A COMPLETE OVERVIEW AT LILIANA PORTER
Museo Casa de la Moneda, in Madrid, celebrates in an exhibition the career of Liliana Porter (Buenos Aires, Argentina, 1941) through several conceptual key points of it, designing a necessary route to cover, in a succinct but very representative way, one of the most relevant productions of the last decades of conceptual art.
The necessary shaping of her proposal in this Huellas y vestigios greatly facilitates the understanding behind her action as such, without temporal or chronological constrictions, giving a predominant role to the lines of work. These constants trace her interest in the poetic and the conceptual, in the relationship with the passage of time, in the life of objects and in a rethinking of meanings, and all this through the various techniques that the Argentinean has been perfecting until the results have become an unmistakable sign of identity.
Approached from five specific prisms, the exhibition is based on Porter's interest in the potential of action and the relationship that objects have in both the frame and the technique. Her first works in this sense reflect this relationship between subject and result, elevating the criterion of representation to a narrative plane of enormous consistency and strength that poses an analysis of the role and the illocutionary impact that can occur on the medium and technique.
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
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Liliana Porter. Cortesía del Museo Casa de la Moneda
Linear time and its dimensions, as well as narrative planes, also acquire a leading role in the exhibition, where, through her photographs or fully contextualized objects, he reformulates the conception of time and simplicity with a production that seems to combine the spatio-temporal in a succinct but sublime way. Geometry, the very importance of the body and gestures elaborate a specific imaginary in her graphic work, but also stand as the beginning of other ways of representation.
Agustín Pérez Rubio's curatorial work reveals an added interest in certain traditional representations, represented here by Porter's sensitivity to still life and still life as the axis for analyzing and understanding the underlying dichotomy between order and disorder or the sociological trace of collapse. This relationship marks, once again, the interest in the poetic and the conceptual, but without ignoring formality as an essential element of reality.
The importance of the geometric and the sensation of volume is shown as another of the great catalysts in the understanding of the artist throughout the exhibition, and it is here where we are invited to witness the importance of the perception of spaces. The reproduction of her Projects: Chuck Close/Liliana Porter, 1973, exhibited at MoMA, a milestone that marks the beginning of her exploration of the use of wires and cables as instruments to trace these geometries, stands out for its art historiographic importance.
Likewise, and in line with the museographic interest, the recreation of Arruga, a 1969 installation first shown at the Museo de Bellas Artes in Caracas and at the Museo Nacional de Bellas Artes in Santiago de Chile, which represents a spatial evolution of the homonymous portfolio of photogravures created a year earlier, becomes a perfect closure for the proposed tour. The usual reference to the dimensional, as well as a certain patina of criticism, the use of semiotics and the importance of gesture and the process marked in time, nuance and consolidate a wide range of aspects on which Porter has built.
Huellas y vestigios can be seen until March 9 at the Museo de la Casa de la Moneda, Doctor Esquerdo, 36, Madrid (Spain).
May interest you
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A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES
Galería del Paseo presents the dual exhibition A Dos Voces (In To Voices), featuring works by Argentine artist Liliana Porter and Uruguayan artist Ana Tiscornia. The show includes a selection of collaborative pieces and two significant individual works created during 2023/24.
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The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
LENZI'S ON YOUNG ART IN MADRID
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
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Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
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Galería del Paseo presents the dual exhibition A Dos Voces (In To Voices), featuring works by Argentine artist Liliana Porter and Uruguayan artist Ana Tiscornia. The show includes a selection of collaborative pieces and two significant individual works created during 2023/24.
A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
THE BRITTLE POSTCOLONIAL PROPOSAL OF GRADA KILOMBA
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
LENZI'S ON YOUNG ART IN MADRID
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
LEILA TSCHOPP: ARTEBA'S WINNER FOR THE EFG LATIN AMERICA ART AWARD
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
Galería del Paseo presents the dual exhibition A Dos Voces (In To Voices), featuring works by Argentine artist Liliana Porter and Uruguayan artist Ana Tiscornia. The show includes a selection of collaborative pieces and two significant individual works created during 2023/24.
A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
THE BRITTLE POSTCOLONIAL PROPOSAL OF GRADA KILOMBA
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
LENZI'S ON YOUNG ART IN MADRID
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
LEILA TSCHOPP: ARTEBA'S WINNER FOR THE EFG LATIN AMERICA ART AWARD
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
Galería del Paseo presents the dual exhibition A Dos Voces (In To Voices), featuring works by Argentine artist Liliana Porter and Uruguayan artist Ana Tiscornia. The show includes a selection of collaborative pieces and two significant individual works created during 2023/24.
A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
THE BRITTLE POSTCOLONIAL PROPOSAL OF GRADA KILOMBA
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
LENZI'S ON YOUNG ART IN MADRID
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
LEILA TSCHOPP: ARTEBA'S WINNER FOR THE EFG LATIN AMERICA ART AWARD
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
Galería del Paseo presents the dual exhibition A Dos Voces (In To Voices), featuring works by Argentine artist Liliana Porter and Uruguayan artist Ana Tiscornia. The show includes a selection of collaborative pieces and two significant individual works created during 2023/24.
A DOS VOCES: VISUAL NARRATIVES BETWEEN CHARACTERS AND SPACES
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
THE BRITTLE POSTCOLONIAL PROPOSAL OF GRADA KILOMBA
The Reina Sofia Museum presents in the exhibition Opera to a Black Venus a necessary journey to the work of Grada Kilomba (Lisbon, Portugal, 1968), forming the most complete exhibition of her work to date in Spain. The Portuguese artist presents a complete discourse, mainly expressed through the different languages of movement, from the body to performance, but without leaving aside other narrative and artistic techniques with which she analytically presents a certain introspective look at the world of history.
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
LENZI'S ON YOUNG ART IN MADRID
The result of the selection proposed to represent Circuitos de Artes Plásticas 2024, one of the main emerging art projects of the Community of Madrid, has had in this edition a Latin American protagonist in the curatorial work of Isabella Lenzi (São Paulo, Brazil, 1986). The show, named Caja de resonancia (Resonance Box) for the occasion, reviews, through the ten winning works of this annual call, some of the recurring themes and matrixes in the under-35 generation of artists linked to Madrid.
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
LEILA TSCHOPP: ARTEBA'S WINNER FOR THE EFG LATIN AMERICA ART AWARD
In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
