LUIS FERNANDO BENEDIT: ART, SCIENCE, AND ECOLOGY IN DIALOGUE
An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.
Luis Fernando Benedit (1937–2011) stands out as a pioneer in integrating art, science, and ecology. His renowned plexiglass "habitats" for plants and animals explored systems of control and communication while investigating the intersection of the natural and artificial. Works like Biotrón (1970) and Fitotrón (1972) earned him recognition as a leading figure in the global avant-garde. Benedit’s collaborations with the Buenos Aires-based Centro de Arte y Comunicación (CAYC), his participation in the 35th Venice Biennale, and exhibitions at the Museum of Modern Art (MoMA) in New York elevated his practice to international prominence.
The panel will feature presentations by Jens Andermann, Julia Detchon, and Daniel R. Quiles, who will contextualize Benedit’s innovative practices within local and global artistic movements. Moderated by Laura Hakel, the conversation will explore the intersections of ecology, cybernetics, and experimental art, underscoring the relevance of Benedit’s work in contemporary dialogues about environmental and technological systems. The discussion will be followed by a reception, providing attendees the opportunity to engage with the exhibition.
On view since September 7, 2024, Luis Fernando Benedit: Invisible Labyrinths marks the first major New York exhibition of the artist’s work since his 1972 debut at MoMA. The show features over forty pieces, including Laberinto invisible (Invisible Labyrinth, 1971), an interactive installation that combines mirrors, lights, and alarms to investigate systems of control. Also on display are Benedit’s experimental habitats, vivid paintings, and archival materials documenting his projects. These works highlight his interdisciplinary approach and his role as a critical voice within the avant-garde movements of the 20th century.
Curated by Laura Hakel, Bernardo Mosqueira, and Olivia Casa, the exhibition offers a comprehensive look at Benedit’s artistic achievements. It aims to illuminate his pivotal contributions to Conceptualism and Systems art while making his legacy accessible to a broader audience. The show underscores ISLAA’s mission to preserve and promote the work of underrepresented Latin American artists, fostering a deeper understanding of their impact on global art history.
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Installation view: Luis Fernando Benedit: Invisible Labyrinths, Institute for Studies on Latin American Art (ISLAA), 2024. Photo: Sebastian Bach. Courtesy of ISLAA
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Luis Fernando Benedit, Coronel vacío y ciego (Empty and Blind Coronel), 1968. Courtesy of ISLAA
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Luis Fernando Benedit, La tercera mujer (The Third Woman), 1966. Courtesy of ISLAA
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Luis Fernando Benedit, Hábitat para caracoles (Habitat for Snails), 1970. Courtesy of ISLAA
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Luis Fernando Benedit, Evaporador de Sachs (Sachs Evaporator), 1972. Courtesy of ISLAA
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Installation view: Luis Fernando Benedit: Invisible Labyrinths, Institute for Studies on Latin American Art (ISLAA), 2024. Photo: Sebastian Bach. Courtesy of ISLAA
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Installation view: Luis Fernando Benedit: Invisible Labyrinths, Institute for Studies on Latin American Art (ISLAA), 2024. Photo: Sebastian Bach. Courtesy of ISLAA
The Institute for Studies on Latin American Art (ISLAA) continues its dedication to celebrating influential artists like Benedit. By combining scholarly research, public programming, and exhibitions, it ensures greater visibility for the rich cultural contributions of Latin America. This event and its accompanying exhibition highlight Benedit’s innovative explorations into the interconnectedness of art, ecology, and technology, offering a timely reflection on the challenges and possibilities of our modern era.
Seating for the panel discussion is limited, and advance registration is encouraged. The program will be conducted in English, with a recording available online following the event.
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