JAIME BOLOTINKSY'S EVERYDAY ELEMENTS - TRIBUTE ARTIST AT PINTA BAphoto 2024
The Tribute Artist section of Pinta BAphoto celebrates a decade exhibiting the trajectory of photographers who had an active participation in the field, seeking to recover and value their figure. This edition, curator Francisco Medail presents Jaime Bolotinsky, a Russian-born photographer based in Buenos Aires who was a pioneer when it came to composing his portraits, using everyday elements and a precise handling of light.

Jaime Bolotinksy | Fotoplastic
Jaime Bolotinsky (1894-1967) was a Russian-born photographer based in Buenos Aires since the early 20th century. In addition to his work at Foto Nobel, the studio he directed for decades in front of Plaza Italia, Bolotinsky developed an unusual personal photographic production for his time. It is a gallery of portraits made from everyday elements. A group of characters shaped by their cultural background, their capacity for imagination and an exquisite handling of light.
Salons such as Nordiska Kompaniet, La Rural and the Sociedad Hebraica Argentina gave shelter to his work and numerous graphic media echoed his exhibitions. In spite of the important circulation that his work had during those years, it is difficult to trace a place of inscription for Bolotinsky in the history of Argentine photography. His context of artistic affiliation places him less close to photographers Grete Stern or Anatole Saderman than to writers José González Castillo and Raul Gonzalez Tuñon or sculptor Stephan Erzia.
However, if we try to trace a transhistorical genealogy, his work can be inscribed in a map of artists ranging from the mannerist Giuseppi Arcimboldo to the Argentine collective Mondongo, including the illustrator Pablo Bernasconi or the photographer Vic Muñiz. Moreover, Bolotinsky's images are plausible to be understood in a surrealist key, since they share with this movement an elemental operation: the strategy of estrangement. His portraits produce a strange, unfamiliar perception, which disinhabits the alienated perception of everyday objects.
A towel, a hat, the camera and the treatment of light. With the simplicity of these elements Bolotinsky produced a series of images that functioned as a prelude to surrealism and today reconstruct a new link in the history of Argentine photography.
Francisco Medail
Curator of the section.
Pinta BAphoto 2024. October 24-27, 2024. La Rural, Buenos Aires, Argentina.
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SEBASTIÁN VIDAL MACKINSON: “CURATORSHIP IS A PROCESS OF SENSITIVITY AND COLLECTIVE INTELLIGENCE”
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The region's most important photography fair Pinta BAphoto opens its doors October 24-27, 2024, at La Rural, Buenos Aires, Argentina. A celebration of the fair's twentieth anniversary with curatorial projects, spaces for artistic exploration, debates among experts and proposals from artists that cross photography with other disciplines.
TO SEE AND THINK THE PHOTOGRAPHIC IMAGE AT PINTA BAphoto 2024
The region's most important photography fair Pinta BAphoto opens its doors October 24-27, 2024, at La Rural, Buenos Aires, Argentina. A celebration of the fair's twentieth anniversary with curatorial projects, spaces for artistic exploration, debates among experts and proposals from artists that cross photography with other disciplines.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.
REPETITION AND TRANSFORMATION - SPECIAL PROJECT AT PINTA BAphoto
Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Lorenzo González Baltazar will be part of the NEXT | Out of Focus section with Primor Gallery, in the 20th edition of Pinta BAphoto. He presents his project Sapucay Marica, with photographs that capture the coexistence of the rural and the queer, performance and tradition, the intimate and the collective.
SAPUCAY MARICA: INTERVIEW WITH LORENZO GONZÁLEZ BALTAZAR
Lorenzo González Baltazar will be part of the NEXT | Out of Focus section with Primor Gallery, in the 20th edition of Pinta BAphoto. He presents his project Sapucay Marica, with photographs that capture the coexistence of the rural and the queer, performance and tradition, the intimate and the collective.

The eighth edition of Video Project, curated by Irene Gelfman, invites us to immerse in the concept of territory through the moving image. In video art we find a sense of curiosity and exploration that challenges our ideas of materiality and expands to embrace the most intimate. In six selected works, the notion of territory addresses bodies, landscapes and symbols, questioning the stability of physical and conceptual limits. The territory becomes a fluctuating space, as critical as the viewer's place.
WITNESSES OF AN EXTENDING TERRITORY - VIDEO PROJECT AT PINTA BAphoto
The eighth edition of Video Project, curated by Irene Gelfman, invites us to immerse in the concept of territory through the moving image. In video art we find a sense of curiosity and exploration that challenges our ideas of materiality and expands to embrace the most intimate. In six selected works, the notion of territory addresses bodies, landscapes and symbols, questioning the stability of physical and conceptual limits. The territory becomes a fluctuating space, as critical as the viewer's place.

Pinta BAphoto –the most important photography fair in the region– presents as a new feature the RADAR section, curated by Sebastián Vidal Mackinson. In an interview with Arte al Día, Sebastián reflects on the diversity of approaches in photography today and its growth as a medium capable of dialoguing with other forms of artistic expression.
SEBASTIÁN VIDAL MACKINSON: “CURATORSHIP IS A PROCESS OF SENSITIVITY AND COLLECTIVE INTELLIGENCE”
Pinta BAphoto –the most important photography fair in the region– presents as a new feature the RADAR section, curated by Sebastián Vidal Mackinson. In an interview with Arte al Día, Sebastián reflects on the diversity of approaches in photography today and its growth as a medium capable of dialoguing with other forms of artistic expression.

Confines of Paraguay is the initiative of Fernando Allen and Fredi Casco that is part of the Main Section of Pinta BAphoto. It is a project that began with a photographic approach, but expanded into an editorial, audiovisual and documentary archive -along with other activities- related to the works of popular and indigenous artists from Paraguay.
FERNANDO ALLEN AND CONFINES OF PARAGUAY IN PINTA BAphoto 2024
Confines of Paraguay is the initiative of Fernando Allen and Fredi Casco that is part of the Main Section of Pinta BAphoto. It is a project that began with a photographic approach, but expanded into an editorial, audiovisual and documentary archive -along with other activities- related to the works of popular and indigenous artists from Paraguay.

Pinta BAphoto closed its 20th anniversary at La Rural, Buenos Aires, Argentina, after a weekend that brought together the best of photography in the region and was a meeting point for gallery owners, artists, curators, collectors and photography lovers. The fair attracted more than 14,000 visitors during its three days open to the public.
PINTA BAphoto - THE EXPRESSION OF A REGION'S PHOTOGRAPHY
Pinta BAphoto closed its 20th anniversary at La Rural, Buenos Aires, Argentina, after a weekend that brought together the best of photography in the region and was a meeting point for gallery owners, artists, curators, collectors and photography lovers. The fair attracted more than 14,000 visitors during its three days open to the public.

On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.

The Museo de Arte Moderno de Buenos Aires presents two exhibitions: the first show in Argentina by US artist Onome Ekeh Especulaciones (Speculations); and El ritmo es el mejor orden (Rhythm is the best order), which brings together a group of recent drawings by Argentine artist Sofía Bohtlingk.
DOUBLE OPENING AT THE MUSEO DE ARTE MODERNO: ONOME EKEH AND SOFÍA BOHTLINGK
The Museo de Arte Moderno de Buenos Aires presents two exhibitions: the first show in Argentina by US artist Onome Ekeh Especulaciones (Speculations); and El ritmo es el mejor orden (Rhythm is the best order), which brings together a group of recent drawings by Argentine artist Sofía Bohtlingk.