LEILA TSCHOPP: ARTEBA'S WINNER FOR THE EFG LATIN AMERICA ART AWARD

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Pérez Art Museum Miami (PAMM) presented Beyond Representation, an innovative exploration of Caribbean art that challenges traditional boundaries and creates new narratives. This ongoing digital research project and performance series is curated by Iberia Pérez González and hosted by the museum’s Caribbean Cultural Institute (CCI). It features an intergenerational group of artists who use the body and performative practices to critically engage with social, political, and cultural realities in the Caribbean and its diasporas.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Pérez Art Museum Miami (PAMM) presented Beyond Representation, an innovative exploration of Caribbean art that challenges traditional boundaries and creates new narratives. This ongoing digital research project and performance series is curated by Iberia Pérez González and hosted by the museum’s Caribbean Cultural Institute (CCI). It features an intergenerational group of artists who use the body and performative practices to critically engage with social, political, and cultural realities in the Caribbean and its diasporas.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Pérez Art Museum Miami (PAMM) presented Beyond Representation, an innovative exploration of Caribbean art that challenges traditional boundaries and creates new narratives. This ongoing digital research project and performance series is curated by Iberia Pérez González and hosted by the museum’s Caribbean Cultural Institute (CCI). It features an intergenerational group of artists who use the body and performative practices to critically engage with social, political, and cultural realities in the Caribbean and its diasporas.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Pérez Art Museum Miami (PAMM) presented Beyond Representation, an innovative exploration of Caribbean art that challenges traditional boundaries and creates new narratives. This ongoing digital research project and performance series is curated by Iberia Pérez González and hosted by the museum’s Caribbean Cultural Institute (CCI). It features an intergenerational group of artists who use the body and performative practices to critically engage with social, political, and cultural realities in the Caribbean and its diasporas.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.

Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.

An engaging panel discussion will examine the groundbreaking work of Argentine artist Luis Fernando Benedit. Organized as part of the exhibition Luis Fernando Benedit: Invisible Labyrinths, this event brings together distinguished scholars and curators to reflect on Benedit’s significant contributions to Conceptualism, cybernetics, and ecological art. The event is scheduled to take place on Saturday, January 18, 2025, at 2:00 PM EST at ISLAA’s Tribeca location.

The Pérez Art Museum Miami (PAMM) presented Beyond Representation, an innovative exploration of Caribbean art that challenges traditional boundaries and creates new narratives. This ongoing digital research project and performance series is curated by Iberia Pérez González and hosted by the museum’s Caribbean Cultural Institute (CCI). It features an intergenerational group of artists who use the body and performative practices to critically engage with social, political, and cultural realities in the Caribbean and its diasporas.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.