ENCOUNTER OF RIVERS: EXHIBITION OF THE COLLECTIVE SOI NOMA
Encuentro de ríos (Encounter of Rivers) is the exhibition of the Shipibo Conibo de Cantagallo Soi Noma collective, led by Olinda Silvado. It is curated by Giulinana Vidarte.
Encounter of Rivers. Text by Giuliana Vidarte.
The Soi Noma collective brings together a group of artists from the Shipibo-konibo people who currently live in the Cantagallo Community in the city of Lima. For this exhibition the artists Salome Buenapico, Dora Inuma, Delia Pizarrro, Silvia Ricopa, Cordelia Sanchez, Olinda Silvano, Sadith Silvano, Jessica Silvano and Nelda Silvano, part of the collective, have created a series of works in which they develop different versions of kené designs, the traditional Shipibo-konibo geometric patterns painted on canvas. In their composition's lines the family heritage and knowledge shared through different generations converge today: grandmothers, mothers and daughters who affirm, through their own interpretations, to the kene as energy, inspiration and Cantagallo medium, and to develop together proposals that evoke their stories and family ties, of expression. In this Encounter of Rivers they propose to show how the course of the rivers - the Ucayali River and their life trajectories - have led them to coincide today in their respectful relationship with a shared traditional knowledge and the exploration of new modes of creation and languages for geometric patterns.
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Vistas de la exposición.
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Vistas de la exposición.
The artists in Encuentro de ríos seek to highlight the history and changes that have been generated for the kené in recent decades. For them, the works of previous generations were structured in simpler geometric shapes and larger proportions. Today's patterns concentrate the forms and details in each composition, reducing the size of the designs and including grids and other means to make the lines more and more precise. Each artist draws inspiration for the kené from the knowledge of her ancestors and carries it out according to her own technical skills, either with greater dexterity in the handling of materials, or in fine or gestural executions, which are deployed in embroidery, ceramics, weavings with beads and, in recent years, large-format murals. The artists identify in their works updated versions of ancestral designs and highlight them in their relationship with master plants and healing processes -art and medicine- but also emphasize the interrelationships between human and non-human beings, diverse natural elements, times and spaces that are identified with the lines, and that show a critical stance towards the problems of deforestation and destruction of Amazonian ecosystems.
In this way, the kené in Encuentro de ríos is presented in a series of paintings created collectively and in a polyptych of the same name, which includes individual contributions to build a composition that interconnects different views on the creation of these patterns today, and highlights the relationship between the river and the family traditions of each artist. Maya kené. Río Ucayali (2024) delineates the paths of the river framed by master plants and protective spirits. This work also condenses the contents proposed for the exhibition, because through painting it links the personal stories of all the artists, their life flows, their vital currents. Other compositions focus on highlighting the relationship between the kené and the strength of the master plants, or are deployed in the various drawings that evoke bones, animal skins, rivers, traditional medicine and its processes and the elements of flora and fauna.
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Vistas de la exposición.
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Vistas de la exposición.
Likewise, some of the works included in the exhibition are presented as a tribute to the grandmothers, mothers or mothers-in-law from whom the artists received their teachings. This Encounter of Rivers, then, is a confluence of waters and life lines, of family memory networks and creative flows that are proposed, from the perspective of the artists, to continue developing new forms for the kené, understanding its link with traditional knowledge but, at the same time, affirming its execution as part of the development of each one of them as creators, with their own forms and ways, and with different means to relate, understand and express their designs.
Encuentro de Ríos. Group exhibition.
Until April 13, 2024.
Curated by Giuliana Vidarte.
Paseo Lima Gallery. Calle General Borgoño 770, Miraflores, Lima, Peru.
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The EFG Latin American Art Award, together with ArtNexus, announced Fernanda López Quilodráan from Santiago, (Chile), as one of the finalists for the annual acquisition award, whose winner will be announced at Pinta Miami during Miami Art Week.
FERNANDA LÓPEZ QUILODRÁAN, THE ARTIST NOMINATED AT Ch.ACO 2024 FOR THE EFG LATIN AMERICAN ART AWARD
The EFG Latin American Art Award, together with ArtNexus, announced Fernanda López Quilodráan from Santiago, (Chile), as one of the finalists for the annual acquisition award, whose winner will be announced at Pinta Miami during Miami Art Week.
The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.
AN ONGOING PROJECT 20 YEARS LATER: FRANCIS ALŸS IN MALI
The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.
Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.
ABOUT FAILURE AND SUCCESS: GONZALO HERNANDEZ AT ICPNA
Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.
Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.
THE GEOMETRICAL SYSTEMS OF MARIELLA AGOIS IN THE MALI
Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.
The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.
EIELSON 100: THE FESTIVAL THAT CELEBRATES ARTIST JORGE EIELSON IN PERU
The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.
Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.
LUCILA GRADIN: A JOURNEY THROUGH COLOR
Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.
Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.
TWO EXHIBITIONS OF PERUVIAN PHOTOGRAPHY AT CASA DE AMERICA
Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.
Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.
ANTONIO RAIMONDI AND THE REPRESENTATION OF NATURE IN PERU
Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.
The eleventh edition of Pinta PArC –the official contemporary art fair in Peru– will be held from April 24 to 28. It is the most attractive international cultural event in the region, and a window to learn how Peru intertwines its rich history with the most current influences of contemporary art.
PINTA PArC: TRADITION AND PRESENT IN PERFECT SYNCHRONY
The eleventh edition of Pinta PArC –the official contemporary art fair in Peru– will be held from April 24 to 28. It is the most attractive international cultural event in the region, and a window to learn how Peru intertwines its rich history with the most current influences of contemporary art.
