RUTH BENZACAR GALLERY OF ART CELEBRATES 60 YEARS OF HISTORY
The institution commemorates six decades of trajectory reaffirming its commitment to Argentine artistic production and the continuous development of its scene. To kick off the great year, it presents Estudio para la restauración de un perfil (Study for the Restoration of a Profile) by Ana Gallardo and Alquimia para tiempos turbios (Alchemy for Turbulent Times) by Marina De Caro.
Founded in 1965 by Ruth Benzacar (1932-2000), the gallery has been a pillar in the promotion, dissemination, and commercialization of contemporary Argentine art, representing both established and emerging artists. Currently based in Buenos Aires, it is directed by Orly Benzacar and Mora Bacal, the third generation of pioneering gallerists in the national art market. The gallery remains a key reference in Argentina and a forerunner in the region, actively participating in national and international fairs.
Ruth Benzacar was one of the main promoters of the expansion of Argentine art in the international market. In 1991, she was recognized as one of the 200 best gallerists in the world and played a fundamental role in the reconsideration of Antonio Berni, promoting his works abroad. She was also a member of the Organizing Committee of ARCO in Madrid between 1990 and 1999, becoming the first Latin American to hold that position. In 1996, she received the Visual Arts Award from the Argentine Association of Critics in recognition of her career, and in 1998, she was appointed an advisory member of Art Miami.
The gallery presents two exhibitions:
Ana Gallardo - Study for the Restoration of a Profile
Ruth Benzacar Gallery of Art opens its 2025 season with a series of pieces that emerge from Ana Gallardo’s long-standing effort to restore the profile of her artist mother. This artistic practice seeks not only to repair but also to enable new possibilities and developments. A showcase of three generations of women artists, coinciding with the celebration of three generations of gallerists who have shaped Ruth Benzacar into Argentina's most enduring contemporary art gallery. The exhibition will be displayed in the gallery’s main hall and will be accompanied by a text from Kekena Corvalán.
Marina De Caro - Alchemy for Turbulent Times
The gallery will also present a collection of 33 prints by Marina De Caro featuring texts she authored, inspired by the fictional correspondence between the philosopher and women's rights advocate Olympe de Gouges and the utopian socialist Charles Fourier. True to the gallery’s spirit over the past 60 years, this exhibition sees De Caro "shaking up the consensus on what should happen in an exhibition space and what interactions are possible and desirable between works, bodies, and perceptions." The exhibition will take place in Hall 2 of the gallery and will be accompanied by a text by Guadalupe Maradei.
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The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
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Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.
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Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
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Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
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The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
The fair has officially announced the opening of applications for exhibiting galleries interested in participating in this edition. The application deadline is May 15, 2025.
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Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
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Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
The exhibitions Retroespectro (Retrospectrum) by Agustín González Goytía and Un amor y una promesa (A love and a promise) by Fabio Risso Pino, presented at the Linse gallery, invite visitors to explore different approaches to memory, the configuration of images, and artistic identity. While both shows come from distinct languages and concerns, they explore the relationship between past and present, the materiality of art, and its impact on the construction of subjectivities.
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Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.
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Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.
Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.
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Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
THE MARVELLOUS WORLD OF CELINA ECEIZA
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
INDIO SOLARI PRESENTS BRUTTO AT THE MAR MUSEUM
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
The fair has officially announced the opening of applications for exhibiting galleries interested in participating in this edition. The application deadline is May 15, 2025.
PINTA BAphoto OPENS GALLERY APPLICATIONS FOR THE 2025 EDITION
The fair has officially announced the opening of applications for exhibiting galleries interested in participating in this edition. The application deadline is May 15, 2025.
Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
FILM ON PAPER: BETWEEN FICTION AND PHOTOGRAPHY
Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
The exhibitions Retroespectro (Retrospectrum) by Agustín González Goytía and Un amor y una promesa (A love and a promise) by Fabio Risso Pino, presented at the Linse gallery, invite visitors to explore different approaches to memory, the configuration of images, and artistic identity. While both shows come from distinct languages and concerns, they explore the relationship between past and present, the materiality of art, and its impact on the construction of subjectivities.
ART AND MEMORY IN DIALOGUE: TWO EXHIBITIONS AT LINSE
Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.
THE REVERSION OF AMAZONIAN CLICHÉS AT CENTROCENTRO
Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.
Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.
(RE)DISCOVERING SARAH GRILO AT MAISTERRAVALBUENA
Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
THE MARVELLOUS WORLD OF CELINA ECEIZA
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
INDIO SOLARI PRESENTS BRUTTO AT THE MAR MUSEUM
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
The fair has officially announced the opening of applications for exhibiting galleries interested in participating in this edition. The application deadline is May 15, 2025.
PINTA BAphoto OPENS GALLERY APPLICATIONS FOR THE 2025 EDITION
The fair has officially announced the opening of applications for exhibiting galleries interested in participating in this edition. The application deadline is May 15, 2025.
Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
FILM ON PAPER: BETWEEN FICTION AND PHOTOGRAPHY
Observing through George Friedmann’s lens allows one to grasp the power of photography and the charm of artistic fusion. Eso que llaman amor (That Which They Call Love) highlights the beauty of what is carefully constructed yet retains the fragility of the unexpected.
