ART AND MEMORY IN DIALOGUE: TWO EXHIBITIONS AT LINSE
The exhibitions Retroespectro (Retrospectrum) by Agustín González Goytía and Un amor y una promesa (A love and a promise) by Fabio Risso Pino, presented at the Linse gallery, invite visitors to explore different approaches to memory, the configuration of images, and artistic identity. While both shows come from distinct languages and concerns, they explore the relationship between past and present, the materiality of art, and its impact on the construction of subjectivities.
Retroespectro
Agustín González Goytía's exhibition is located at the intersection of various meanings of the term "spectrum." From the ghostly to the distribution of energies in different magnitudes, the artist's work draws on visual references that engage with the history of art and its perception in the present.
González Goytía views his creations as living organisms. Each piece is a cell that interacts with others, generating a mutating composition that expands within the exhibition space. The selected works range from 2014 to the present, bringing together diverse pieces that find unity through collage and montage. These procedures make visible the process of constructing artistic memory, where past and present overlap without hierarchy.
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Agustín González Goytía. RETROESPECTRO 7, 2024. Técnica mixta sobre tela, 273 x 290 cm. Cortesía de Linse
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Agustín González Goytía. RETROESPECTRO 7, 2024. Técnica mixta sobre tela, 273 x 290 cm. Cortesía de Linse
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Agustín González Goytía. SIN TÍTULO, 2024. Técnica mixta sobre tela, 125 x 100 cm. Cortesía de Linse
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Agustín González Goytía. SIN TÍTULO, 2024. Técnica mixta sobre tela, 40 x 50 cm. Cortesía de Linse
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Agustín González Goytía. SIN TÍTULO (PLANTAS), 2024. Técnica mixta sobre tela, 70 x 90 cm. Cortesía de Linse
Materiality in Retroespectro is fundamental. The artist uses fabrics of various types, from gabardine to denim and linen, which serve as supports where painting coexists with stains, folds, and volumes. The arrangement of the works breaks with the traditional white cube structure, creating a constantly evolving environment where images reveal and conceal themselves in a choreography of shapes and textures.
From a critical standpoint, the exhibition also problematizes the construction of artistic memory in Argentina, highlighting the tension between established painting traditions and the possibilities for reinterpretation that emerge from contemporary experimentation. In this way, Retroespectro emerges as an exercise in the active reconstruction of visual and cultural history, where the retro and the spectral coexist in the same space.
Un amor y una promesa
Fabio Risso Pino, on the other hand, introduces us to an intimate and sensitive universe where art becomes a tool to process grief and reflect on life. From his studio in Punta Lara, the artist develops an aesthetic of making that combines tenderness, humor, and nostalgia, with a strong presence of popular and craft imagery.
Un amor y una promesa arises from an autobiographical experience related to the loss of a loved one. Through sculptures, paintings, collages, and objects, Risso Pino creates a visual narrative about love, fragility, and emotional memory. At the center of the room, two anthropomorphic sculptures made from wood, cane, and mannequin shoes represent cosmic figures: the sun and the moon. Their bodies exhibit a visible assembly, where the "seams" of the construction become part of the discourse, reflecting the fragility of the moment and the persistence of unity despite the wounds.
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Fabio Risso Pino. Un amor y una promesa. Vista de Sala. Cortesía de Linse
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Fabio Risso Pino. Un amor y una promesa. Vista de Sala. Cortesía de Linse
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Fabio Risso Pino. Un amor y una promesa. Vista de Sala. Cortesía de Linse
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Fabio Risso Pino. INMENSIDAD, 2024. Collage, 76 x 53 cm. Cortesía de Linse
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Fabio Risso Pino. PEREGRINO, 2024. Objeto collage, 20,2 x 15,8 cm. Cortesía de Linse
At the other end of the room, an embroidered collage depicts the same characters in an embrace, establishing a mirror game between diverse materials and techniques. This dialogue between the three-dimensional and the textile emphasizes the idea of memory as a network of threads that connect times and emotions.
The use of "bastard" materials such as yarns, buttons, cardboard, and colored glue reinforces the craft-like nature of Risso Pino's work. This choice is not innocent: by incorporating elements considered minor or precarious, the artist challenges the hierarchies between art and craft, between the "cultured" and the "popular." In this sense, Un amor y una promesa also becomes a reflection on artistic practice and its place in the contemporary scene.
Retroespectro and Un amor y una promesa will be open until March 15, 2025 at Linse, Bolivar 1753, San Telmo, Buenos Aires (Argentina).
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Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
The institution commemorates six decades of trajectory reaffirming its commitment to Argentine artistic production and the continuous development of its scene. To kick off the great year, it presents Estudio para la restauración de un perfil (Study for the Restoration of a Profile) by Ana Gallardo and Alquimia para tiempos turbios (Alchemy for Turbulent Times) by Marina De Caro.
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Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
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The Center for Art, Research and Alliances (CARA) spring 2025 exhibition, continents like seeds, brings together the work of La Chola Poblete (b. 1989, Argentina), Niño de Elche (b. 1985, Spain), and Pedro G. Romero (b. 1964, Spain); through sound, sculpture, performance, drawing, and painting, the show unravels and exposes the contradictions and ambiguities of colonial legacies.
QUESTIONING TRADITIONS AT CARA
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Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
FAARA 2025 RESIDENCY: THE SIX SELECTED ARTISTS
Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
“ART IS THEATER": THE MODERN MUSEUM UNVEILS ITS 2025 PROGRAM
The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.
The institution commemorates six decades of trajectory reaffirming its commitment to Argentine artistic production and the continuous development of its scene. To kick off the great year, it presents Estudio para la restauración de un perfil (Study for the Restoration of a Profile) by Ana Gallardo and Alquimia para tiempos turbios (Alchemy for Turbulent Times) by Marina De Caro.
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The institution commemorates six decades of trajectory reaffirming its commitment to Argentine artistic production and the continuous development of its scene. To kick off the great year, it presents Estudio para la restauración de un perfil (Study for the Restoration of a Profile) by Ana Gallardo and Alquimia para tiempos turbios (Alchemy for Turbulent Times) by Marina De Caro.
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
THE MARVELLOUS WORLD OF CELINA ECEIZA
Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
INDIO SOLARI PRESENTS BRUTTO AT THE MAR MUSEUM
The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.
