents Herida Oscura (Dark Wound), a solo online exhibition by New York-based Carlos Martiel which features photographs that document a number of his performances over the last thirteen years.

Miami Dade College’s (MDC) Cuban Legacy Gallery at the historic Freedom Tower will present Remaking Miami: Josefina Tarafa’s Photographs of the 1970s, an exhibition of images by the photographer, editor, and philanthropist that pictures the transformation of Miami by the arrival of Tarafa’s fellow Cuban immigrants. Tarafa's exceptional photographic work unites an inventive formal sensibility, a documentary and anthropological drive, and a keen eye for the revelatory detail. The exhibition will be on view from fall 2020 until the end of February 2021.