Galleries

Braquenier’s solo exhibition takes its name from an influential volume on one of the most extreme conspiracy theories, claiming the earth’s surface to be flat rather than spherical. Substantiated by Samuel Birley Rowbotham at the end of the nineteenth century, this theory has since brought together a large community of devotees who continue to spread the word virally.

The exhibition will be De la Mora's (b. 1968, Mexico) fifth solo show at the gallery and features thirteen works made of pigmented feathers of turkeys native to Mexico. The exhibition is accompanied by a curatorial text written by Gabriela Rangel, writer, curator, and Artistic Director for MALBA (Museo de Arte Latinoamericano de Buenos Aires) in Buenos Aires, Argentina.

The exposition complements the artist's exhibition in Vilafranca del Penedés in the Sala dels Trinitaris, which opened last October 2020. In this way, the artist proposes a macro exhibition with the same concept: the abuse of power.

With the work of the artists Andrea Canepa, Alberto Casari, Jimena Chávez Delion, Daniel Jacoby, Pierina Másquez, Andrés Pereira Paz, Sarah Zapata and curatorship by Julia Moro.

Pan American Art Projects announces their ARGENTINE ART AUCTION, a charity sale to support Asociación Mutual Israelita Argentina (AMIA) with a donation of 25% of the sales.

LÍQUIDO is a new traveling gallery that promotes the work of young and emerging artists from Latin America with international projection. On this occasion, the exhibition features works by Elián Stolarsky at the Posada Ayana of José Ignacio.

For the first time in more than 40 years, the visual work of Cristiani and Suárez is presented together. This anthological exhibition addresses in an original way all the western and local avant-gardes of three decades of production linked to realism, such as the new figuration, pop art and drawing.

Atávico is a solo show of Guerra that ventures, among other things, into mystery, the linking of generations and the creation of a language based on personal experiences which belong to all too.

This exhibition will feature a new series of monumental sculptures and installations that unapologetically visualize the enduring violence and devastation ignited by colonization. Focusing on the Caribbean archipelago, the first point of colonial contact in the Americas, Fernández challenges us to consider a more nuanced reading of people and place, one that looks beyond dominant, continental narratives and instead considers the region as emblematic of an expansive and decentralized state of mind.

This is a solo exhibition by the world-renowned Ecuadorian artist based in New York, Karina Skvirsky, in the recently opened space of the VIGIL GONZALES gallery in the Valle Sagrado de los Incas.

Impresiones sobre la actualidad (Impressions about Today) is a project of collective creation by the artist José Ruiz Díaz in which, through open printing sessions and with 7000 sheets of paper, he uses the word "TODAY" as a conceptual support to speculate on the concept of actuality, and intervene in the Espacio El Dorado building.

After an in-depth analysis of the homonymous book on economic policy that established the free market guidelines implemented in Chile during the military dictatorship, El Ladrillo (The Brick) questions the eco-political model imposed by Augusto Pinochet and reflects on its cultural and social impact in subsequent years. In the exhibited works, there are references to social and economic history, collective memory and artistic movements such as Russian Constructivism, Neoplasticism, Latin American conceptual art of the 1970s and 1980s, minimalism and Arte Povera.

In a conceptual game between exhibited and exhibiting artwork, the Uruguayan artist presents his this exposition which will be the first solo one in the new RECOLETO gallery in Jávea, Valencia.

Opening tomorrow, December 3rd, the fourth solo exhibition of Fuenmayor at the Miami-based gallery features a selection of small and monumental works in charcoal produced during 2020. “Palindromes” represents Fuenmayor’s “latest investigations into how images can speak to the dynamics of performing identity, negotiating cultural expectations, address histories of colonial exploitation and unpack tropical self-exotification. These reoccurring interests are particularly addressed in his practice to a pan-Latin American and U.S. Latinx context” according to curator Tobias Ostrander’s text.

Curated by Eliana Otta, Dejo este cuerpo aquí (I leave this body here) is a public space intervention and an exhibition divided into three parts.

It is a solo exhibition where Monsalve exhibits works in painting, drawing, collage, photography, objects and video art.

Godoy is an artist with a multidisciplinary practice. His work takes the form of videos, photographs, performances, sculptures, and zines.

In the context of the exhibition Beatriz González: Una Retrospectiva at the Museo de Arte Miguel Urrutia, Casas Riegner presents this show which gathers unpublished paintings and drawings that emerge from the work with the same name.

Until December 14, the Lima gallery presents the exhibition of artists Santiago Yahuarcani and Harry Pinedo / Inin Metsa, curated by Rember Yahuarcani and Giuliana Borea. It is a real-time reflection by indigenous artists and thinkers on how Covid-19 has impacted the lives of native and urban Amazonian populations, evaluating the responses of the State, civil society and survival strategies.

Titled Nos sentamos, escuchamos, discutimos, this is the second solo exhibition of the Mexican artist Jorge Méndez Blake (Guadalajara, 1974). In the midst of a global emergency, just below the great health crisis there are two other crises: the democratic crisis and the poetic crisis. Through different amphitheater projects, Méndez Blake tries to reconstruct the original place of the poet, as the creator of comedy and tragedy, of the community and therefore of democracy, using the amphitheater as a symbol of the possibility of listening, to discuss and live in community.

From November 18 to December 20, the exhibition (The Devil’s Fable) appeals to different visual languages, resources and expressive variants to offer in its images a disturbing atmosphere, that which is explicit but also remains undisclosed.

Conceived from a recurring theme in the artist’s production, the body as the matrix of everything that exists in the world, the exposition explores the relationships between body and space.

Opening in mid-November and continuing through February 2021, the space will serve as a bridge between their global programming and community of longtime collectors, curators, and institutions in Palm Beach and South Florida.

Buenos Aires recovers its cultural rhythm; of course, adapted to the new times, but with its museums and art galleries open, and with the auction rooms offering temptations through its online platforms.