GROUP EXHIBITION AT ZIELINSKY

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

EIELSON quipucamayoc is Jorge Eielson's exhibition at Travesía Cuatro gallery.

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.

The Seville-based Fundación Valentín de Madariaga y Oya raises in its collective exhibition Herencia. Proyecto 360º the need to reconsider actions and return to the essential and almost primary link through the observation and analysis of our environment and its possibilities. The show gathers the work of fifteen international artists who become instrumental through their works for this purpose.

The Fundação Biennale de São Paulo announced that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th São Paulo Biennale, to be held during the second half of 2025.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.