A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES

The Gerhardt Braun gallery is showing the second solo exhibition of Martín Mas (Uruguay, 1974) at its Palma de Mallorca headquarters. The Matter Matters presents a new return of the artist with Balearic roots to wood, his main working medium. Although this comeback is not new but recurrent over the last few years, on each occasion a profound productive relationship is confirmed that leads to the creation of works of apparent simplicity, although with a complex base, in which geometric forms, clear lines and organic substrates predominate. 

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

The Atchugarry Museum of Contemporary Art (MACA) invites you to experience an unforgettable summer with the opening of three exhibitions celebrating the talent of different figures in global art. Starting next January 4, visitors will be able to delve into the creative worlds of Pablo Atchugarry, John Baldessari, and Anthony Caro through showcases offering a unique perspective on their artistic legacies.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Museum of Modern Art (MoMA) is showcasing two exhibitions that explore the evolving relationship between architecture and its social, environmental, and technological contexts. These shows, Down to Earth and The City May Now Scatter, highlight innovative approaches to design and planning.

The Gerhardt Braun gallery is showing the second solo exhibition of Martín Mas (Uruguay, 1974) at its Palma de Mallorca headquarters. The Matter Matters presents a new return of the artist with Balearic roots to wood, his main working medium. Although this comeback is not new but recurrent over the last few years, on each occasion a profound productive relationship is confirmed that leads to the creation of works of apparent simplicity, although with a complex base, in which geometric forms, clear lines and organic substrates predominate. 

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

The Atchugarry Museum of Contemporary Art (MACA) invites you to experience an unforgettable summer with the opening of three exhibitions celebrating the talent of different figures in global art. Starting next January 4, visitors will be able to delve into the creative worlds of Pablo Atchugarry, John Baldessari, and Anthony Caro through showcases offering a unique perspective on their artistic legacies.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Museum of Modern Art (MoMA) is showcasing two exhibitions that explore the evolving relationship between architecture and its social, environmental, and technological contexts. These shows, Down to Earth and The City May Now Scatter, highlight innovative approaches to design and planning.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

The Atchugarry Museum of Contemporary Art (MACA) invites you to experience an unforgettable summer with the opening of three exhibitions celebrating the talent of different figures in global art. Starting next January 4, visitors will be able to delve into the creative worlds of Pablo Atchugarry, John Baldessari, and Anthony Caro through showcases offering a unique perspective on their artistic legacies.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Museum of Modern Art (MoMA) is showcasing two exhibitions that explore the evolving relationship between architecture and its social, environmental, and technological contexts. These shows, Down to Earth and The City May Now Scatter, highlight innovative approaches to design and planning.

The Gerhardt Braun gallery is showing the second solo exhibition of Martín Mas (Uruguay, 1974) at its Palma de Mallorca headquarters. The Matter Matters presents a new return of the artist with Balearic roots to wood, his main working medium. Although this comeback is not new but recurrent over the last few years, on each occasion a profound productive relationship is confirmed that leads to the creation of works of apparent simplicity, although with a complex base, in which geometric forms, clear lines and organic substrates predominate. 

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

The Atchugarry Museum of Contemporary Art (MACA) invites you to experience an unforgettable summer with the opening of three exhibitions celebrating the talent of different figures in global art. Starting next January 4, visitors will be able to delve into the creative worlds of Pablo Atchugarry, John Baldessari, and Anthony Caro through showcases offering a unique perspective on their artistic legacies.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Museum of Modern Art (MoMA) is showcasing two exhibitions that explore the evolving relationship between architecture and its social, environmental, and technological contexts. These shows, Down to Earth and The City May Now Scatter, highlight innovative approaches to design and planning.

The Gerhardt Braun gallery is showing the second solo exhibition of Martín Mas (Uruguay, 1974) at its Palma de Mallorca headquarters. The Matter Matters presents a new return of the artist with Balearic roots to wood, his main working medium. Although this comeback is not new but recurrent over the last few years, on each occasion a profound productive relationship is confirmed that leads to the creation of works of apparent simplicity, although with a complex base, in which geometric forms, clear lines and organic substrates predominate. 

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

The Atchugarry Museum of Contemporary Art (MACA) invites you to experience an unforgettable summer with the opening of three exhibitions celebrating the talent of different figures in global art. Starting next January 4, visitors will be able to delve into the creative worlds of Pablo Atchugarry, John Baldessari, and Anthony Caro through showcases offering a unique perspective on their artistic legacies.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Museum of Modern Art (MoMA) is showcasing two exhibitions that explore the evolving relationship between architecture and its social, environmental, and technological contexts. These shows, Down to Earth and The City May Now Scatter, highlight innovative approaches to design and planning.